Nitsch, Hermann 1 C-print mit Acrylfarbe überarbeitet aus: 104. Malaktion, Lehraktion, Studio d'Arte Cannaviello, Mailand 2000. 2000. Auf Photopapier. 17,6 x 23,6 cm. Signiert, nummeriert und verso mi…

Austrian Post War Viennese Actionism Nitsch, Hermann 1 C-print reworked with acrylic paint from: 104th painting action, teaching action, Studio d'Arte Cannaviello, Milan 2000. 2000. On photographic paper. 17.6 x 23.6 cm. Signed, numbered and with label verso, there with typographic work details and copyright stamp. Mounted in spots on support, matted and framed under glass. - Corners barely noticeably bumped. Good overall. Splendid print with expressive color in the signal tone red reworked. The photograph documents the teaching action that took place on October 3, 2000 in Milan at the Studio d'Arte Cannaviello for 2 hours. Hermann Nitsch's work was influenced by Greek tragedy, German Expressionism, French Symbolism and the Surrealists. He achieved the intensity of his works through the expansion into the physical-sensual space of experience, through the integration of all the senses in the use of substances, bodies and objects with a strong sensory quality. This is contrasted by the reduction of the means of expression in the orgiastic actions to the most primal - language becomes a scream, music becomes noise, painting becomes the spilling of color, word becomes action and representation becomes material. In terms of motifs, his leading figures are borrowed from religions and myths that thematically reflect life itself - birth, life, death, rebirth. 1 C-print reworked with acrylic paint from: 104. Malaktion, Lehraktion, studio canaviello, Milan 2000. On photographic paper. Signed, numbered and on the verso with label, there with typographic work details and the copyright stamp. Spot-mounted to underlying mat and under mat, framed under glass. - Corners hardly noticeably bumped. Overall good. Splendid print with expressive color reworked in the signal tone red. - The photograph documents the Lehraktion that took place on 03 October 2000 in Milan at the Studio d'Arte Cannaviello for 2 hours. Hermann Nitsch was influenced in his work by Greek tragedy, German Expressionism, French Symbolism and the Surrealists. He achieved the intensity of his works by extending them into the physical-sensory space of experience, by involving all the senses in the use of substances, bodies and objects with a strong sensory quality. This is contrasted by the reduction of the means of expression in the orgiastic actions to the most primal - language becomes a scream, music a noise, painting a spilling of color, word an act and representation a material. In terms of motifs, his leading figures are borrowed from religions and myths that thematically reflect life itself - birth, life, death, rebirth. This work is taxed. A premium of 23.95% will be added to the hammer price and 7% (books) or 19% VAT will be added to the final invoice amount in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.