Null Arthur TRESS (1940-)
Bride and Groom, New York, 1970
Silver print signed, t…
Description

Arthur TRESS (1940-) Bride and Groom, New York, 1970 Silver print signed, titled, dated and numbered 49/50 under the image 38 x 37.5 cm on one sheet 50 x 40 cm Pierre Borhan Collection Pierre Borhan's "masculine" collection Pierre Borhan's passion for photography began in the late 1970s. From magazines, books, exhibitions, interviews with photographers and qualified with photographers and qualified specialists. His first book, Voyons Voir, was published by Créatis in 1980. The masculine naturally became one of his favorite themes. It into his research and iconographic choices when preparing certain when he prepared certain exhibitions and books, such as Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In this vein, he is the author of a landmark book: Hommes pour Hommes / homoeroticism and male homosexuality in the history of photography since 1840 (éditions des Deux Terres, 2007). The Vendome Press published the American edition: Man to Man: A History of Gay Photography. Rizzoli Italian edition: Uomini per Uomini. Jonathan Cape Ltd. the English edition: Men for Men. Christian Brandstätter Verlag, the German-language German-language edition. Since 2007, these editions (23,000 copies) have set the standard for professionals and connoisseurs alike. Purchased from galleries or directly from the photographers for whom he for whom he wrote a text or made an emblematic selection of their creations, the prints the prints offered in this sale are the "coups de coeur" that make up a collection collection created through meetings and institutional missions. No matter whether the models are sportsmen, models, teasing accomplices friends: they offer themselves, thanks to the artists who have brought them to light to everyone's imagination. Beauty, charm, sex appeal, admiration, attraction, fantasy. Among the "stars" of the sale are a number of outstanding Europeans (Walter Pfeiffer, Jan Saudek, Paul Blanca) and Americans: David Vance, Tom Bianchi Vance, Tom Bianchi, both authors of more than ten books; David Morgan who found his happiness with Beach (2001) and aroused many desires; Jim French, master of unbridled male fine art, from Man (1972) to Opus Deorum (1992); Arthur Tress, whose retrospective was presented in California at the Getty Center in 2023. They are joined by an Egyptian: Youssef Nabil, who is represented by the Nathalie Obadia gallery in Paris, and whose reputation defies borders. Pierre Borhan confides: "My being is impregnated by the attraction (sensory, sexual, emotional) of men. I've always felt that this attraction was indelible in me. His collection bears witness to this.

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Arthur TRESS (1940-) Bride and Groom, New York, 1970 Silver print signed, titled, dated and numbered 49/50 under the image 38 x 37.5 cm on one sheet 50 x 40 cm Pierre Borhan Collection Pierre Borhan's "masculine" collection Pierre Borhan's passion for photography began in the late 1970s. From magazines, books, exhibitions, interviews with photographers and qualified with photographers and qualified specialists. His first book, Voyons Voir, was published by Créatis in 1980. The masculine naturally became one of his favorite themes. It into his research and iconographic choices when preparing certain when he prepared certain exhibitions and books, such as Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In this vein, he is the author of a landmark book: Hommes pour Hommes / homoeroticism and male homosexuality in the history of photography since 1840 (éditions des Deux Terres, 2007). The Vendome Press published the American edition: Man to Man: A History of Gay Photography. Rizzoli Italian edition: Uomini per Uomini. Jonathan Cape Ltd. the English edition: Men for Men. Christian Brandstätter Verlag, the German-language German-language edition. Since 2007, these editions (23,000 copies) have set the standard for professionals and connoisseurs alike. Purchased from galleries or directly from the photographers for whom he for whom he wrote a text or made an emblematic selection of their creations, the prints the prints offered in this sale are the "coups de coeur" that make up a collection collection created through meetings and institutional missions. No matter whether the models are sportsmen, models, teasing accomplices friends: they offer themselves, thanks to the artists who have brought them to light to everyone's imagination. Beauty, charm, sex appeal, admiration, attraction, fantasy. Among the "stars" of the sale are a number of outstanding Europeans (Walter Pfeiffer, Jan Saudek, Paul Blanca) and Americans: David Vance, Tom Bianchi Vance, Tom Bianchi, both authors of more than ten books; David Morgan who found his happiness with Beach (2001) and aroused many desires; Jim French, master of unbridled male fine art, from Man (1972) to Opus Deorum (1992); Arthur Tress, whose retrospective was presented in California at the Getty Center in 2023. They are joined by an Egyptian: Youssef Nabil, who is represented by the Nathalie Obadia gallery in Paris, and whose reputation defies borders. Pierre Borhan confides: "My being is impregnated by the attraction (sensory, sexual, emotional) of men. I've always felt that this attraction was indelible in me. His collection bears witness to this.

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HELEN LEVITT (New York, 1913-2009). "NYC. Masked children on stop", New York, 1940. Gelatin silver, later print. Signed, dated and inscribed "N.Y.C." in pencil (on reverse). Provenance: From the private collection of Schroeder New Jersey. Measurements: 19.4 x 27.7 cm (image); 28 x 34.8 cm (paper). Helen Levitt is considered one of the most relevant photographers of the 20th century and one of the forerunners of today's independent cinema. She belongs to the so-called New York school, which defended a direct and aseptic street photography. She was a student of Walker Evans and Cartier-Bresson, Ben Shanhn and the circle of the Photo League of New York, from whom she learned that search for the instant. Her way of capturing gestures, bodies in movement, the language of the street, have turned her work almost into an anthropological study. In 1939 Helen Levitt's photos were already published in magazines such as Fortune, US Camera, Minicam and PM. Her best known work is in black and white and in the documentary genre, putting her lens on the streets and the inhabitants of the city, especially the children. Proof of this is the exhibition "Helen Lewitt: Photographs of Children" that MoMA in New York dedicated to her in 1943. During her trip to Mexico in 1941 she also portrayed street children. In the 1970s, Levitt photographed the streets of New York with color slides and implemented it into her own language as another resource. It should be noted that he always had a vocation for filmmaking: it was in the 1940s when he made his first documentary film projects, under the orders of the Spanish film director Luis Buñuel, who was exiled in the United States because of the Spanish Civil War. In 1948 he directed the film "In the Street" and "The Quiet One".