Scott, William Scalpay. 1963. Farblithographie auf Arches Velin (mit WZ). 50 x 6…
Description

Scott, William Scalpay. 1963. Farblithographie auf Arches Velin (mit WZ). 50 x 65,5 cm. Signiert, datiert und nummeriert. Mit dem Trockenstempel der Edition Wolfgang Ketterer. - An den Seiten mittig j…

British Post War Scott, William Scalpay. 1963. Color lithograph on Arches wove paper (with WZ). 50 x 65.5 cm. Signed, dated and numbered. With the dry stamp of Edition Wolfgang Ketterer. - Small pinhole in the center of each side as a trace of the former mounting. Light finger, paint and studio traces in places, also verso. Extremely good overall. Splendid, richly colored and well-balanced impression of the format-filling image, with scoop margins on the left and right sides. Ketterer edition catalog 189 - One of 100 copies. - From the portfolio "Europäische Graphik I (Englische Künstler)". - Ed. Edition Wolfgang Ketterer in collaboration with Felix H. Mann, Munich 1963 - The Scottish artist William Scott RA's work can be categorized as post-war abstract painting. His work also takes on interesting facets from figurative, classical painting, which Scott studied intensively from the age of 14. Artists such as Picasso, Modigliani and Cézanne influenced Scott aesthetically. He began studying painting at the Belfast Collage of Art in 1928, which he continued at the Royal Academy Schools in London. Until then, his early work was more figurative and playful. Scott's style changed significantly during a study trip to the USA. He became personally acquainted with Mark Rothko, Franz Kline and Jackson Pollock, the leading artists of Abstract Expressionism, Action Painting and the New York School. His style became more two-dimensional and his formal language much more abstract. Scott's participation in the Documenta in 1959 and 1964 with his newly created works led to his international breakthrough, followed by institutional exhibitions. In 1984 he was appointed a member of the Royal Academy. 5 years later, in 1989, Scott succumbed to Alzheimer's disease. Color lithograph on Arches wove paper. Signed, dated and numbered. With the dry stamp of Edition Wolfgang Ketterer. - Small pinhole in the center of each side as a trace of the former mounting. Light finger, color and studio traces in places, also On the verso. Extremely good overall. Splendid, colorful and well-balanced impression of the full-format depiction, with scoop margins on the left and right sides. - One of 100 copies. - From the portfolio "Europäische Graphik I (Englische Künstler)". - Pub. Edition Wolfgang Ketterer in collaboration with Felix H. Mann, Munich 1963 - The Scottish artist William Scott's work can be categorized as post-war abstract painting. His work also takes on interesting facets from figurative, classical painting, which Scott studied intensively from the age of 14. Artists such as Picasso, Modigliani and Cézanne influenced Scott aesthetically. He began studying painting at the Belfast Collage of Art in 1928, which he continued at the Royal Academy Schools in London. Until then, his early work was more figurative and playful. Scott's style changed significantly during a study trip to the USA. He became personally acquainted with Mark Rothko, Franz Kline and Jackson Pollock, the leading artists of Abstract Expressionism, Action Painting and the New York School. His style became more two-dimensional and his formal language much more abstract. Scott's participation in the Documenta in 1959 and 1964 with his newly created works led to his international breakthrough, followed by institutional exhibitions. In 1984 he was appointed a member of the Royal Academy. 5 years later, in 1989, Scott succumbed to Alzheimer's disease.

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Scott, William Scalpay. 1963. Farblithographie auf Arches Velin (mit WZ). 50 x 65,5 cm. Signiert, datiert und nummeriert. Mit dem Trockenstempel der Edition Wolfgang Ketterer. - An den Seiten mittig je mit kleinem Einstichloch als Spur der ehemaligen Mont

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