Karshan, Linda o.T. (abstrakte Komposition in Schwarz). 1994. Mischtechnik mit Bleistift über Acryl, collagiert mit Klebestreifen, auf braunem Packpapier. 32 x 25,6 cm. Signiert und datiert. Punktuell…

Contemporary Art Karshan, Linda o.T. (abstract composition in black). 1994. mixed media with pencil over acrylic, collaged with adhesive tape, on brown wrapping paper. 32 x 25.6 cm. Signed and dated. Mounted in spots on passeparout backing, detached and framed under glass. Verso with a further sketch. - Technique-related craquelure in areas of adhesive tape. Overall very good. Expressive, deep black work with convincing tactility. Provenance: - Private collection, Northern Germany - Galeie Werner Klein, Cologne. - Since 1994, Linda Karshan has allowed the structure of her artistic work to be determined by an "inner order", which she developed through intuition and personal choreography. The American artist has been inspired by the liberal arts (dance, philosophy and literature, in particular the work of Samuel Beckett) as well as psychology (in particular D. W. Winnicott's theories of "transitional space" and creativity, on which she wrote her master's thesis). As a result, the individual rhythm that Karshan develops in an ever-varying beat for each work determines each composition. Mixed media with pencil over acrylic, collaged with adhesive tape, on brown wrapping paper. Signed and dated. Spot-mounted to mat's back, free-standing, framed under glass. On the verso with another sketch. - In the areas of the adhesive strips with craquelure due to technique. Very good overall. Expressive, deep-black work with convincing tactility. - Provenance: - Private collection, Northern Germany - Galerie Werner Klein, Cologne. - Since 1994 Linda Karshan has allowed the structure of her artistic work to be determined by an "inner order" which she developed through intuition and personal choreography. The American artist has been inspired by the liberal arts (dance, philosophy and literature, in particular the work of Samuel Beckett) as well as psychology (in particular D. W. Winnicott's theories of "transitional space" and creativity about which she wrote her master's thesis). As a result, the individual rhythm that Karshan develops in an ever-varying beat for each work determines each composition.