Null Morey, Matthieu Prosper. Charpente de la cathedrale de Messine. Paris, Dido…
Description

Morey, Matthieu Prosper. Charpente de la cathedrale de Messine. Paris, Didot, 1841. In 2nd (570 x 397 mm); [2], 7, [3] pages. Text within chromolithographic frame, 8 chromolithographic plates (small defects.) Coeval binding in red half morocco, percalline plates, friezes and title in gold (small defects). Heraldic stamp. First edition. Twyman, History of Chromolithography, S. 132:"... one of the earliest French books on the decorative arts to make use of chromolithography, includes some fine examples of flatcolour lithography in more limited range of workings ... The book's stylish title-page and introductory pages, all printed letterpress in modern-face types, broke new ground with their red, blue, and gold lithographed borders."

667 

Morey, Matthieu Prosper. Charpente de la cathedrale de Messine. Paris, Didot, 1841. In 2nd (570 x 397 mm); [2], 7, [3] pages. Text within chromolithographic frame, 8 chromolithographic plates (small defects.) Coeval binding in red half morocco, percalline plates, friezes and title in gold (small defects). Heraldic stamp. First edition. Twyman, History of Chromolithography, S. 132:"... one of the earliest French books on the decorative arts to make use of chromolithography, includes some fine examples of flatcolour lithography in more limited range of workings ... The book's stylish title-page and introductory pages, all printed letterpress in modern-face types, broke new ground with their red, blue, and gold lithographed borders."

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