Null Geiger, Rupprecht Colour in the Round (orange). 1969. Farbserigraphie auf V…

Description

Geiger, Rupprecht Colour in the Round (orange). 1969. Farbserigraphie auf Vélin-Karton. 67 x 62 cm (71 x 66 cm). In Bleistift signiert und nummeriert. - Untere linke Ecke etwas bestoßen. Leichte oberflächliche Bereibungen, im oberen Rand mit kleinem Fa ZERO Geiger, Rupprecht Color in the Round (orange). 1969. color silkscreen on Vélin cardboard. 67 x 62 cm (71 x 66 cm). Signed and numbered in pencil. - Lower left corner somewhat bumped. Slight superficial rubbing, small loss of color in upper margin. Verso with traces of early mounting and handwritten annotations in pencil. Annotations in pencil and minimal soiling verso. Splendid and richly colored impression of luminous colourfulness. WVG 126/2 - One of 95 numbered copies. - Sheet 2 of the series of 9 variants "Color in the round". Printed by Hans-Peter Haas, Echterdingen near Stuttgart. Ed. Galerie Der Spiegel, Cologne. Color serigraph on firm wove paper. Signed and numbered in pencil. - Lower left corner somewhat bumped. Slight superficial rubbing, with small loss of color in upper image. Verso with traces of previous mounting and handwritten annotations in pencil, minimal soiling. Splendid and richly colored impression with vibrant colours. - One of 95 numbered copies. - Sheet 2 of the series of 9 variants 'Colour in the round'. Printed by Hans-Peter Haas, Echterdingen near Stuttgart. Ed. gallery Der Spiegel, Cologne. This work is taxed. The hammer price is subject to a 23.95% surcharge and the final invoice amount is subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

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Geiger, Rupprecht Colour in the Round (orange). 1969. Farbserigraphie auf Vélin-Karton. 67 x 62 cm (71 x 66 cm). In Bleistift signiert und nummeriert. - Untere linke Ecke etwas bestoßen. Leichte oberflächliche Bereibungen, im oberen Rand mit kleinem Fa ZERO Geiger, Rupprecht Color in the Round (orange). 1969. color silkscreen on Vélin cardboard. 67 x 62 cm (71 x 66 cm). Signed and numbered in pencil. - Lower left corner somewhat bumped. Slight superficial rubbing, small loss of color in upper margin. Verso with traces of early mounting and handwritten annotations in pencil. Annotations in pencil and minimal soiling verso. Splendid and richly colored impression of luminous colourfulness. WVG 126/2 - One of 95 numbered copies. - Sheet 2 of the series of 9 variants "Color in the round". Printed by Hans-Peter Haas, Echterdingen near Stuttgart. Ed. Galerie Der Spiegel, Cologne. Color serigraph on firm wove paper. Signed and numbered in pencil. - Lower left corner somewhat bumped. Slight superficial rubbing, with small loss of color in upper image. Verso with traces of previous mounting and handwritten annotations in pencil, minimal soiling. Splendid and richly colored impression with vibrant colours. - One of 95 numbered copies. - Sheet 2 of the series of 9 variants 'Colour in the round'. Printed by Hans-Peter Haas, Echterdingen near Stuttgart. Ed. gallery Der Spiegel, Cologne. This work is taxed. The hammer price is subject to a 23.95% surcharge and the final invoice amount is subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

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Starting price 200 EUR

Miró, JoanDer Lithograph IV. 1969-1972. Mit 6 Original-Farblithographien, davon eine auf dem Umschlag. Genf, Weber, 1982. 4°. OLwd. in ill. OUmschlag., in Verlagskarton. Miró, Joan Der Lithograph IV. 1969-1972. Mit 6 Original-Farblithographien, davon eine auf dem Umschlag. Genf, Weber, 1982. 4°. OLwd. in ill. OUmschlag., in Verlagskarton. Deutsche Ausgabe. Mit 5 eingebundenen Lithographien und einer auf dem Umschlag. - Verlagsfrisches Exemplar. With 6 original colour lithographs, one of them on the cover. Orig. cloth in ill. orig. wrappers, in publisher's cardboard box. - German edition. With 5 bound-in lithographs and one on the cover. - Fresh copy.

Estim. 20 - 30 EUR

Willi Geiger, attr, Portrait of a Romanian soldier Expressionist portrait of a Romanian soldier of the 2nd World War in uniform. In November, Romania under military dictator Ion Antonescu joined the Axis powers under the leadership of National Socialist Germany, which is why it is possible that Geiger portrayed this Romanian soldier in 1941, Geiger created an expressive testimony of the time through dynamic contouring and contrasting colours between the background and the uniform, oil on canvas, signed "Geiger" and dated [19]41", canvas mounted and stretched on a newer stretcher, restored, rubbing in the margins, unframed, folded dimensions approx. 71.5 x 56.5 cm. Artist information: dt. Graphic artist and painter (1878 Landshut-Schönbrunn - 1971 Munich), studied 1898-99 at the Munich Kunstgewerbeschule and subsequently at the Technische Hochschule München (graduated with state examination as drawing teacher), 1902-05 together with Hans Purrmann at the Munich academy under Franz von Stuck and Paul Halm, 1905 Schack Prize, which enables him to travel to Italy and Spain for the first time in 1905-08, whereby the Spanish bullfights in particular leave a lasting impression, 1908 birth of his only son Rupprecht Geiger, 1910 Villa Roma Prize, 1912 study trips to Italy, Spain and North Africa, worked in Berlin until 1914, where he collaborated with the Cassirer and Gurlitt galleries, then freelanced in Munich, 1921-23 teacher at the Munich School of Arts and Crafts, followed by a stay in Spain, professor at the Academy of Graphic Arts in Leipzig from 1928, 1933 dismissed without notice and defamed as "degenerate", retired to a farm on Lake Chiemsee, professor at the Munich Academy from 1946, member of the Munich Secession and the Deutscher Künstlerbund Weimar, active in Munich and Feldwies am Chiemsee, source: Thieme-Becker, Dressler, Vollmer and Internet.

Estim. 4 000 - 5 000 EUR

"VILLASIERRA" MARIO VILLARROEL (Venezuela, 1970). "Fragile-yellow series", 2021. Resin. Signed on the metal base. Measurements: 70 x 24 x 28 cm. About this work the author commented "2020 was the year in which we broke, life changed us. This new series of works, "Fragile" show the scars that the pandemic has left on us. But at the same time they reflect how we have been able to put ourselves back together, to transform ourselves and become better human beings. These violins are different, stronger, better and each one of them is a unique piece of art" . Villasierra is the archetypal case of a self-taught artist who explored other fields before devoting himself to art full time. A lawyer by training, he also ventured into the world of motorcycles, making and customizing them, which became a new field of work where he explored his creativity and fostered his interest in mechanisms beyond their primary function. His artistic production began in the 1990s and since then he has produced a considerable body of work. Some of it demonstrates his interest in recycling, in giving a second chance and function to discarded objects. With this idea in mind, she goes on excursions to antique markets and accumulates an unimaginable treasure trove. From this approach and his love for music, musical instruments found a place in his work. A good example is one of his most acclaimed series, The Second Life, which he developed mainly between 2016-2018. Among the instruments used in this series are violins. Villasierra explained that the first was inspired by a political act of resistance in his native country. In 2017, a young violinist, Wuilly Arteaga, confronted the Venezuelan army, alone with his violin, during a revolt. This act of bravery moved Villasierra, who took an old violin and painted it in the colors of the flag as a tribute to the musician's bravery and as a wake-up call to what was happening in his country. To create these works he visits the music departments of public art schools and takes the discarded violins in exchange for new ones that he buys and donates to the schools. Thus, the old ones become part of his work, while the new ones he replaces in the hands of the children.

Estim. 10 - 15 EUR

Silver commemorative medal "Landing on the moon", 1969, brilliant uncirculated, approx. 16 gr

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