Null Hannelore Heise (*1941), Berlin-born artist of naive painting, "Fata Morgan…

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Hannelore Heise (*1941), Berlin-born artist of naive painting, "Fata Morgana", oil on cardboard, signed and dated (19)94 lower left, 19 x 16 cm, framed 25 x 21 cm

8260

Hannelore Heise (*1941), Berlin-born artist of naive painting, "Fata Morgana", oil on cardboard, signed and dated (19)94 lower left, 19 x 16 cm, framed 25 x 21 cm

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Sammlung von 120 Original-Photographien mit architektonischen Aufnahmen von Berlin. 1957-1958. Vintages, Silbergelatine. Maße je ca. 8 x 8,5 cm. Je 4-6 Photographien auf losen Kartonseiten kaschiert. Berlin Sammlung von 120 Original-Photographien mit architektonischen Aufnahmen von Berlin. 1957-1958. Vintages, Silbergelatine. Maße je ca. 8 x 8,5 cm. Je 4-6 Photographien auf losen Kartonseiten kaschiert. Sammlung eines äußerst versierten Amateurphotographen mit zahlreichen architektonischen Aufnahmen von Berlin in den 1950er-Jahren. Enthält Ansichten des Flughafens Tempelhof, Gedächtniskirche, Bahnhof Zoo, Zoologischer Garten, Kurfürstendamm, Hansa-Viertel, Kaiser-Friedrich-Gedächtniskirche, Oscar-Niemeyer-Haus, Kirche St. Canisius und Kongresshalle (Haus der Kulturen der Welt). Auf den Kartons mit einem oder mehreren typographischen Schildern, die die Photographien textlich begleiten. - Einige wenige etwas fleckig. Insgesamt äußerst wohlerhalten, sehr kontrastreiche Abzüge. Interessante Sammlung zu Berliner Nachkriegs-Architektur. Berlin - Collection of 120 original photographs with architectural images of Berlin. 1957-1958. Vintages, silver gelatine. Mounted in 4-6 photographs on loose cardboard pages. - Collection of an extremely accomplished amateur photographer with numerous architectural photographs of Berlin in the 1950s. Includes views of see above. With one or more typographical labels on the cartons accompanying the photographs. - A very few somewhat stained. Overall extremely well-preserved, very high-contrast prints. Interesting collection on post-war Berlin architecture.

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[ART] LIEDTKE (Walter A). Flemish Paintings in the Metropolitan Museum of Art, published by the Metropolitan Museum of Art in 1984. 2 volumes, in-4 format, hard covers in slipcase. Numerous illustrations in color / black in / out of text. Excellent condition.

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Henry Enfield, Fjord Landscape Steep cliffs rising from the sea, partly covered by snow, and in the foreground fishermen pulling their boat ashore and unloading their catch, slightly impasto landscape painting, oil on canvas, around 1900, signed lower left "H. Enfield", label with biographical data on the artist on the reverse, slight traces of age, small tear to the lower edge almost concealed by the fold, in a stuccoed and gold-bronzed frame (slightly bumped) approx. 9.5 cm wide, folded dimensions approx. 53 x 88 cm. Artist information: English landscape and marine painter (1849 London until after 1914 Berlin?), lived in Nottingham, initially self-taught in painting, studied 1873-75 under Émile Auguste Carolus-Duran in Paris, 1884-96 active in Düsseldorf, ran a company for glass painting together with Ludwig Schmidt, 1880 and 1893 stay in London, 1883 in Antwerp and 1894 in Nottingham, 1897 until ca. 1912 in Berlin and finally in Berlin. 1912 in Berlin and finally in Neuwarp in Pomerania, 1872-93 exhibited at the Royal Academie London and the Royal Society of British Artists, 1895-1914 at the Great Art Exhibitions in Berlin, Düsseldorf and the Glaspalast Munich, as well as 1880-1911 exhibitions of the Nottingham Society of Artists and exhibitions in Birmingham and Liverpool, 1888-1900 member of the Düsseldorf artists' association "Malkasten", member of the Allgemeine Deutsche Kunstgenossenschaft, from 1897 member of the Verein Berliner Künstler, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Bruckmann "Lexikon der Düsseldorfer Malerschule", "The Dictionary of British Artists 1880-1940", Müller-Singer, Dressler, Bénézit and Wikipedia.

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