Null Karl Schmitt-Rottluff, 1884 Rottluff-1976 Berlin, crucified man, woodcut fr…

Description

Karl Schmitt-Rottluff, 1884 Rottluff-1976 Berlin, crucified man, woodcut from 1918, right. and handsigned, left. and marked: 182, approx. 38x26cm, PP, etc., frame approx. 64x50cm

6343

Karl Schmitt-Rottluff, 1884 Rottluff-1976 Berlin, crucified man, woodcut from 1918, right. and handsigned, left. and marked: 182, approx. 38x26cm, PP, etc., frame approx. 64x50cm

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Estim. 1 000 - 200 EUR

Karl Schmidt-Rottluff Rottluff 1884 - 1976 Berlin, attributed Forest Landscape Oil on panel 1940-63 60 x 80.4 cm, with frame 65 x 85.4 cm Monogrammed lower left Report of a scientific study by Prof. Dr Elisabeth Jägers and Dr Erhard Jägers from 2002 enclosed

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Harth, Philipp (Mainz 1885 - 1986 Bayrischzell), Sitting Jaguar, bronze 1932, Philipp Harth trained as a sculptor in Mainz a. Karlsruhe from 1901-03, then lived in Munich, Worpswede a. Mainz from 1908/09, where he was a teacher at the Kunstgewerbeschule, in 1910 he moved to Berlin, trained as an architect under Peter Behrens a. Hermann Muthesius, after 1930 he studied in Rome, Paris, Hamburg, Cologne, from 1934 he was a member of the Berlin Secession, his friends included Werner Gilles a. George Grosz. After 1930, he studied in Rome, Paris, Hamburg and Cologne and became a member of the Berlin Secession in 1934. His friends included Werner Gilles, George Grosz, Emil van Hauth, Alexej Jawlensky, Emil Nolde, Karl Schmidt-Rottluff as well as Georg Kolbe, Kurt Lehmann, Gustav Seitz and Mies van der Rohe, he was a member of the Deutscher Künstlerbund, his works can be found in many museums, Sitzender Jaguar is in the Mainz Landesmuseum, Moderne, Saal 10 (Inventar-Nr. 75/163), h 20.5 cm, l 21 cm, stamped H in a circle under the front paw and cast Barth Rinteln (Richart Barth foundry, Rinteln), minimal partial patina wear. 4347-021

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SEEWALD Richard (1889-1976): "Der Hirte" (The Shepherd), circa 1919. Wood engraving with stencil published in the magazine Génius 1er 1919. Plate 24 x 17.5 - CASPAR Karl (1879-1956): Jean à Patmos, 1919. Black lithograph monogrammed in the plate, from the periodical Genius. Sight 30 x 20.5

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