![Null [SEA] - Nicola PARTENIO GIANNETTASIO, Piscatoria et nautica. Ed. Altera auc…](https://cdn.drouot.com/d/image/lot?size=fullHD&path=338/153837/f66fec1843d868b1b899ecaecdc785d1)
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[SEA] - Nicola PARTENIO GIANNETTASIO, Piscatoria et nautica. Ed. altera auctior et emendatior, 2nd edition, Neapoli, 1686. In-12 full contemporary calf binding, spine ribbed and decorated (rubbing and stains). 266 pp. illustrated with fine full-page and out-of-text engravings by François de Louvémont and Vincent Hubert after Francesco Solimene. Poems on fishing and navigation by a Neapolitan Jesuit Father (1648-1715). A good copy. ATTACHED: LONGEPIERRE (Hilaire Bernard de Requeleyne de), BION (de Smyrne), MOSCHUS (de Syracuse), Les Idylles de Bion et de Moschus, Traduites de Grec en Vers françois, Avec des Remarques [suivi de] Idylles. Paris, Aubouin, Emery, Clousier, 1686. In-12, contemporary brown calf binding, spine ribbed and decorated (rubbing). Greek and French texts opposite. First edition of this translation of the works of Bion and Moschus by the Marquis de Longepierre, to whom are also attributed the Idylles - imitated from those of Bion - presented in the second part of the work.
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[SEA] - Nicola PARTENIO GIANNETTASIO, Piscatoria et nautica. Ed. altera auctior et emendatior, 2nd edition, Neapoli, 1686. In-12 full contemporary calf binding, spine ribbed and decorated (rubbing and stains). 266 pp. illustrated with fine full-page and out-of-text engravings by François de Louvémont and Vincent Hubert after Francesco Solimene. Poems on fishing and navigation by a Neapolitan Jesuit Father (1648-1715). A good copy. ATTACHED: LONGEPIERRE (Hilaire Bernard de Requeleyne de), BION (de Smyrne), MOSCHUS (de Syracuse), Les Idylles de Bion et de Moschus, Traduites de Grec en Vers françois, Avec des Remarques [suivi de] Idylles. Paris, Aubouin, Emery, Clousier, 1686. In-12, contemporary brown calf binding, spine ribbed and decorated (rubbing). Greek and French texts opposite. First edition of this translation of the works of Bion and Moschus by the Marquis de Longepierre, to whom are also attributed the Idylles - imitated from those of Bion - presented in the second part of the work.
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