Null Rudolf Müller (1802-1885), Swiss landscape painter, active in Naples and es…
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Rudolf Müller (1802-1885), Swiss landscape painter, active in Naples and especially Rome from 1822. Shore scene on a northern Italian lake with rich staffage, oil on canvas, signed and inscribed "Ddf." and indistinctly dated lower right, 47 x 65 cm, framed 65 x 83 cm

7362 

Rudolf Müller (1802-1885), Swiss landscape painter, active in Naples and especially Rome from 1822. Shore scene on a northern Italian lake with rich staffage, oil on canvas, signed and inscribed "Ddf." and indistinctly dated lower right, 47 x 65 cm, framed 65 x 83 cm

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Bühlmann, Johann RudolfBergansicht. 1830er Jahre. Öl auf Malkarton. 30 x 38 cm. Mit eingeritztem, legiertem Monogramm. Im goldfarbenen Holzrahmen gerahmt. - An den Kanten punktuell mit leichten Oberflächenbereibungen als Spur der Rahmung. Untere, rechte sowie sehr vereinzelt punktuelle Farbausbrüche. Vereinzelt feines Craquelé. Oberfläche etwas angeschmutzt und Firniß angegilbt. Unter UV keine Retuschen erkennbar. Insgesamt gut. Romantische Landschaftsszene. Schweiz Bühlmann, Johann Rudolf Bergansicht. 1830er Jahre. Öl auf Malkarton. 30 x 38 cm. Mit eingeritztem, legiertem Monogramm. Im goldfarbenen Holzrahmen gerahmt. - An den Kanten punktuell mit leichten Oberflächenbereibungen als Spur der Rahmung. Untere, rechte sowie sehr vereinzelt punktuelle Farbausbrüche. Vereinzelt feines Craquelé. Oberfläche etwas angeschmutzt und Firniß angegilbt. Unter UV keine Retuschen erkennbar. Insgesamt gut. Romantische Landschaftsszene. Der Schweizer Maler ist bekannt für seine Landschaftsbilder, die sein Gesamtwerk wesentlich bestimmen. Besonders ist, dass Bühlmann einer Bauernfamilie entstammte, die zunächst keinen Bezug zu Kunst hatte. Er wusste seine Leidenschaft Landschaftsmaler zu werden, richtig einzuschätzen und strebte mit 17 Jahren eine Lehre zum Flachmaler in Zürich an. Nach Abschluss folgten erste Aufträge. Bühlmann wusste stets seine Vorliebe für ausgedehnte Reisen sowohl nach Italien als auch das Schweizer Umland durch Verkäufe von Veduten zu finanzieren. Stilistisch war er ein Vertreter der romantischen Landschaftsmalerei, die Hingebung zur Vegetation zeigt die Naturverbundenheit. Oil on board. With incised, ligated monogram. Framed in a golden wooden frame. - The edges with slight surface rubbing in places as traces of framing. Lower right corner as well as very isolated colour losses. Occasional fine craquelure. Surface slightly soiled and varnish slightly yellowed. No visible retouching under UV. Good overall. Romantic landscape scene. - The Swiss painter is known for his landscape paintings which characterise his entire oeuvre. Bühlmann was member of a farming family that initially had no connection to art. He knew to draw his attenttion to his passion to become a landscape painter and at the age of 17 he began an apprenticeship as a flat painter in Zurich. His first commissions followed. Bühlmann always knew how to finance his fondness for travelling extensively to Italy and the Swiss countryside by selling vedute. Stylistically, he was a representative of Romantic landscape painting, his devotion to vegetation demonstrating his affinity with nature.

Rudolf Poeschmann, Altmarkt von Plauen im Winter View of the snow-covered old market square with the King Albert Monument and the Old Town Hall in Plauen in the Vogtland, in the warm light of the waning day, depiction of the artist's sisters in the right foreground, inscribed below the image in the print "Altmarkt Plauen i. V.", colour lithograph, signed, inscribed and dated "Rudolf Poeschmann Dresden 1910" lower left in the print, framed behind glass (pane with crack), folded dimensions approx. 78.5 x 61.5 cm. Artist information: actually Karl Julius Rudolf Poeschmann, also Rudolph, German landscape and genre painter. Landscape and genre painter (1878 Plauen/Vogtland to 1954 Dresden), childhood in Plauen, supported here by the drawing teacher Hermann Reinstein (1844-1935), then private pupil at a Munich art school, studied from 1896 at the Munich Academy under Johann Caspar Herterich, from 1897 studied at the Dresden Academy under Carl Bantzer and master student under Gotthard Kuehl, then freelance in Dresden, regular summer study trips through Saxony (especially the Vogtland, Ore Mountains and Lusatia), to Franconia, the Harz Mountains and to Austria, Holland, France (Paris) and Switzerland, organised various exhibitions such as the Glaspalast in Munich, member of the Munich Artists' Cooperative, the Reich Association of Visual Artists in Germany, the Dresden Artists' Association, the Dresden "Märzbund" and the General German Art Cooperative, active in Dresden, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Müller-Singer, registers of the Dresden and Munich academies, Glaspalast catalogues and Frank Weiß "Malerei im Vogtland".

Ernst Anders, Portrait of a Lady Head portrait of a young lady with a pearl necklace and opulent hat, looking boldly over her shoulder at the viewer, typical work by the Düsseldorf painter known as a depictor of the elegant ladies' world, about whose œuvre Bruckmann's "Lexikon der Düsseldorfer Malerschule" writes "... At exhibitions ... he mainly showed genre paintings ... Anders earned his living ... primarily with portrait commissions. In a necrology he is described as "one of the most famous artist phenomena from Düsseldorf's old days", ...", glazed portrait painting, oil on canvas and stretcher, c. 1890, signed "E. Anders" upper right, label with contemporary information on the artist on the reverse of the stretcher, old retouching, relined, craquelure, stretcher showing through, tear in the canvas, in need of restoration, unframed, dimensions c. 39.5 x 29.5 cm. Artist information: German engraver. Engraver, portrait and genre painter (1845 Magdeburg to 1911 Mölln), 1860-63 private pupil in engraving under Ludwig Heitland and painting under Andreas Müller in Düsseldorf, studied 1862-68 first sculpture, then painting at the Düsseldorf academy under Carl Müller, Heinrich Mücke, Carl Ferdinand Sohn, Julius Roeting, Andreas Müller, Josef Kohlschein and Rudolf Wiegmann, 1868-72 private pupil of Wilhelm Sohn, then freelance portrait and genre painter in Düsseldorf, member of the Düsseldorf Artists' Association, the General German Art Co-operative and 1871-1911 member of the artists' association "Malkasten", participated in exhibitions in Düsseldorf, the Berlin Academy Exhibition and the Vienna Art Association, active in Düsseldorf, source: Thieme-Becker, Vollmer, AKL, Saur "Bio-Bibliographisches Künstlerlexikon", Boetticher, Bénézit, Bruckmann "Lexikon der Düsseldorfer Malerschule", student lists of the Düsseldorf Academy, Müller-Singer, Seubert, Dressler and Wikipedia.