Null Hans Brück (1890-?), Park with overgrown breach in the wall, oil on canvas,…

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Hans Brück (1890-?), Park with overgrown breach in the wall, oil on canvas, signed top right, 40 x 50 cm, framed 48 x 58 cm

7471

Hans Brück (1890-?), Park with overgrown breach in the wall, oil on canvas, signed top right, 40 x 50 cm, framed 48 x 58 cm

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Starting price 200 USD

Arp, HansBehaarte Herzen 1923-1926. Könige vor der Sintflut 1952-1953. Mit einem Original-Holzschnitt von Hans Arp als Frontispiz. Frankfurt, Meta-Verlag, 1953. 52 S. 4°. Marmorierter OPp. mit blindgepr. DVignette (in den Kanten leicht gebräunt, Rücken etw. berieben, am oberen Kapital mit kl. Bezugsfehlstelle). Arp, Hans Behaarte Herzen 1923-1926. Könige vor der Sintflut 1952-1953. Mit einem Original-Holzschnitt von Hans Arp als Frontispiz. Frankfurt, Meta-Verlag, 1953. 52 S. 4°. Marmorierter OPp. mit blindgepr. DVignette (in den Kanten leicht gebräunt, Rücken etw. berieben, am oberen Kapital mit kl. Bezugsfehlstelle). Erste Ausgabe. - Eines von 500 Exemplaren (GA 600). - Mit dem Holzschnitt Fisch (Arntz 181 c). - Titelbl. mit sehr schwachem Abklatsch des Frontispizes, papierbedingt minimal u. sehr zart gebräunt. Schönes und sauberes Exemplar mit kräftigem und tiefschwarzen Abzug des Hozschnittes. With original woodcut by Hans Arp as frontispiece. Marbled orig. cardboard binding with blind embossed cover vignette (lightly browned in the edges, spine a bit rubbed, at the upper capital with a small cover defect). - irst edition. - One of 500 copies (total ed. 600). - With the woodcut Fisch (Arntz 181 c). - Title page with slight offsetting of the frontispiece, due to paper very delicately and evenly browned. Fine and clean copy with strong and deep black impression of the woodcut. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 200 USD

Bellmer, HansDie Zeichnungen von Hans Bellmer. Mit einer beiliegenden signierten Original-Radierung auf Japan. Berlin, Propyläen, 1969. 3 Bll., 113 S., 1 Bl. 4°. OLwd. in ill. OUmschlag (dieser minimal gebrauchsspurig). Bellmer, Hans Die Zeichnungen von Hans Bellmer. Mit einer beiliegenden signierten Original-Radierung auf Japan. Berlin, Propyläen, 1969. 3 Bll., 113 S., 1 Bl. 4°. OLwd. in ill. OUmschlag (dieser minimal gebrauchsspurig). Mit der beiliegenden Radierung "Barockes Souterrain" (Souterrain baroque). Illustriert mit zahlreichen Tafeln. - Buch und Radierung in den Rändern unscheinbar gebräunt. Die Graphik sehr gratig und auf edlem Japan. With an enclosed signed original etching on Japan. Orig. cloth in ill. orig. wrappers (the latter with minimal wear). - Illustrated with numerous plates. - Book and etching in the margins inconspicuously browned. The graphic very neat and on fine Japan.

Starting price 300 USD

SophoklesTragédie de Sophocle. Mise en français par André Bonnard. Mit 14 Original-Radierungen von Hans Erni, davon 13 ganzseitig. Lausanne, Gonin, 1946. Folio. Lose Lagen in ill. OUmschlag, in HPgt.-Chemise mit goldgepr. RTitel (ohne Schuber, Chemise etwas angeschmutzt und kratzspurig). Erni, Hans Sophokles Tragédie de Sophocle. Mise en français par André Bonnard. Mit 14 Original-Radierungen von Hans Erni, davon 13 ganzseitig. Lausanne, Gonin, 1946. Folio. Lose Lagen in ill. OUmschlag, in HPgt.-Chemise mit goldgepr. RTitel (ohne Schuber, Chemise etwas angeschmutzt und kratzspurig). Monod 10355. Tiessen II, 9. - Eines von 189 nummerierten Exemplaren (GA 260), von André Gonin und Hans Erni im Druckvermerk signiert. - Teils etwas gebräunt und vereinzelt minimal braunfleckig. Radierungen sauber. Insgesamt gutes Exemplar. With 14 original etchings by Hans Erni, 13 of them full-page. Loose quires in ill. orig. wrappers, in half vellum chemise with gilt spine title (without slipcase, chemise somewhat soiled and scratched). - One of 189 numbered copies (total ed. 260), signed by André Gonin and Hans Erni in the imprint. - Partly a little bit browned and sporadically minimally brownstained. Etchings clean. Overall a good copy. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Estim. 8 000 - 10 000 EUR

Charlie Parker Signed Mercury Records 'Charlie Parker with Strings' Record Set Hugely desirable Charlie Parker with Strings record set from Mercury Records (C509), signed and inscribed on the inside front cover in bold blue ballpoint, “To Joe, Regards, Charlie Parker.” The set includes three 10-inch 78 RPM vinyl records containing the following songs: ‘Just Friends’ / ‘Everything Happens to Me’ (C-101), ‘East of the Sun’ / ‘You Came Along from Out of Nowhere’ (C-109), and ‘I'm in the Mood for Love’ / ‘They Can’t Take That Away From Me’ (C-109). The signed sleeve with cover design by David Stone Martin is an original issue of C-509, the second release from Bird's ‘with Strings’ sessions made for Norman Granz's labels between 1947 and 1952. These sessions with small string orchestra and rhythm sections were the realization of Parker's long-held dream to record with strings. They ultimately became the best-selling records of his lifetime. In very good to fine condition, with a crease/crack to the lower left corner of the cover. Accompanied by a 2016 letter of provenance from renowned jazz collector Norman Saks: “This letter is to authenticate an autographed ‘Charlie Parker With Strings Vol 2.’ 78 RPM album, signed on the inside photo...The signed album is reproduced on page 22 of the book Charlie Parker & Jazz Club Memorabilia: The Norman R. Saks Collection by Ken Vail. It comes from my personal collection.” Per jazz historians Richard Cook and Brian Morton: ‘There is still some pointless controversy as to the merits of Parker's with Strings projects. Pointless, because it is clear from a single chorus of 'Repetition' from 1947 or 'Stella by Starlight' in 1952 that there is a master at work here. Bird's solo construction is poised and tasteful, and much of the talk of his 'impatience' with these smooth settings is a sort of wishful thinking. He basked in them, and if on occasion he anticipates the beat, that's no more than he did with Al Haig or Thelonius Monk.’

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