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Description

Follower of William Hogarth

Follower of William Hogarth Portrait of a gentleman, bust-length, in a blue coat miniature on copper, oval 4.5 x 4cm Condition Report: Please contact the department.

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Follower of William Hogarth

Estimate 300 - 500 GBP
Starting price 240 GBP

* Not including buyer’s premium.
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For sale on Tuesday 25 Jun : 10:00 (BST)
stansted-mountfitchet, United Kingdom
Sworders Fine Art Auctioneers
+441279817778
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Follower of William Hogarth, British 1697-1964- Portrait of Simon Fraser, Lord Lovat; oil on canvas, 66.1 x 49.5 cm. Provenance: Private Collection, UK. Note: The present painting is a near-contemporary interpretation of William Hogarth's 1746 print of Simon Fraser, 11th Lord Lovat (1667-1747). Lovat was a prominent Jacobite, supporting the Stuart claimant 'Bonnie Prince Charlie', Charles Edward Stuart (1720-1788) at the Battle of Culloden in 1746. After the Highlanders' defeat, Lovat was charged with High Treason and sentenced to death, becoming, in 1747, the last person in Britain to be executed by beheading. Hogarth met with Lord Lovat in 1746, shortly before the elderly Scotsman’s execution, while they were both staying at a St Albans inn. The artist made sketches of Lovat during that meeting (like the example held in the collection of the Harris Museum & Art Gallery, Preston, PRSMG : P985), and the etching which resulted from this sitting was published that same year. Hogarth’s etching was widely circulated and became popular as soon as it was published, providing inspiration for many other artists working at the time. A portrait of Lord Lovat similar to the example presented here, which was previously attributed to Hogarth himself but is now also believed to be an early copy of the 1746 print, is held in the collection of the National Portrait Gallery [NPG 216]. The minor variations in colouring between that portrait and the present version suggest that both works were not exact copies but rather free interpretations of Hogarth's original. The early popularity of Hogarth’s print is further attested by a late 18th/early 19th century head study after the portrait in the collection of the British Museum [1893,0516.390]. In the 1746 etching, Hogarth has depicted Lord Lovat counting on his fingers, allegedly counting the number of clans who supported the prince during the Jacobite rising. Perhaps aware of the significance of this aspect of Hogarth's portrait, the artist of the present painting appears to have paid particular attention to the rendering of the sitter's hands, which are picked out with precise brushstrokes.