Null George Nakashima (1905-1990)
Sundra
Buffet
Walnut and elm wood burl
Edited …

Description

George Nakashima (1905-1990) Sundra Buffet Walnut and elm wood burl Edited by Widdicomb Manufacturer's label Hot-stamped 'George Nakashima' Model created circa 1960 H 82 × L 212 × W 57 cm

225

George Nakashima (1905-1990) Sundra Buffet Walnut and elm wood burl Edited by Widdicomb Manufacturer's label Hot-stamped 'George Nakashima' Model created circa 1960 H 82 × L 212 × W 57 cm

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Starting price 400 EUR

Klemm, GustavChronik der königlich Sächsischen Residenzstadt Dresden. Text (2 in 1 vol.) and plate volume with 94 engraved and lithographed plates. 2 vols. Ed. by P.G. Hilscher. Dresden, in Comm. d. Ch. F. Grimmersche Buchh., 1837. 1 p., 296 p. 1 p., pp. 297-746. 8°. and landscape 8°. Central cloth with gilt stamped label (rubbed, edges scuffed) and central cloth (rubbed, cloth renewed using old material). Saxony Klemm, Gustav Chronik der königlich Sächsischen Residenzstadt Dresden. Text (2 in 1 vol.) and plate volume with 94 engraved and lithographed plates. 2 vols. Ed. by P.G. Hilscher. Dresden, in Comm. d. Ch. F. Grimmersche Buchh., 1837. 1 p., 296 p. 1 p., pp. 297-746. 8°. and landscape 8°. Central cloth with gilt stamped label (rubbed, edges scuffed) and central cloth (rubbed, cloth renewed using old material). First and only edition. - Dresden-Bibliographie 1, 71 - Hayn-Gotendorf II, 80 - Kirchner 7318 - Includes all plates published in "Der Sammler für Geschichte und Alterthum, Kunst und Natur im Elbthale" and in Klemms Chronik. - Some browning due to paper, some browning, foxing and fingerstaining, plates with smoothed folds, 1 plate folded at margin and with small tear, a few plates in white margins supplemented with paper strips, text volume with library label and marginalia on inside cover, title with stamp Saxony - Chronicle of the Royal Saxon Residence City of Dresden. Text (2 in 1 vol.) and plate vol. with 94 engraved and lithographed plates. 2 vols. Contemp. cloth with gilt stamped label to spine (rubbed, edges chafed) and contemp. half leather (rubbed, boards renewed using old material). - First and only edition. - Includes all plates published in "Der Sammler für Geschichte und Alterthum, Kunst und Natur im Elbthale" and in Klemm's chronicles. - Paper somewhat browned, partly foxed, brown-, and fingerstained, plates with smoothed folds, 1 plate folded at margin and with small tear, few plates with added paper strip in the white margin, text volume with library label and marginalia on inner cover, title with stamp. This work is taxed. The hammer price is subject to a 23.95% surcharge and the final invoice amount is subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 1000 EUR

Harnisch, CarlPictorial representations in arabesque form of Göthe's Faust. With 6 lithographed plates. Berlin, Georg Reimer, 1832. 2 vols. Text and plates. Folio (sheet dimensions 47 x 32 cm). Loosely inserted in original dust jacket with mounted cover title (slight soiling). Goethe - Faust Harnisch, Carl Bildliche Darstellungen in Arabeskenform zu Göthe's Faust. With 6 lithographed plates. Berlin, Georg Reimer, 1832. 2 vols. Text and plates. Folio (sheet dimensions 47 x 32 cm). Loosely inserted in original wrappers with mounted cover title (slight soiling). First edition. - Engel, Bibl. Faustiana, 1822. univ. cat. Books on Art I, 788. Cf. Kippenberg Collection, 1903 ("Verlag von Otto Humburg & Co." without date, obviously a remainder copy without original jacket, as the Otto Humburg Verlag began its activities around 1865). Rümann, 19th century, 635 - One of the rarest and at the same time most unusual series of illustrations for Goethe's Faust, and also one of the largest. There are only a few copies with the original cover. This is important, as the suite was published without a title page, so that the title and imprint are only noted here. - . "(He) became known for his illustrations in arabesque form to Goethe's Faust and the same to Ossian's poems (Berlin, 1835)" (Thieme/Becker XVI, p 47). - Slightly browned in the margins. Overall a very good copy of this rare work. With 6 lithographed plates. Original wrappers with mounted title label (slightly soiled). - First edition. - One of the rarest and at the same time most unusual suites to illustrate Goethe's Faust, and also one of the largest in size. Only a few copies with the original wrappers can be found, this is important because the suite was issued without a title page, so the title and imprint can only be found here. - "Carl Harnisch, born in Altenburg, Germany on January 1, 1800, worked as an artist and created designs for lithographs in Philadelphia during the mid-19th century. Originally apprenticed in carpentry and engraving in Germany, Harnisch immigrated to Philadelphia with Edward Schnabel in 1849. He gave drawing lessons, worked in the lithographic trade, and painted ceiling and wall murals, including that of the home of W. C. Swann (1512 Walnut Street). Known lithographs include "Reminiscences of a Fancy Dress Ball", in Philadelphia, February 1850 printed ca. 1850 by P. S. Duval. He also exhibited his work at the Pennsylvania Academy of the Fine Arts and was a founder of the German Artists' Association." (Library Company of Philadelphia. Philadelphia on Stone. Biographical Dictionary of Lithographers). - Lightly browned in the margins. Overall very well preserved copy of the rare work. This work is taxed. The hammer price is subject to a 23.95% surcharge and the final invoice amount is subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 300 EUR

Petronius Arbiter and François Nodot, TitusPetrone latin et françois. Traduction entière, Suivant le Manuscrit trouvé à Belgrade en 1688. Avec plusieurs Remarques & Additions, qui manquent dans la première Edition. Nouvelle Edition. Augmentée de la Contre-Critique de Petrone. 2 vols. With engraved frontispiece and 9 engraved plates, 2 of which folded. Amsterdam, Aux dépens de la compagnie, 1756. 2 vols, 383 p., 2 vols, XLIX, 1 leaf, 126 p. 2 pp., 293 pp. Cl.-8°. Mottled cloth with richly re-gilt, gilt stamped ribbed label, red edges and marbled endpapers (lower boards with library labels in manuscript, minimally rubbed). Petronius Arbiter a. François Nodot, Titus Petrone latin et françois. Traduction entière, Suivant le Manuscrit trouvé à Belgrade en 1688. Avec plusieurs Remarques & Additions, qui manquent dans la première Edition. Nouvelle Edition. Augmentée de la Contre-Critique de Petrone. 2 vols. With engraved frontispiece and 9 engraved plates, 2 of which folded. Amsterdam, Aux dépens de la compagnie, 1756. 2 vols, 383 p., 2 vols, XLIX, 1 leaf, 126 p. 2 pp., 293 pp. Cl.-8°. Mottled cloth with richly re-gilt, gilt lettering on front board, red boards and marble endpapers (lower boards with library labels, minimally rubbed). Brunet IV, 576 - Gay-Lemonnyer III, 721 - Schweiger II, 725 - Ebert II, 16522 - From the library of Baron von Laßberg, with autograph ownership entry. Ownership entry. - Early translation of the novel Satyricon by Titus Petronius Arbiter (14-66) with the additions by François Nodot (1650-1710) in the Latin-French parallel text. After the sensational rediscovery and publication around 1664, there was an intensified search for further fragments of the only partially surviving work. The additions by Pierre Lignage de Vaucienne (c. 1610-1681) are particularly well known, which immediately attracted a great deal of attention under the name of his editor Nodot (Rotterdam 1692) because Nodot passed them off as "genuine Petronius fragments", which had allegedly been discovered near Belgrade in 1688. Doubts soon arose and Nodot came under fierce literary attack. Nodot defended himself against these attacks with his Contre-critique printed here as an appendix to volume I. - Title page with old stamp on verso. Flyleaf endpapers with annotations in manuscript, one with small tear. Some browning and occasional light spotting. Good copies. 2 vols. With engraved frontispiece and 9 engraved plates, 2 of which folded. Mottled cont. leather with rich gilt decoration and gilt label on spine, red edges and marbled endpapers (lower capitals with manuscript library labels, slightly rubbed). - From the library of Baron von Laßberg, with manuscript ownership inscription. - Early translation of the novel Satyricon by Titus Petronius Arbiter (14-66) with the additions by François Nodot (1650-1710) in the Latin-French parallel text. After the sensational rediscovery and publication around 1664, there was an intensified search for further fragments of the only partially surviving work. Best known are the additions by Pierre Lignage de Vaucienne (c. 1610-1681), which immediately attracted great attention under the name of his editor Nodot (Rotterdam 1692), because Nodot passed them off as "genuine Petronius fragments", supposedly discovered near Belgrade in 1688. Doubts quickly arose and Nodot came under harsh literary attack. Nodot defended himself against these attacks with his Contre-critique printed here as an appendix to Volume I. - Title-pages stamped on verso. Fly-leaves with manuscript annotations, one with small tear. Somewhat browned and occasionally lightly spotted. Good copies. This work is taxed. The hammer price is subject to a 23.95% surcharge and the final invoice amount to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

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