Null JONGKIND JOHAN: (1819-1891) Dutch painter and printmaker. A.L.S., 
J B Jong…
Description

JONGKIND JOHAN: (1819-1891) Dutch painter and printmaker. A.L.S., J B Jongkind, two pages, 8vo, Paris, 3rd April 1869, to [Hector-Henri-Clement] Brame ( 'Bon ami Brame!'), in French. The artist states that he has some payments to make and asks Brame for a deposit, 'Comme la somme est de neuf cent francs, vous me ferez plaisir de me donner cinq ou six cents francs d'accompte. Voulez vous me donner quelque reponse, que vous viendrez me voir, ou que je viendrai chez vous' (Translation: 'As the sum is nine hundred francs, you will be pleased to give me a deposit of five or six hundred francs. Will you give me some answer, that you will come to see me, or that I will come to see you'). With integral address leaf in Jongkind's hand (small areas of paper loss and a couple of tears caused by the original breaking of the seal). Some light age wear to the edges, otherwise VG Hector-Henri-Clement Brame (1831-1899) French art dealer and gallery owner.

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JONGKIND JOHAN: (1819-1891) Dutch painter and printmaker. A.L.S., J B Jongkind, two pages, 8vo, Paris, 3rd April 1869, to [Hector-Henri-Clement] Brame ( 'Bon ami Brame!'), in French. The artist states that he has some payments to make and asks Brame for a deposit, 'Comme la somme est de neuf cent francs, vous me ferez plaisir de me donner cinq ou six cents francs d'accompte. Voulez vous me donner quelque reponse, que vous viendrez me voir, ou que je viendrai chez vous' (Translation: 'As the sum is nine hundred francs, you will be pleased to give me a deposit of five or six hundred francs. Will you give me some answer, that you will come to see me, or that I will come to see you'). With integral address leaf in Jongkind's hand (small areas of paper loss and a couple of tears caused by the original breaking of the seal). Some light age wear to the edges, otherwise VG Hector-Henri-Clement Brame (1831-1899) French art dealer and gallery owner.

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Dutch school; 18th century. "Landscapes". Oil on boards (x2). Presents faults in the frame. Measurements: 25,5 x 36,5 cm (x2); 43 x 55 cm (frames, x2). Of all the contributions made by northern European countries to the history of art, none has achieved the enduring importance and popularity of seventeenth-century Dutch landscape painting. Evoking the outlines, terrains and atmospheres of the Netherlands more vividly than any other place, large or small, has ever been depicted. Within this tradition, the most revolutionary and enduring Dutch landscape contribution has surely been its naturalism. Seventeenth-century Dutch painters were the first to create a perceptually real and seemingly comprehensive image of their land and people. Although landscape as an independent genre appeared in Flanders in the 16th century, there is no doubt that this type of painting only reached its full development among Dutch artists. It can be said that it was practically they who invented the naturalistic landscape, which they affirmed as an exclusively central feature of their artistic heritage. There is no doubt that the Dutch painter, filled with pride for his land, knew how to show through his paintings the beauty of its vast plains and overcast skies, the regular layout of its canals and meandering rivers, its polders and dikes, its beaches and, of course, its spectacular stormy seas. Despite their naturalism or the inventorial record of fact, Dutch landscapes were at least as much a product of imagination as of observation. The Dutch vision of reality, almost as literal as photography, does not so much trace the os or examine the topography of its surroundings as it naturally selects and reshapes nature to present it in an exemplary way. It presents faults in the frame.