Null José Beulas Recasens (Santa Coloma de Farners 1921-Huesca 2017) - Oil on ca…

Description

José Beulas Recasens (Santa Coloma de Farners 1921-Huesca 2017) - Oil on canvas. "View of Toledo". 116x89 cms (137x110 framed). With certificate of authenticity.

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José Beulas Recasens (Santa Coloma de Farners 1921-Huesca 2017) - Oil on canvas. "View of Toledo". 116x89 cms (137x110 framed). With certificate of authenticity.

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Estim. 50 - 60 EUR

Small RELIQUARY MEDALLION (House of Nazareth, House of St. Joseph, etc.). A gilded metal reliquary medallion (La Bienheureuse Marguerite-Marie, Saint François de Sales and Saint Jeanne de Chantal), contact relics. Also included is a small empty reliquary, accidental. Also included is a reliquary of Marie Catherine de saint Augustin.

Estim. 600 - 700 EUR

Spanish school; XVI century. "The nuptials of the Virgin". Oil on canvas. Relined. Measurements: 94 x 77 cm. The present work represents the theme of the wedding between Mary and Joseph following a traditional composition in the history of art since the Renaissance: a symmetrical structure with the priest in the center, but in the background, and on both sides Mary and Joseph. Mary and Joseph are led by the priest to hold hands. Because the image is inspired by tradition, the author has decided not to dispense with several iconographic elements that are recurrent in the representation of this scene, such as, for example, the dove representing the Holy Spirit and the flowering rod characteristic of the iconography of St. Joseph. Although the movement of certain cloths, the chromaticism, the hallmarks of light, etc. give a certain baroque air to the composition, it should be noted that there is a certain harmony that owes more to the Renaissance. The abundance of secondary characters can also be related to this influence, although it must be taken into account that the Italian school was also known for this interest in the anecdotal. Relined.

Estim. 2 400 - 2 800 EUR

It follows models of JOSE VERGARA (Valencia, 1726- 1799), XVIII century. "Immaculate Conception". Oil on canvas. Measurements: 105 x 75 cm. Ascensional representation of the Immaculate Conception surrounded by angels. In composition and style it follows closely the homonymous painting of José Vergara conserved in the Museum of Fine Arts of Valencia. The blue mantle and the white tunic (symbols of purity) that dresses the full-length figure, together with the attributes that symbolize the Immaculate Conception (among which the crescent moon stands out as an emblem of power over evil) make up a typically baroque dynamic devotional painting. The foreshortenings of each child stand out, with the plump bodies modeled one by one with a successful play of light. In the center of the break of glory shines the Holy Spirit in the form of a dove. José Vergara Gimeno was the most outstanding Valencian painter of the second half of the 18th century. With an enormous pictorial work, both in fresco and on easel, he evolved from the late Baroque to Neoclassicism. He is the founder of the Royal Academy of Fine Arts of San Carlos in 1768.

Estim. 50 - 80 EUR

R. CASCIANI publisher Saint Joseph and Christ Polychromed plaster (paint chips), alabaster base H. 33 cm We enclose three other painted plaster statuettes: Saint Antoine, Christ au Sacré-Coeur and Sainte Thérèse.

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