Null ENRICHED WITH A SELF-PORTRAIT. Irina IONESCO (1930-2022). Passions. Club du…
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ENRICHED WITH A SELF-PORTRAIT. Irina IONESCO (1930-2022). Passions. Club du livre secret, 1984. First edition with a letter from the artist and a self-portrait in an original countersigned proof, located and dated Paris, July 1984. - Irina IONESCO. Centro Maestà, 1976. - Irina IONESCO, ROBBE-GRILLET. Le Temple au miroirs. Éditions Serghers, 1977. First edition with mailing. (3 volumes in all)

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ENRICHED WITH A SELF-PORTRAIT. Irina IONESCO (1930-2022). Passions. Club du livre secret, 1984. First edition with a letter from the artist and a self-portrait in an original countersigned proof, located and dated Paris, July 1984. - Irina IONESCO. Centro Maestà, 1976. - Irina IONESCO, ROBBE-GRILLET. Le Temple au miroirs. Éditions Serghers, 1977. First edition with mailing. (3 volumes in all)

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Set of 6 booklets on Balzac: Célébrités européennes, chapter devoted to Balzac. Docteur Moreau Defarges, Autour de Balzac et de George Sand - conference speech. With a letter from the author. 1930. P Hartmann, A walk by Balzac. 1909. Lhomer, Balzac dans l'intimité. 1904. Théophile Gautier, Honoré de Balzac. 1850 (extract from the Houssiaux edition). Lovenjoul, Notules sur Balzac. 1896. Together in half-percaline. Hard-to-find set of plates and offprints. Set of 3 plates on Balzac: Charles Léger, Le dernier Portrait de Balzac - Balzac sur son lit de mort. 1912. Revue La Contemporaine, n°12, August 25, 1901, extract containing only Henri Bouchot's article, l'Iconographie de Balzac. Marcel Bouteron, Une année de vie de Balzac 1835. 1923. Edition of 100 copies, this one on hollande. Bound in half-percaline, except for the Bouteron in half-chagrin with corners. 3 books on Balzac: Octave Mirbeau, La mort de Balzac. Paris, éditions du félin, 1999. JM Bernicat, De Balssa à Balzac ou le génie créateur du Tarn à Passy. 1992, for the 150th anniversary of La Comédie humaine. Marie-Thérèse Humbert, Balzac, Saché, ou le nid de coucou. La Simarre, Pirot, 1991. Copy enriched with a letter from the author thanking him for his praise. Set of 3 biographical works on Balzac. Louis de Royaumont, Balzac et la société des gens de lettres. Paris, Dorbon ainé, sd. Paperback, author's letter to Maurice Gabolde. Jules Bertaut, La vie privée de Balzac. Paris, Hachette, 1950. Half-chagrin, spine faded. Spoelberch de Lovenjoul, Un roman d'amour. Slatkine reprint, full percaline. Set of 8 biographical works on Balzac. René Bouvier, Balzac homme d'affaires. Paris, Champion, 1930. In-8, 164p, paperback, filled cover, author's mailing. Eugen Skasa-Weiss, Les hommes célèbres et leur mère. Paris, Laffond, 1068. In-8, 379p. Paperback [Balzac: p.219 à 245]. Guy Breton, Autoportraits. Paris, Presses de la cité, 1968. In-8, 286p. Bound in skivertex. Henri de Lestant, Louis Balssa, oncle d'Honoré de Balzac, fut-il un assassin? Éditions Occitania, 1934. In-8, 103p, paperback. Georges Simenon, Portrait-souvenir de Balzac. Paris, Bourgois, 1991. In-8, 268p. Paperback. Stefan Sweig, Balzac, le roman de sa vie. Paris, Albin Michel, 1950. In-8, 470p. Paperback, 7 plates. Charles Gorham, Wine of Life - a novel about Balzac. New York, The Dial press, 1958. In-8, 598p. Publisher's binding, illustrated dust jacket. André Jeannot, Honoré de Balzac, le forçat de la gloire. Paris, Geigy, 1986. In-8, 387p. Illustrated.

RARE SUBJECT "LES CIGALES" by Bernard BUFFET (1928-1999) Oil on isorel, signed lower left. Painted in 1995. Provenance: private collection, certificate of authenticity enclosed. Size: 45 x 55 cm Very good condition Bernard Buffet is one of the greatest contemporary expressionist painters. Courted by some, controversial by others, Buffet's style had a profound impact on painting in the dark periods of the post-war era. Many painting enthusiasts call him a painter of genius. In December 1943, at the age of fifteen, Bernard Buffet passed the entrance exam for the École des Beaux-Arts de Paris, and joined the studio of painter Eugène Narbonne. There he met fellow students Maurice Boitel and Louis Vuillermoz. His style takes shape and asserts itself with his first painting, "La Déposition de croix", which he paints in the studio he shares with painter Robert Mantienne, in Massy-Palaiseau. In 1946, he made his debut at the "Salon des moins de trente ans" at the Galerie des Beaux-Arts with a self-portrait. The following year, he exhibited L'Homme accoudé at the Salon des indépendants. The French government, through Raymond Cogniat, makes his first purchase for the Musée National d'Art Moderne in Paris, the painting Nature morte au poulet. In June 1948, Buffet entered "Deux hommes dans une chambre" for the Prix de la critique (first edition), recently founded by Augustin Rumeau and his wife, owners of Galerie Saint-Placide. He tied with Bernard Lorjou, twenty years his senior. The success was immense. In July, an exhibition of his work is held at the same gallery. He exhibits La Ravaudeuse de filet at the Salon d'Automne, where he meets André Minaux. With Minaux, Jean Couty and Simone Dat, he joins Bernard Lorjou, Yvonne Mottet, Gaston Sébire, Paul Rebeyrolle and Michel Thompson in the L'homme témoin group.