Null Richard GUINO (1890-1973)
The Little Trianon
Oil on canvas
Signed lower ri…

Description

Richard GUINO (1890-1973) The Little Trianon Oil on canvas Signed lower right 50 x 56 cm Framed Condition report available on request: [email protected]

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Richard GUINO (1890-1973) The Little Trianon Oil on canvas Signed lower right 50 x 56 cm Framed Condition report available on request: [email protected]

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Estim. 6 000 - 8 000 EUR

Bibi ZOGBE (1890-1973) Cardos Oil on isorel Signed lower right Signed and titled on reverse 87 x 62 cm; with frame: 92 x 66.5 cm

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PIERRE-AUGUSTE RENOIR (1841-1919) RICHARD GUINO (1890-1973) Le petit forgeron ou Le feu, modèle conçu en 1916 Épreuve en bronze à patine brune Signée Renoir sur le côté de la base Cachet de fondeur Valsuani sur la base 31,5 x 26 x 20 cm Dark brown patinated bronze Signed Renoir on the side of the base Stamped with the C. Valsuani foundry mark on the base 12 3/8 x 10 1/4 x 7 7/8 in. Provenance Collection particulière Bibliographie Paul Haesaerts, "Renoir sculpteur", New York, 1947, référencé sous le n°19 p. 42 (exemplaire similaire). Jean-Pierre Seurat, "Renoir Guino", Museo delle Arti-Palazzo Bandera, 1997, reproduit en couleurs p. 65 (exemplaire similaire). Modèle exécuté par Richard Guino d'après une esquisse de Renoir pour le compte d'Ambroise Vollard, en 1916.

BOZINO ATTILIO Sostegno (VC) 1890 - 1973 Turin "Portrait" 1935 51.3x40 oil on canvas Work signed and dated upper right and titled on the back

Estim. 110 000 - 130 000 EUR

Pierre-Auguste RENOIR (1841-1919), in collaboration with Richard GUINO (1890-1973). Little Venus standing or Little Venus. Victrix - 1913. Antique bronze proof. Rich brown patina. Florentin Godard fondeur (casting circa 1925-1930). Ambroise Vollard publisher. Signed on the edge of the terrace. Numbered VIIII on the terrace. H : 60.5 ; W : 31.7 ; D : 22 cm. Note: Rare early cast of this sculpture, of which another is numbered XXII. Venus victrix illustrates the triumph of the goddess of love over her rivals, Minerva and Juno. She holds the apple given to her by the shepherd Pâris, the sole judge of this beauty contest. The antiquisant style echoes Renoir's later style. Like Maillol, Bourdelle and Picasso at the same time, he turned to the Greco-Roman model in what came to be known as "the return to style", combining realism and idealism. This is reflected in the Venus's streamlined silhouette, her gentle, measured movements, the smooth surface and round shapes of her body. Exhibitions: - "Guino Renoir", Musée. Hyacinthe Rigaud, Perpignan,. June to November 2023

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