Kowalenski Andrzej
Poster. Besucht Polen..
Kowalenski Andrzej
Circa 1960
Fold in…

Description

Kowalenski Andrzej Poster. Besucht Polen.. Kowalenski Andrzej Circa 1960 Fold in left margin 96 x 66.5 cm

73

Online

Kowalenski Andrzej

Auction is over for this lot. See the results

You may also like

Starting price 10 EUR

Exhibition poster for "Les peintres témoins de leur temps", illustrated with a work by Foujita, Musée Galliera, March-April-May 1960. Mourlot Imprimeur. Folds and tears. 74.5x50cm.

Current bid 40 EUR

Set of approximately 35 international cinema posters H: 160 cm, L : 120 cm including Caligula by Tinto Brass, Murder by Decree by Bob Clark, The Marriage of Maria Braun, Lola a German Woman by Rainer Werner Fassbinder, My Dear Little Village by Jiří Menzel, Yeelen by Souleymane Cissé, David Lean's India Road, Jamie Uys' Dieu me savonne, Stephen Frears' Prick Up Your Ears, Andrzej Wajda's L'Homme de fer, Ken Loach's Black Jack, Ingmar Bergman's De la vie des marionnettes, Scènes de la vie conjugale, Room with a View, James Ivory's Quartet, Andrei Konchalovsky's Siberiade, Aída Bortnik's Official History, Koreyoshi Kurahara's Antarctica, Roland Joffé's La Déchirure, Károly Makk's A Very Moral Night, Once Upon a Time with the Legion by Dick Richards, Daddy's Away on Business by Emir Kusturica, The Conductor by Andrzej Wajda, The Apple Game, Angels Split the Mouth by James Ulys A dozen posters of various sizes (tears, stains, traces of tape, missing, duplicates) are enclosed.

Estim. 20 - 40 EUR

Günther DOMENIG (1934-2012), graduated in 1959, and Eilfried HUTH (1930): Projekt Floraskin (1971). Grundriss Wohnheiten. Print on paper. 24 x 32 cm Framed under glass. Folds. The felt-tip drawing is in the collections of the Frac Centre Val de loire in Orléans. Eilfried Huth and Günther Domenig were leading exponents of the radical Austrian architecture that emerged in the early 1960s, creating a rich and original body of work that marked a fundamental break with prevailing functionalism. Their experimental projects mark a decisive shift from fixed objects to evolving environments. Their first projects, like those of Coop Himmelb(l)au and Haus-Rucker-Co, explored the potential of inflatables (Trigon, 1967). They went on to design several pioneering projects, from the megastructure Stadt Ragnitz (1969) to "green architecture" (Floraskin, 1971). The architects referred to the most avant-garde information theories of the time, including cybernetics: often taking the form of megastructures, their architecture was conceived as a multitude of interactions between different levels of organization, exchanging information within a global system. Medium Total (1969-70), a veritable living organism, was one such expression. Their biomorphic aesthetic, which borrows its representation of flows from medical imaging, revives the communicational aspect of physiology and heralds to some extent the research of computational architecture. About Floraskin : In 1971, a Moroccan consulting firm commissioned a vast project for a tourist complex in the Ifni region of Morocco. Bringing together artists and architects as well as sociologists, psychologists, scientists and "cyberneticians", the project was intended as a revolutionary alternative to tourism in the age of mass consumption. Hermann R. Grub's concept of "Vacation = Rest + Experience" was to guide all thinking. Huth and Domenig were commissioned to design a hotel complex with 30,000 beds and an airport. Floraskin, literally "plant skin", is the culmination of an infinitely adaptable and expandable building system that combines the technological principle of the megastructure with the natural principle of organic growth. The project is composed of two structures: the primary one is made of prefabricated elements (bars and cables) arranged in a star shape, resulting in a hexagonal system; the secondary one is a plant membrane composed of humus pollen and irrigated plantations. It envelops the primary structure using a "spray-coat" process and provides air conditioning. The basic infrastructure and the hotel rooms ("cocoons"), space cells made of reinforced plastics, connect to the primary structure like clusters. In addition to these infrastructures, sensory devices were to be created to heighten the level of experience: air cushions imagined by Christo, "biokinetic" plantations by HA Schult or an "oasis" (Psy-Point) proposed by Haus-Rucker-Co. Jeeps equipped with radio transmitters were to be made available to holidaymakers for their leisure activities, enabling them to communicate constantly with the central station and "participate" in the adventures of other tourists. Source : https://collections.frac-centre.fr/collection-art-architecture/domenig-eilfried-huth-gunther/floraskin-64.html?authID=90&ensembleID=278

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]