Null Heckel, Erich Sammlung von 22 Jahresblättern für die Jahre 1940-1969. 1939-…
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Heckel, Erich Sammlung von 22 Jahresblättern für die Jahre 1940-1969. 1939-1968. Verschiedene Techniken: überwiegend Holzschnitt, teils Farbholzschnitt, zwei Lithographien. Auf verschiedenen Papieren. Blattmaße von ca. 15,5 x 10,5 cm bis 23,5 x 17 cm. Classical Modernism Expressionism Heckel, Erich Collection of 22 annual sheets for the years 1940-1969. 1939-1968. Various techniques: predominantly woodcut, partly color woodcut, two lithographs. On various papers. Sheet dimensions from approx. 15.5 x 10.5 cm to 23.5 x 17 cm. Each with signed wishes in pencil, some additionally signed and dated. - Some with slight creases or handling marks in the margins. Occasionally with inconspicuous brown stains and minor soiling, also verso. A few with paper-related browning. Two sheets with fold marks, two further sheets with heaped brown stains on verso. Excellent impressions, the woodcuts with fine grain and deep blacks. Contains the New Year sheets for the years 1940, 1944, 1946, 1947, 1949, 1950, 1951, 1953, 1954, 1955, 1956, 1957 and 1960-1969. - Dube I 371, 374, 377, 378, 387, 393, 395, 401, 408, 410, 415, 421, 431, 433, 437 and 445. Dube II 395, 397, 449, 451, 455 and 456. Collection of 22 new year prints for the years 1940-1969. 1939-1968. Various techniques: predominantly woodcut, partly color woodcut, two lithographs. On various papers. Each with signed wishes in pencil, some additionally signed and dated. - Some with slight creases or handling marks in the margins. Occasionally with inconspicuous brown stains and minor soiling, also verso. A few with paper-related browning. Two sheets with fold marks, two further sheets with several brown stains on verso. Excellent impressions, the woodcuts with fine grain and deep blacks. - Contains: see above.

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Heckel, Erich Sammlung von 22 Jahresblättern für die Jahre 1940-1969. 1939-1968. Verschiedene Techniken: überwiegend Holzschnitt, teils Farbholzschnitt, zwei Lithographien. Auf verschiedenen Papieren. Blattmaße von ca. 15,5 x 10,5 cm bis 23,5 x 17 cm. Classical Modernism Expressionism Heckel, Erich Collection of 22 annual sheets for the years 1940-1969. 1939-1968. Various techniques: predominantly woodcut, partly color woodcut, two lithographs. On various papers. Sheet dimensions from approx. 15.5 x 10.5 cm to 23.5 x 17 cm. Each with signed wishes in pencil, some additionally signed and dated. - Some with slight creases or handling marks in the margins. Occasionally with inconspicuous brown stains and minor soiling, also verso. A few with paper-related browning. Two sheets with fold marks, two further sheets with heaped brown stains on verso. Excellent impressions, the woodcuts with fine grain and deep blacks. Contains the New Year sheets for the years 1940, 1944, 1946, 1947, 1949, 1950, 1951, 1953, 1954, 1955, 1956, 1957 and 1960-1969. - Dube I 371, 374, 377, 378, 387, 393, 395, 401, 408, 410, 415, 421, 431, 433, 437 and 445. Dube II 395, 397, 449, 451, 455 and 456. Collection of 22 new year prints for the years 1940-1969. 1939-1968. Various techniques: predominantly woodcut, partly color woodcut, two lithographs. On various papers. Each with signed wishes in pencil, some additionally signed and dated. - Some with slight creases or handling marks in the margins. Occasionally with inconspicuous brown stains and minor soiling, also verso. A few with paper-related browning. Two sheets with fold marks, two further sheets with several brown stains on verso. Excellent impressions, the woodcuts with fine grain and deep blacks. - Contains: see above.

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Prof. Erich Heckel, "Der Spaziergang" Father in conversation with his son, in front of a landscape under a radiant sun, catalogue raisonné Dube 317, woodcut, signed and dated "Erich Heckel (19)20" in pencil below the image on the right, paper browned and slightly stained in the lower area, matted and framed behind glass, dimensions approx. 46 x 32 cm. Artist info: important German painter and graphic artist. Painter and graphic artist (1883 Döbeln - 1970 Radolfzell/Bodensee), studied architecture at the Technische Hochschule Dresden from 1904, discontinued his studies in early 1906, worked (until 1907) in a Dresden architectural office and turned to painting and graphic art as an autodidact, 1905 together with Karl Schmidt-Rottluff, Ernst Ludwig Kirchner and Fritz Bleyl founded the artists' group "Brücke" in Dresden, 1907-10 study visits with Schmidt-Rottluff in Dangast, 1909 trip to Italy and studio community with Kirchner in Dresden, 1909-11 summer stays of the Brücke artists at the Moritzburg ponds, 1911 move to Berlin, here 1912 friendship with Lyonel Feininger, Franz Marc and August Macke, 1913 Dissolution of Die Brücke and first solo exhibition with Fritz Gurlitt in Berlin, discovered the small village of Osterholz in the Flensburg Fjord for himself in 1913 and spent the summer and autumn months here until 1943, 1914 with Heinrich Nauen in Dilborn and took part in the Werkbund exhibition in Cologne, 1915-18 military service as a medic, 1918 member of the "Arbeitsrat für Kunst" and member of the Nationalgalerie's acquisition commission, from 1920 regular study trips through Germany, southern France, Italy, England and the Alps, 1931 retrospective at the Kunsthütte Chemnitz, from 1937 exhibition ban and ostracised as "degenerate", at the picture burning on 20.3.In 1939, 1004 paintings and 3825 watercolours and prints by Erich Heckel were destroyed in the courtyard of the Berlin fire station, 1941-43 stay in Carinthia, 1944 destruction of the studio in Berlin by bombing and relocation to Hemmenhofen on Lake Constance, 1949-55 professor at the Karlsruhe Academy, participated in numerous exhibitions, including documenta 1 in Kassel in 1955, member of the Reichsverband Bildender Künstler Deutschlands and the Deutscher Künstlerbund Weimar, source: Thieme-Becker, Vollmer, Dressler and Internet.

Erich Heckel, "Mann mit Baskenmütze" Self-portrait of the former member of the Brücke artists' group with a gaze directed into the distance, see catalogue raisonné Ebner/Gabelmann 918 L II and Dube L 332, lithograph, signed and dated "Heckel (19)48" in pencil below the depiction on the right and titled "Mann mit Baskenmütze" on the left, minimally stained, matted and framed behind glass, matted cut-out approx. 35 x 23 cm. Artist info: important German painter and graphic artist. Painter and graphic artist (1883 Döbeln - 1970 Radolfzell/Bodensee), studied architecture at the Technische Hochschule Dresden from 1904, discontinued his studies in early 1906, worked (until 1907) in a Dresden architectural office and turned to painting and graphic art as an autodidact, 1905 together with Karl Schmidt-Rottluff, Ernst Ludwig Kirchner and Fritz Bleyl founded the artists' group "Brücke" in Dresden, 1907-10 study visits with Schmidt-Rottluff in Dangast, 1909 trip to Italy and studio community with Kirchner in Dresden, 1909-11 summer stays of the Brücke artists at the Moritzburg ponds, 1911 move to Berlin, here 1912 friendship with Lyonel Feininger, Franz Marc and August Macke, 1913 Dissolution of Die Brücke and first solo exhibition with Fritz Gurlitt in Berlin, discovered the small village of Osterholz in the Flensburg Fjord for himself in 1913 and spent the summer and autumn months here until 1943, 1914 with Heinrich Nauen in Dilborn and took part in the Werkbund exhibition in Cologne, 1915-18 military service as a medic, 1918 member of the "Arbeitsrat für Kunst" and member of the Nationalgalerie's acquisition commission, from 1920 regular study trips through Germany, southern France, Italy, England and the Alps, 1931 retrospective at the Kunsthütte Chemnitz, from 1937 exhibition ban and ostracised as "degenerate", at the picture burning on 20.3.In 1939, 1004 paintings and 3825 watercolours and prints by Erich Heckel were destroyed in the courtyard of the Berlin fire station, 1941-43 stay in Carinthia, 1944 destruction of the studio in Berlin by bombing and relocation to Hemmenhofen on Lake Constance, 1949-55 professor at the Karlsruhe Academy, participated in numerous exhibitions, including documenta 1 in Kassel in 1955, member of the Reichsverband Bildender Künstler Deutschlands and the Deutscher Künstlerbund Weimar, source: Thieme-Becker, Vollmer, Dressler and Internet.