Null Pablo TILLAC (1880-1969)
Pleure et rugis Maghreb père des lions roux
Painti…

Description

Pablo TILLAC (1880-1969) Pleure et rugis Maghreb père des lions roux Painting on cardboard, signed Pablo Tillac invenit lower right and captioned Pleure et rugis Maghreb père des lions roux Leconte de Lisle Poèmes tragiques in a cartouche lower left. 123 x 97 cm

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Pablo TILLAC (1880-1969) Pleure et rugis Maghreb père des lions roux Painting on cardboard, signed Pablo Tillac invenit lower right and captioned Pleure et rugis Maghreb père des lions roux Leconte de Lisle Poèmes tragiques in a cartouche lower left. 123 x 97 cm

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Estim. 1 600 - 1 800 EUR

PABLO RUIZ PICASSO (Malaga, 1881 - Mougins, France, 1973). "Bouteille de vieux marc, verre et "le journal", 1966. From the series Papiers Collés. Lithograph on vélin paper by Rives. Published by Au Pont des Arts, Paris. Signed in plate. Measurements: 64 x 48 cm, 70 x 55 cm (frame). This lithograph belongs to the series 'Papiers Collés' by Picasso, published by Pont des Arts. This series was published in 1966 to commemorate the generous donation of Picasso's collages to the Musée d'Art Moderne in Paris. Pablo Ruiz Picasso is the great genius of contemporary painting. Creator of cubism along with Braque, his capacity for invention and creation places him at the top of world painting. He was born in Malaga, where his father was a professor of drawing and director of the Municipal Museum. The Ruiz Picasso family soon moved to La Coruña, and from there to Barcelona, where the young Pablo began his artistic studies at the Provincial School of Fine Arts (1895). Although the school's style is totally academic, the painter soon comes into contact with modernist groups that change his form of expression. Only two years later, in 1897, Picasso had his first individual exhibition, in the café "Els Quatre Gats". Paris was to become Pablo's great goal and in 1900 he moved to the French capital for a brief period of time. When he returned to Barcelona, he began to work on a series of works in which the influences of all the artists he had known or whose work he had seen could be seen. He is a sponge that absorbs everything but retains nothing; he is searching for a personal style. Between 1901 and 1907 he developed the Blue and Pink Stages, characterized by the use of these colors and by their subject matter with sordid, isolated figures, with gestures of sorrow and suffering. The painting of these early years of the twentieth century was undergoing continuous changes and Picasso could not remain on the sidelines. He became interested in Cézanne, and based on his example he developed a new pictorial formula together with his friend Braque: Cubism. But Picasso did not stop there and in 1912 he practiced collage in painting; from that moment on, anything goes, imagination became the master of art. Picasso is the great revolutionary and when all painters are interested in Cubism, he is concerned with the classicism of Ingres. The surrealist movement of 1925 did not catch him unawares and, although he did not participate openly, it served as an element of rupture with the previous, introducing in his work distorted figures with great force and not exempt of rage and fury. As with Goya, Picasso was also greatly influenced by his personal and social situation at the time of his work. His relationships with women, often tumultuous, will seriously affect his work. However, what had the greatest impact on Picasso was the outbreak of the Spanish Civil War and the bombing of Guernica, which led to the creation of the most famous work of contemporary art. Paris was his refuge for a long time, but the last years of his life were spent in the south of France, working in a very personal style, with vivid colors and strange shapes. Picasso is represented in the most important museums around the world, such as the Metropolitan, the MOMA and the Guggenheim in New York, the Hermitage in St. Petersburg, the National Gallery in London or the Reina Sofia in Madrid.

Estim. 8 000 - 12 000 EUR

Marquis de Lafayette Autograph Letter Signed to Justice Story, Praising America's Social and Political Institutions

Estim. 5 000 - 8 000 EUR

Pierre Francis DAURA (1896-1976) Catalan Fisherman, 1927 Oil on canvas signed lower right, titled on back and numbered 3 81 x 62 cm Bibliography: Catalogue raisonné no. 6559, confirmed by a letter dated June 17, 2008 from Jacqueline HELION and certificate from Martha DAURA dated JUNE 10, 2008. Pierre Daura was a Spanish painter born in Menorca, Balearic Islands, on February 21, 1896, and died in 1976 in Rockbridge Baths, Virginia, USA. His father was a musician in Barcelona and a textile merchant; his mother died when he was seven. He studied at the Escola de la Llotja in Barcelona, where his teacher was Pablo Picasso's father, José Ruiz y Blasco. At 14, he exhibited and sold his first paintings. At 18, in 1914, he left for Paris, where he stayed until 1917, in the middle of the war. He worked in the studio of the painter Emile Bernard, and learned engraving from André Lambert, publisher and illustrator of the luxury magazine Janus devoted to Latin lyric poets. Returning to Barcelona, he joined the Groupe des Artistes Catalans, with whom he exhibited throughout Europe from 1918 to 1933. He exhibited at the Salon d'Automne in 1922 and 1926. He settles in the Lot region of France. In 1928, along with four other artists rejected by the Salon, he takes part in the "Cinq Peintres Refusés par le Jury du Salon" exhibition at Gallery Marck. In 1928, he married Louise Heron Blair, an art student from Richmond, Virginia, whose sister would later marry the painter Jean Hélion. In 1930, their daughter Martha was born. In 1939, the Dauras were in Virginia when the Second World War broke out. With his daughter Martha, he himself became a naturalized American citizen in 1943. During the war, Cy Twombly, who had already marveled at the Mediterranean warmth of the Master's soul and art at the age of 14, became his friendly student. The Musée de Hyacinthe Rigaud in Perpignan owns a number of works by the artist.

Estim. 300 - 400 EUR

JOAQUIM ROS I BOFARULL (Barcelona, 1906-1991). "Female nude". Terracotta. Signed. Measurements: 19 x 13 x 7,5 cm. Joaquim Ros i Bofarull was a Spanish sculptor. He studied in the School of Beautiful Offices, where he was a disciple of Francesc d'Assís Galí. He made a stay in Paris, where he worked with Pablo Gargallo. He participated in the Spring exhibitions of the 1930s. He collaborated in the work of the throne of the Virgin of Montserrat for the monastery of Montserrat (1947), and made the Monument to Miquel Biada i Bunyol (1948) in Mataró, city where he made several sculptures for the basilica of Santa Maria (images of the Virgin Mary and Saints Juliana and Semproniana on the main altar and sculptures of the dome). In Barcelona he was the author of the sculptural groups El estudio and La investigación for the façade of the Rius i Taulet school, in Plaza de Lesseps (1957); El niño del aro, in the Guinardó Park (1961); and El Ave de los temporales, in the Mossèn Costa i Llobera gardens (1970).7 He also created several of the sculptures and reliefs for the headquarters of the Banco Vitalicio (1950), on the corner of Gran Vía de las Cortes Catalanas and Passeig de Gràcia, in collaboration with Enric Monjo, Vicenç Navarro, Llucià Oslé and Miquel Oslé. He was also the author of the Adoration of the Kings and the Adoration of the Shepherds for the façade of the Nativity of the Expiatory Temple of the Sagrada Familia, a work by Antoni Gaudí (1981-1982). He bequeathed a collection of drawings, prints, documents and photographs to the Library of Catalonia. A representation of his works is in the National Museum of Art of Catalonia. He was the father of the sculptor Joaquim Ros i Sabaté.

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