Null Rogi André (1905-1970).
Portrait of Arpad Szenes (husband of Maria-Helena V…

Description

Rogi André (1905-1970). Portrait of Arpad Szenes (husband of Maria-Helena Vieira Da Silva), dated 1963. Photo, original silver print with stamp on verso. Dimensions : 25 x 15 cm.

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Rogi André (1905-1970). Portrait of Arpad Szenes (husband of Maria-Helena Vieira Da Silva), dated 1963. Photo, original silver print with stamp on verso. Dimensions : 25 x 15 cm.

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Estim. 20 - 40 EUR

Lot of 10 biographical works (11 volumes) on Balzac. Charles Léger, A la recherche de Balzac. Paris, Le Goupy, 1927. In-8, paperback, one of 435 copies on pur fil (EO). Interesting study on Balzac's two visits to Besançon and his friendship with the writer Charles de Bernard (Royce, 833). Charles Léger, BALZAC mis à nu et les dessous de la société romantique d'après les mémoires inédits d'un contemporain. Paris, C. Gaillandre, 1928 In-8, XLVII-261p, portrait of Balzac and 7 plates, edition 2500 copies. André Maurois, Prométhée ou la vie de Balzac. Paris, Hachette, 1965. In-8, 653p. Demi-basane. André Maurois, Prométhée ou la vie de Balzac. Paris, Laffont, 1999. In-8, XI-525p, plates, preface by Robert Kopp. André Billy, Vie de Balzac. Paris, Flammarion, 1944. 2 vols in-8, 327p & 328p. Green half-basane, a few names highlighted at the very beginning of volume 1. André Billy, Vie de Balzac. Paris, club des éditeurs 1959. In-8, 380-LXXIp. Publisher's full cloth binding, plates after Bertall, Daumier, Jacque, Johannot, Meissonnier, Monnier, Nanteuil. Frederick Lawton, Balzac. London, Grand Richards, 1910, in-8, 338p. 32 illustrations. Francis Gribble, Balzac: the Man and the Lover. New York, Dutton & company, 1946. In-8, 275p. First American edition. Edmond Werdet, portrait intimé de Balzac, sa vie, son humeur et son caractère. Paris, l'arche du livre, 1970. In-8, publisher's binding, facsimile of lEO (Dentu 1859). Noel B. Gerson, The prodigal genius. The life and times of Honoré de Balzac. New York, Doubleday, 1972. In-8, 370p, bound in full black cloth, illustrated dust jacket. Lot of 10 biographical works on Balzac. René Benjamin, La prodigieuse vie d'Honoré de Balzac. Paris, Plon, 1925. In-8, 377p. Ex. num. on pur fil, full cloth, untrimmed. Léon Thorens, Les confidences de Monsieur de Balzac. Durendal, 1960. In-8, 122p, paperback. Paul Métadier, La Touraine de Balzac. Tours, Mame, 1971. In-8, 160p, paperback. Georges Middelton, That was Balzac. A Play in eight episodes with a Prologue. New York, Random House, 1936. In-8, 221p, full publisher's cloth, dust jacket. Eugène Muller, La jeunesse des hommes célèbres. Paris, Hetzel, sd. In-12, [Balzac p.175 to 180]. Dr Moreau Defarges, Balzac à Issoudun. Éditions de la Revue du Centre, 1928. In-8, 36p, 2 plates. Charles Léger, Le dernier portrait de Balzac - Balzac sur son lit de mort. Doutet & Vérité, 1912. In-8, 16p, frontispiece reproduction of pastel by Eugène Giraud. Courtine, Balzac à table. Paris, Laffont, 1976. In-8, 347p. Half-skivertex bradel. Fine copy.

Estim. 500 - 800 EUR

Louis BERTHOMME SAINT ANDRE (Barbery 1905-Paris 1977) Portrait of a woman Original oil on canvas 73 x 60 cm Signed lower right Berthommé Saint André Provenance : Sale by Maître Allaire, Enghien-les-Bains

Starting price 180 EUR

*TIRAQUEAU (André). Opera omnia, quae hactemus extant, Septem Tomis distincta : quorum hic Primus continet libros : De Nobibilitate et Ivre Primigeniorum [...] Francfort, sn, 1574. In-folio of [12] ff. (including title in beautiful engraved frame with engraved arms on verso, large engraved arms at dedication and beautiful engraved portrait of author), 531 pp. and [19] ff. index. Remains of binding (first wooden ais with remains of clasps and spine). The jurisconsult André Tiraqueau (1488-1558), provost judge and lieutenant-general of the Sénéchal du Poitou in Fontenay-le-Comte, welcomed to his Cénacle de Fontenay-le-Comte (a circle of scholars composed mainly of jurists and great humanists, philosophers, connoisseurs of ancient literature, philologists, historians and physicians) the young monks Pierre Lamy and François Rabelais, who used him as a model for the character of Trinquamelle in Gargantua and Pantagruel. The Tiers Livre was largely inspired by Tiraqueau's De legibus ("Treatise on Laws"). He maintained friendly relations with Christofle de Thou, Michel de l'Hospital and Charles Dumoulin. In 1541, he was called by the king to sit on the Parlement de Paris, having refused a seat on the Parlement de Bordeaux a few years earlier. His encyclopedic knowledge and finesse of mind earned him the title of "the Varron of his century" by Théodore de Bèze. André Tiraqueau's work was of prime importance to the development of French legal culture, and was a great success. He wrote numerous treatises, the most famous of which are De nobilitate ("Treatise on nobility") and De poenis temperandis ("Treatise on the moderation of penalties"). The value of his writings, inspired by Greek and Latin authors (Plato, Aristotle, Galen and Cicero), lies not so much in the new solutions he came up with as in the contribution he made, in times of turmoil, to the reorganization of various legal institutions, on the borderline between common law and customary law. In his treatise De legibus connubialibus, Tiraqueau reactivated the Querelle des femmes by asserting the protective role of the husband, and hence the superiority of men over women. Rabelais's Tiers livre echoes some of his ideas through Panurge (source: Wikipedia).

Estim. 600 - 800 EUR

Edouard MACAVOY (1905-1991). Preparatory study for the portrait of André Gide, Juan-les-Pins, 1949. Charcoal drawing signed lower left. 45 x 30. The final portrait is in the Georges Pompidou Center in Paris. Created in Juan-les-Pins, in a villa rented by Gide for the summer, and carefully supervised by him, it gave rise to numerous preparatory studies and four other versions in oil that did not satisfy him. "It was with the portrait of William Somerset Maugham that I realized that the portrait is a sum, and that it can hardly exist before the age of 70, that is, before all the signs are inscribed on the face. It was with Gide that I became aware of this network-geography of wrinkles, tears, ecstasy, despair-that we must learn to read and decant, as we do at school, rivers and lakes. "Georges-Edouard Mac-avoy. Provenance: artist's family

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