Null Bapa Mene yam mask, Abelam population
Wosera area, Papua New Guinea

Braid…

Description

Bapa Mene yam mask, Abelam population Wosera area, Papua New Guinea Braided lygodium fern, pigments Dimensions 22 x 15cm Small, stylized anthropo-zoomorphic face, with a long vertical nasal bridge dividing the face into two parts, and hollowed-out, stretched eyes whose edges are enhanced by alternating pigment colors. Beautiful openwork crown headdress, made up of alternating triangular shapes.

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Bapa Mene yam mask, Abelam population Wosera area, Papua New Guinea Braided lygodium fern, pigments Dimensions 22 x 15cm Small, stylized anthropo-zoomorphic face, with a long vertical nasal bridge dividing the face into two parts, and hollowed-out, stretched eyes whose edges are enhanced by alternating pigment colors. Beautiful openwork crown headdress, made up of alternating triangular shapes.

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Caroline BIZIEN, born 1993 DZ-TX, 2024 Four-color Fine Art print on Fedrigoni Arena Smooth 300g/m2 paper. Single copy, signed lower right. 50 x 70 cm The Dz-tx poster humorously highlights the adaptability of the Breton people through two historical episodes: the exodus of the population of central Brittany to the United States in the 19th and 20th centuries, and the consequences of the sardine crisis of 1902, which led part of the fishing population to convert to textile production. The loup de mer is reinvented as a cowboy, a bordeur, or simply as an American cousin from the diaspora. --- Caroline BIZIEN, born 1993 Author and illustrator, born in Quimper. After studying at ENSAD in Paris, including a year as an exchange student at the School of the Art Institute in Chicago, where she studied with comic book artist Chris Ware, she graduated in the Printed Image section. Chris Ware, she graduated from the Printed Image section. Passionate about storytelling and arts and crafts, she regularly collaborates with young brands, public institutions, the press, audiovisual production and associations. Her acti vity enables her to constantly reinvent her technical and aesthetic approach, through encounters and residencies that have led her to explore a wide range of territories. her to explore many different regions (Jura, Allier, Belgium...). Her attachment to Brittany and Finistère remains intact, however, as she lives and works in her native town. Here, she finds fertile ground for her imagination, for the oral sharing of a tradition of fiction, sometimes embellished, sometimes exaggerated, that infuses both landscape and heritage. She therefore decided, on the occasion of the Ar Seiz Avel initiative, to carry out a naturalistic and patrimonial research project which would the opportunity to collect and restore these stories to their rightful place in our contemporary collective imagination. Between humor and poetry, the two series pay tribute to Brittany and the Brittany and the Seiz Breur movement: to their range of practices, their bold palette and their sharp lines.

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