Lucia Dellefant (*1965), three-part work "Was nehm ich mit wenn's brennt?", acry…

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Lucia Dellefant (*1965), three-part work "Was nehm ich mit wenn's brennt?", acrylic on canvas with hinged plywood panel and second, portrait-format canvas, unsigned, total dimensions unfolded 117 x 230 cm

8323

Lucia Dellefant (*1965), three-part work "Was nehm ich mit wenn's brennt?", acrylic on canvas with hinged plywood panel and second, portrait-format canvas, unsigned, total dimensions unfolded 117 x 230 cm

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Estim. 20 - 40 EUR

[Bibliography] Set of 4 volumes: (Photocopies, A4 format in red cloth and Skivertex bindings) William Hobart Royce, Writings relative to the Life and Works of Honoré de Balzac. The University of Chicago Press, Kraus Reprint Co. 1969. Otto Klapp, Bibliographie d'Histoire littéraire française. Frankfurt,Vittorio Klostermann. Contains all "Balzac" entries in Volumes I to XXVIII, from 1956 to 1990. Otto Klapp, Bibliographie d'Histoire littéraire française. Frankfurt,Vittorio Klostermann. Volumes XXIX and XXX (1991-1992). L. Carteret, Le Trésor du bibliophile romantique et moderne, 1801-1875. Carteret, 1927 (Pages 41 to 92 on Balzac) Courrier Balzacien: Lot of approx. 120 issues from 1980 to 2022, some duplicates, series missing, some older issues photocopied. Anonymous [Harel, Alhoy and Jal], Dictionnaire théâtral ou douze cent trente-trois vérités sur les directeurs, Régisseurs, acteurs (etc.) des divers théâtres. 2nd edition with a supplement. Paris, Barba, 1825, in-12, 318p. The original edition is dated 1824. As a man of the theater, Harel can claim to have an inside view of the theatrical scene. At the time of publication of his dictionary, whose preface to the second edition testifies to its tumultuous reception, he was not yet director of the Odéon, and he had enlisted the help of two other authors, experienced in major publishing ventures but not at all theatrical specialists: Maurice Alhoy, a successful author, and Auguste Jal, a specialist in maritime literature. Salvador H." bookplate on title page. Bound in red half-basane, smooth spine with 5 false nerves of 3 gilt fillets, 3 cold fleurons and 2 gilt fleurons between the nerves, head and tail rolls, spine slightly faded; marbled edges. A good copy.

Estim. 300 - 500 EUR

[Japan] [Japan] Extensive documentation including - I. Jippensha, A pied sur le Tokaido, Picquier, 1992. - D. Ogrizek, "Le Japon, un portrait en couleur, Odé, 1960. - E. Guimet, Promenades japonaise, drawings after nature by Regamey, publisher's binding, Charpentier, 1878. - C. Shimizu, Women of Japan, Imprimerie nationale 1997. - Une histoire du Japon à travers son art, Robert Laffont, 1965. - G. Fahr Becker, L'estampe japonaise, Taschen, 2007. - C. Shimiza, Le Japon du XIXe siècle, la redécouverte, AGEP, 1990. - C. Shimizu, L. Frédéric, L'art des estampes japonaise, Editions de Crémille, 1990. - J. Hillier, Les maîtres de l'estampe japonaise, Phaidon, 1954. - Le Japonisme," éditions Réunion des musées nationaux, exhibition catalog 1988. - M. Novak and Z. Cerna, Japanese Tales, GrÜnd, Bratislava 1970. - Donald Richie, L'art des fleurs au Japon hier et aujourd'hui, Bibliothèque des arts, 1967. - J. A. Michener, Estampes japonaises, Office du livre de Fribourg, 1964. - Various works. - Edmond de Goncourt, Outamaro, le peintre des maisons vertes, Roissart, Grenoble, full leather binding, illustrations hors texte, quarto, 1978. - La collection Tokugawa, Le Japon des Shogun, Musées des beaux arts de Montréal, 1989. - Sotheby's catalog, Huguette Beres collection, November 27, 2002 - S. E Lee, Hiroshige, carnets d'esquisse, Phébus, 2001 - M. Grivel, Hiroshige, Les albums du cabinet d'estampes de la BN, Albin Michel, 1984. - W. Boller, Hokusai, Editions Clairefontaine, Lausanne, 1955. - M. Ouspenski, Hiroshige, Cent vues d'Edo, Parkstone, 1997. - M. Forrer, Hokusai, Bibliothèque de l'image, 1996. - Hiroshige, Tokaido, Editions du Chêne, 1960, in a Japanese-style canvas slipcase. - Le Japon éternel by Kawase Hasui, Langlaude, 2011. - E. H and P. Jude, Mathurin Méheut, voyage d'un peintre breton au Japon, Ouest France, 2004. - Hokusai, " Les cents vues du mont Fuji ", Hazan , three volumes in facsimile bound in Japanese style, 2008 presentation by N. Delay - Portier et Poncetton, La femme dans l'art japonais, Librairie des arts décoratifs, Calavas, 1934. - Lafacadio Herna, Le Japon Inconnu, études psychologiques, Paris, Albin Michel, no date. - Fumiko Takebayashi, Contes japonais, Paris, Fasquelle, 193 - K. Yamata, Vies de Geishas, Paris, Gallimard, 1934 - Franz Toussaint, Les pins chantent, ornements de Vergély, René Kieffer éditeur, 193 - Céda Akinari, Contes de pluie et de lune, Paris, Gallimard, circa 1940 - M-H Lelong, Spiritualité du Japon, Julliard, La Croix du Sud, 1961 - Judith Gauthier, Le paravent de soie et d'or, Paris, Charpentier et Fasquelle, 1904 - I. Morris, La vie de cour dans l'ancien Japon, Paris, Gallimard, 1964 - P. Loti, Japoneries d'automne, Paris, Levy 1890 - Okakura Kakuzo, Le livre du thé, Paris, Delpeuch, 1927 - M. Dubard, Le japon pittoresque, Paris, Plon et Cie, 1879 - Kikou Yamata, Masako, Stock, 1942. Numbered edition 102 - Soulié de Morant, Le trésor des loyaux samouraïs, Piazza, 1927 - Régamey, Le Japon Pratique, Hetzel, circa 1890 Le chrysanthème solidaire, edition of the Smith manuscript Lesouef japonais 96, Paris, 1984, BN département des manuscrit - G. Atken, M. Delafond, La collection d'estampes japonaises de Claude Monet, Maison de Monet Giverny, 1987 - Utamaro, L'almanach des maisons vertes, Picquier, 2008 and miscellaneous - Japanese prints and drawings from the Vever Collection, Sotheby Parle Bernet, 1976 (3 volumes in quarto in slipcase. - Highly important Japanese prints from the Henri Vever collection: final part, Sothebys, identically bound sale catalog, 30/10/1997. - G.A. Audsley and James L. Bowes, La céramique japonaise, édition française, publiée sous la direction de M. A. RAcinet. In two volumes, Paris, Firmin Didot, 1880. Modern buff binding with corners.

Estim. 1 200 - 2 400 EUR

A FINE INLAID LACQUER THREE-CASE INRO WITH A BEAR AND CRABS A FINE INLAID LACQUER THREE-CASE INRO WITH A BEAR AND CRABS Unsigned Japan, 18 th century, Edo period (1615-1868) Of rounded square form, bearing a bright, red-lacquered ground, finely decorated in black and gold takamaki-e and hiramaki-e, kirigane, as well as inlays of raden (mother-of-pearl), to depict to the front a large Himalayan black bear with minutely detailed fur and eyes inlaid behind crystal. The bear crouches, its forelimbs supported on a craggy rock, as it turns its head to glare at the crab pinching its tail, yelping out in pain, while another crab peeks its head out, brilliantly camouflaged behind the rock. The verso decorated with a large crab raisings its pincers, lacquered in gold and inlaid with large sections of raden. The interior cases of nashiji with gold fundame edges. With a lacquered wood ojime and a beautifully matching narwhal manju netsuke with a shell in silver to its center. The shell incised with concentric circles and fitted with a loop cord attachment. HEIGHT 7.5 cm. LENGTH 7.5 cm Condition: Good condition with wear. Tiny hairline to the first case and flaking to the corners and edges. The interior with traces of use. A small touchup to the bear's head. Provenance: Bonhams, Fine Asian Works of Art, 13 December 2010, San Francisco, lot 5342. Midori Gallery, Miami, USA, acquired from the above. Collection of James and Christine Heusinger, acquired from the above. James and Christine Heusinger started collecting Japanese art in the late 1970s. James and Chirstine worked for a travel agency until James became a prominent carpenter, whose company renovated the office of US Vice President Dick Cheney’s office. His collection began with a modest piece by Seifu Yohei III and expanded to over 100 pieces. They donated the majority of their pieces to the Cleveland Museum of Art, University Hospitals of Cleveland, and Oishei Children’s Hospital in Buffalo. Auction comparison: Compare a closely related lacquer inro with a bear, by Shigeyoshi, at Bonhams, The Edward Wrangham Collection of Japanese Art Part III, 15 May 2012, London, lot 242 ( sold for GBP 3,500).

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