[Como]. First edition of the work by SigismondoBoldoni,Lariuscui accedunt Episto…
Description

[Como]. First edition of the work by SigismondoBoldoni,Lariuscui accedunt Epistolae triginta selectae, in the Avignon edition of 1776, with engraved portrait of the author on the frontispiece, within coeval bazzana binding with phytomorphic friezes and gold title on gusset on spine. Volume containing Paolo Giovio's famous description of Lake Como Descriptio Larii Lacus. Also in the lot is the Italian edition of Giovio, Como and the Lario in Ostinelli's 1795 Como edition, andLusus ad M. Antonium Baldinum fratris filium by Bernardino Baldini of 1586 with pages 43-46 and 79-80 in facsimile. (3)

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[Como]. First edition of the work by SigismondoBoldoni,Lari

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García Márquez, Gabriel - El coronel no tiene quien le escriba in Mito (first edition) Revista bimestral de cultura. Year VI. May-June 1958, No. 19 - Bogotá - Antares - 1958 - 23 cm - softcover Number of pieces: 1 Pages: 84 pp. - El coronel no tiene quien le escriba is a short novel written by the renowned Colombian writer, Gabriel García Márquez. It tells the story of a colonel, who for the past 15 years has been waiting for his pension for services rendered to his country. Throughout the story, a narrative is presented that makes the reader reflect on hope and conformity, and at the same time on the result of being faithful to personal dignity and the principles of each person in a broken society. First edition. It is often stated that the novel was published in 1961 by Editorial Aguirre in Medellín (next batch). However, its first appearance was in the celebrated Colombian cultural magazine Mito. This initial publication in Mito marked an important milestone in Colombian literature, introducing the work to a wide audience and establishing its cultural relevance prior to its subsequent print edition. This edition is a testament to the evolution of the novel and its impact on Colombian literature. García Márquez' First edition. It is usually stated that the novel was published in 1961 by Editorial Aguirre in Medellín. However, his first appearance was in the famous Colombian cultural magazine Mito. This initial publication in Mito marked an important milestone in Colombian literature, introducing the work to a wide audience and establishing its cultural relevance before its subsequent print edition. This edition is a testimony to the evolution of the novel and its impact on colombia's literature.