Null Steven Blankaart (1650-1704): Collectanea Medico-Physica der holländisch Ja…

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Steven Blankaart (1650-1704): Collectanea Medico-Physica der holländisch Jahr-Register sonderbahrer Anmerckungen, Moritz George Weidmann 1690, in three parts: 581 p. + 375 p. + 158 p., illustrated with 16 full-page copperplate engravings, damaged cardboard cover, browned throughout

5069

Steven Blankaart (1650-1704): Collectanea Medico-Physica der holländisch Jahr-Register sonderbahrer Anmerckungen, Moritz George Weidmann 1690, in three parts: 581 p. + 375 p. + 158 p., illustrated with 16 full-page copperplate engravings, damaged cardboard cover, browned throughout

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Estim. 8 000 - 10 000 EUR

Stele in the name of Dedousobek and Siamon. Middle Kingdom - Middle Second Intermediate Period, ca. 2060 - 1600 B.C. Sandstone with remains of original polychromy. H 51cm W 42cm. Rectangular stele with segmental pediment. Two udjat eyes in the pediment. Hieroglyphic inscription below in the upper part of the image field, naming the sacrificers and listing their offerings. In the field below, the two dedicants Dedousobek and Siamon approaching a sacrificial table from the left. To the right is a woman. The inscription above the table apparently names the actual patron of the stele. With French export license (original)! Slightly rubbed and slightly bumped. Provenance: From a Belgian private collection. With Art Loss Register certificate and expertise (incl. translation) by Galerie Eberwein (all copies). Formerly Swiss private property from the 1970s.

Estim. 15 000 - 20 000 EUR

Jan and Joël MARTEL (1896-1966). Scottish pigeon - circa 1926. Polished-gilt bronze sculpture on a fine Belgian black marble base. La Stele fondeur (foundry stamp under the tail). circa 1934. Signed, monogrammed and numbered 12 on the right paw. H: 36 ; W: 24 ; D: 13 cm (total). H: 24.5; W: 24; D: 11.5 cm (bronze alone). Bibliography: - "Joël et Jan Martel, sculpteurs 1896-1966", Gallimard/Electa éditeur, Paris 1996 (no. 48 p. 478). Note: Jan and Joël Martel shared the same studio and their work to the point of signing their compositions only "Martel". The Martel brothers participated in the Salon des indépendants, the Salon d'automne, the Salon des Tuileries and the 1925 Exposition des arts décoratifs. At the Villa Noailles, Jan and Joël Martel create a bas-relief on the hall's central column and a polyhedral mirror. In 1926-1927, Mallet-Stevens built a mansion for the brothers on rue Mallet-Stevens in Paris, whose main entrance door was designed by Jean Prouvé. The twins died in 1966, six months apart. Arthur Goldscheider founded two progressive artists' groups in Paris in the 1920s, "La Stèle" for sculptors and "L'Évolution" for interior designers. In 1925, "La Stèle" presented their work under the heading Art Deco in a pavilion designed by Éric Bagge at the Exposition Internationale des Arts Décoratifs et Industriels Modernes.

Estim. 500 - 700 EUR

Subway 2009 Photograph on paper enhanced with black and orange markers, print and drawings made in 2009, photograph taken in 1978 29.7 x 44.7 cm Exhibitions: > "Subway Art 25th anniversary - Martha Cooper, Henry Chalfant & Blade", Taxie Gallery & Bailly Contemporain, Paris 2010 Condition report: Framed, sight size Blade made a name for himself in the New York graffiti scene in the late 1970s with his experimental use of lettering. His daring touch and distinctive universe make him an artist in his own right. His letters intertwine, interlock and untangle in colorful tones strongly inspired by pop culture. Having covered more than 5,000 New York trains, he has earned himself the nickname "King of Kings".

Estim. 2 000 - 3 000 EUR

William & Mary commode. England, ca. 1680. Oak and walnut. Metal handles. With marks of use. Measurements: 100 x 110 x 55 cm. English chest of drawers made of mahogany wood, which stands on legs with cut-out sections and consists of five drawers, the last two of which are joined together in a single register. The design, sober and elegant in the William & Mary period style, has as its only decorative element a geometric pattern housed in the drawers and imprints an attractive moulded pattern based on rhombuses and edges on the front. The William and Mary style is a furniture design common from 1700 to 1725 in the Netherlands, England, Scotland and later in England's American colonies. It was a transitional style between Mannerist furniture and Queen Anne furniture. A sturdy piece of furniture whose design emphasised both straight lines and curves, with elaborate carvings and wood turning, the style was one of the first to imitate elements of Asian design such as Japanese. In 1688, James II of England was deposed by his daughter, Mary, and her husband, William of Orange, in what became known as the "Glorious Revolution". William and Mary brought a taste for Dutch furniture styles to their kingdoms, as did several of the Dutch furniture makers. Although the movement towards what would become known as the William and Mary style had begun during the reign of Charles II of England, mainly due to the influence of his Portuguese-born queen, Catherine of Braganza, the style became widely defined and accepted during the reign of William and Mary.

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