Null [Leopardi]. 10 works by Giacomo Leopardi contained in the publication Lo sp…
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[Leopardi]. 10 works by Giacomo Leopardi contained in the publication Lo spettatore italiano ovvero Mescolanze, printed at Stella and Pirotta from 1816 to 1817: Saggio di traduzione dell'Odissea del conte G.L., VI (1816), pages 112-117 and 135-143; Discourse above Mosco, VI (1816), pages 173-186; anonymous article above the Discourse above Mosco, VII (1817), pages 77-79; Poems of Mosco, unpublished translation, VI (1816), pages 205-213, 248-252, 281-285 and VII (1817), pages 1-4 (pages 112-114 missing), Discourse above the Batracomiomachia, VII (1817), pages 50-61; Anonymous Review, VII (1817), pages 61-65 and 87-90; Of the fame Horace had among the ancients, VII (1817), pages 133-142; The Cake, a poem of uncertain author, translated from Latin, VII (1817), pages 199-203; Hesiod's Titanomachia. Translation, VIII (1817), pages 193-201; Review, VIII (1817), pages 235-239; Sopra due voci italiane, VIII (1817), pages 562-565. These are precisely Leopardi's earliest works that were published in the Spectator. (2)

518 

[Leopardi]. 10 works by Giacomo Leopardi contained in the publication Lo spettatore italiano ovvero Mescolanze, printed at Stella and Pirotta from 1816 to 1817: Saggio di traduzione dell'Odissea del conte G.L., VI (1816), pages 112-117 and 135-143; Discourse above Mosco, VI (1816), pages 173-186; anonymous article above the Discourse above Mosco, VII (1817), pages 77-79; Poems of Mosco, unpublished translation, VI (1816), pages 205-213, 248-252, 281-285 and VII (1817), pages 1-4 (pages 112-114 missing), Discourse above the Batracomiomachia, VII (1817), pages 50-61; Anonymous Review, VII (1817), pages 61-65 and 87-90; Of the fame Horace had among the ancients, VII (1817), pages 133-142; The Cake, a poem of uncertain author, translated from Latin, VII (1817), pages 199-203; Hesiod's Titanomachia. Translation, VIII (1817), pages 193-201; Review, VIII (1817), pages 235-239; Sopra due voci italiane, VIII (1817), pages 562-565. These are precisely Leopardi's earliest works that were published in the Spectator. (2)

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