Noland, Kenneth 1 Arbeit aus: "12th Anniversary Galeria Joan Prats 1976-88". 198…

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Noland, Kenneth 1 Arbeit aus: "12th Anniversary Galeria Joan Prats 1976-88". 1988. Farbaquatinta auf Vélin. 37 x 55 cm (37 x 55 cm). Monogrammiert und nummeriert. - Verso vereinzelt mit unwesentlichen…

American Modernism Hard-Edge Noland, Kenneth 1 work from: "12th Anniversary Galeria Joan Prats 1976-88". 1988. Color aquatint on wove paper. 37 x 55 cm (37 x 55 cm). Monogrammed and numbered. - Verso with insignificant brown stains. Good condition. Excellent impression in vivid colors. With the scoop margin on two sides. One of 100 copies. - From the portfolio "12th Anniversary Galeria Joan Prats 1976-88" of the Joan Prats Gallery. Color aquatint on vwove paper. Monogrammed and numbered. - With insignificant brown spots on verso. Good condition. Excellent print in vivid colors. With the scooped margin at two sides. - One of 100 copies. - From the portfolio "12th Anniversary Galeria Joan Prats 1976-88" of the Joan Prats Gallery.

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Noland, Kenneth 1 Arbeit aus: "12th Anniversary Galeria Joan Prats 1976-88". 1988. Farbaquatinta auf Vélin. 37 x 55 cm (37 x 55 cm). Monogrammiert und nummeriert. - Verso vereinzelt mit unwesentlichen Braunfleckchen. Guter Zustand. Ausgezeichneter Druck

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Estim. 300 - 400 EUR

[Nouveau recueil de voyages]. Geneva P. Barde [- Manget & compagnie]; Paris, Moutart, Mérigot the young 1785-1787 6 vols. 8vo. Contemp. mottled calf, gilt-ruled spines with raised bands, red spr. edges (sm. and occ. traces of use, front joint of vol. VI split). Complete collection in 6 vol. composed of: - Voyages aux montagnes d'Écosse et aux isles Hébrides, de Scilly, d'Anglesey, &c. Translated from English by a society of literary men, with the necessary notes and clarifications. Enriched with maps and many views and drawings, engraved by the best artists. 2 vols: xv-[1 bl.]-375-[2], vi-[2]-328-[2] pp; 10 pl. (vol. I: sl. marg. damp stain at the begin., marg. stain on pl. p. 250, sm. stain on pp. 272-273). Illustrated with 10 fold. plates: one map and 9 views. Contains a.o. "Isles of Scilly" by William Borlase, "Description de l'isle d'Anglesey, au nord-ouest du Pays de Galles", "Relation d'un voyage de Milord Littelton au nord du Pays de Galles, & à l'isle d'Anglesey" and "Voyage en Écosse et aux isles Hébrides, fait en 1772" by Thomas Pennant, "Description de l'isle de Staffa" by Uno von Troil, "Description de l'isle de Saint-Kilda" by Kenneth Macaulay and "Écosse" by Samuel Johnson, etc. - Coxe, William - Voyage en Pologne, Russie, Suède, Danemarck, etc. [...]. [...]. Translated from the English, enriched with notes and the necessary clarifications and increased by a voyage to Norway, by Mr. P.H. Mallet [...]. Work decorated with maps, portraits, plans & figures in intaglio. 4 vols. xii-380, [4]-404, [4]-293 [= 393], [4]-303 pp. 19 pl. (tear in 1st map of vol. I, marg. damp stains in vol. IV, tear in 3rd map in vol. V). Illustrated with 19 plates: 5 fold. maps (Poland, Russia, Sweden and Denmark), 7 fold. plans (Moscow, St-Petersburg, Stockholm, etc.), 4 portraits and 3 plates (2 fold.). Ref. Brunet IV:114.

Estim. 100 - 150 EUR

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Estim. 2 000 - 2 200 EUR

ROBERT INDIANA (New Castle, Indiana, USA, 1938 - Vinalhaven, Maine, USA, 2018). LOVE series . 100% handmade Indian wool tapestry. Numbered copies. With certificate signed in plate and hand numbered on the back. Measurements: 60 x 60 cm (the small ones), 78 x 78 cm (large). All "LOVE" rugs of unlimited edition are handmade in the city of Varasani. During the production process they practice respect for the environment and their workers, and do not use child labor. The manufacture of these rugs requires tremendous craftsmanship, as each rug is made from start to finish by a single artisan. Robert Indiana is one of the preeminent figures in the American art scene since the 1960s, being the leader in the development of the assemblage technique, and the Hard Edge, and American Pop Art movements. Indiana studied at the Art Institute of Chicago, the Skowhegan School of Painting and Sculpture, and also at the Edinburgh School of Art. Aside from being a painter, Robert Indiana has been a theatrical and costume set and costume designer, in productions such as Santa Fe Opera's The Mother of Us All, and acted in the film Eat directed by Andy Warhol. He proclaimed himself as "the American painter of signs" and throughout his long career he explored, and at the same time constructed, the American identity through diverse iconography. His particular visual language, which could be defined as 'lyricism', marked by slogans such as HUG, EAT and the famous "LOVE". It has become the emblem that continues to unite many artistic generations and is now part of the collective unconscious worldwide. The iconic LOVE series, recognized by LO and VE stacked one on top of the other and arranged in a square, and to which our piece belongs, was first used in a set of poems written in 1958. Then, in the summer of 1965, MoMA commissioned Indiana to design Christmas cards, ultimately approving this red, blue and green design. Its true semantic translation is deeply linked to Christianity and the artist's childhood, educated according to the Church of Christ, Scientist. In an epistolary with collector Larry Aldrich, Indiana shares that there was a phrase 'God is Love' written by the founder of this church, Mary Baker Eddy, which was an unofficial motto of Scientist Christianity. From this was born the idea of higher love that Indiana ultimately wanted to convey through all of his work from the 1960s until his death. In 2008 Indiana created a very similar image for Barack Obama's presidential campaign, in which this symbol was used for various propaganda items. Robert Indiana had hundreds of solo and group exhibitions worldwide. Particularly in Spain he exhibited three times, in 1992 at the Galería 57, in 2009 at the Galería Barcelona, and finally in 2012 at the Museo de Pasión in Valladolid. With certificate signed in plate and hand numbered on the back.

Estim. 800 - 1 000 EUR

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