ANGELICA KAUFFMANN (Switzerland, 1741- Italy, 1807). "Self-portrait". In hand-painted porcelain. Signed on recto (scroll) and verso. Measurements: 28,50 x 23 cm; 35 x 29 cm (frame). Female representation in painted porcelain. The portrait has been resolved with a precious technique that extracts the right qualities and textures. The painter is inspired by the neoclassical and idalized models of Angelica Kauffmann. This self-portrait of Angelica Kauffmann, executed in oil on fired ceramic, is one of the works of the distinctive neoclassical painter, famous throughout Europe for her portraits. In this piece, Kauffmann demonstrates not only her technical skill but also her ability to infuse her works with life and character. The choice of ceramic support, unusual at the time for portraits of this nature, reveals his eagerness to experiment and transcend the conventional boundaries of the art of his time. The fired finish of the ceramic adds a unique texture and durability that symbolizes the timelessness of his artistic legacy. In the self-portrait, Kauffmann presents himself with a serene and contemplative countenance, looking directly at the viewer, a gaze that reflects the confidence and pride of his vast cultural and artistic training. Her neoclassical style of dress unfolds in delicate folds, masterfully painted to capture the subtlety of the fabrics and the elegance of the fashions of her time. The soft, balanced colors in pastels and deep blue, characteristic of his palette, give the composition an atmosphere of harmony and refinement. The background is simple, highlighting the figure of Kauffmann, which is typical of his style, where the central figure is always the focal point. This minimalism in the setting underscores his ability to focus attention on the expression and presence of the portrayed subject. The self-portrait is not only a testament to her technical skill, but also an affirmation of her identity and status as an artist in an era dominated by male figures. The clarity with which her face is presented and the precision of the details suggest deep introspection and a keen understanding of herself, attributes that are also reflected in her prolific correspondence and personal writings. In every brushstroke and every detail they tell a story of dedication, talent and the tenacity of a woman who made her way in the art world at a time when barriers were significant. The work is ultimately a celebration of the life and career of one of the most gifted and recognized artists of her time, whose influence endures to this day. Kauffmann, born in Switzerland but raised in a multicultural environment with German and Austrian influences, received an exceptional education under the tutelage of her father, also a painter. From an early age, she showed incredible intellectual and artistic ability, excelling not only in painting, but also in music and singing. This cultural background and his multilingual skills are reflected in the sophistication and cosmopolitanism of his work. At the age of 12 he was already portraying nobles and clergymen, and his first trip to Italy marked the beginning of a series of influences that would shape his style. His training in cities such as Milan, Bologna, Venice and Florence, and his admission to the Academy of Art in Florence at the age of 21, cemented his prestige. His stay in Naples and subsequent move to England, where he became a prominent figure among the elite, consolidated his reputation.