Null Attribution: Charles Dominique Fouqueray, 1872Le Mans-1956 Paris, view over…

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Attribution: Charles Dominique Fouqueray, 1872Le Mans-1956 Paris, view over fields on a village, oil/wood, stamped on the back Ch. Fouqueray, approx. 12x20cm, frame approx. 14.5x22cm

6023

Attribution: Charles Dominique Fouqueray, 1872Le Mans-1956 Paris, view over fields on a village, oil/wood, stamped on the back Ch. Fouqueray, approx. 12x20cm, frame approx. 14.5x22cm

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Starting price 80 EUR

Charles BAUDELAIRE. Les paradis artificiels (1990) and Le spleen de Paris (1988). Paris, Editions Club du Livre. Bound by Atelier Martin from a model by Dominique Amat in purple leather with foliate motifs. 2 volumes, one illustrated with lithographs by Michèle SALMON and the other by Michèle BATTUT, signed. In slipcase.

Starting price 20 EUR

Set of 6 books on photographic and cinematographic technique including: - Pierre and Suzanne MONIER. Le livre du cinéaste amateur, technique, pratique, esthétique. 4th edition. 1953. Ed. Paul Montel, Paris. - Photo-Ciné guide. April 1956. Ed. Exco. - Pierre MONIER. Manuel ciné couleur - 8 - 9,5 - 16 mm. 1954. Ed. Tiranty, Paris. - N. BAU. La pratique du: de la prise de vues à la projection, le 8 mm. 1954. Ed. Paul Montel, Paris. - N. BAU. Pratique du Foca. 1956. Ed. Paul Montel. Paris. - Marcel NATKIN. How to film children. 1953. Ed. Mana, Paris. As is.

Estim. 200 - 300 EUR

FOUQUERAY (Charles) & THOMAZI (Commandant) & VERCEL (Roger). La Pêche en Mer. L'art de la pêche, bateaux et engins, le monde de la pêche, grandes pêches, pêches du large, petites pêches. Paris, Éditions Celby, 1962. Gd in-4 in ff. with color illustrated cover by Ch. Fouqueray, in folder and slipcase (spotting and dampening on slipcase). First edition printed in 635 copies; n°356 of 380 on Arches vellum. Slight foxing on endpapers.

Estim. 4 000 - 6 000 EUR

Jean-Charles Blais (b. 1956) La Main rouge Mixed media on card 77 x 66 cm Provenance: > Former Jean-Charles de Castelbajac collection, Paris > Private collection, Paris Condition report: Framed In 1989, Keith Haring visited Paris and painted a pair of monumental vases for Jean-Charles de Castelbajac. Numerous photographs from the period illustrate this intervention, and on one of them, the Blais drawing we present (then unframed) appears on the designer's wall, echoing the work of the American Keith Haring.

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