Null Claude Rameau (1876-1955), French landscape painter, Pair of small summer l…

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Claude Rameau (1876-1955), French landscape painter, Pair of small summer landscapes, oil on card, each signed, 24 x 32 cm, framed 29 x 38 cm

7218

Claude Rameau (1876-1955), French landscape painter, Pair of small summer landscapes, oil on card, each signed, 24 x 32 cm, framed 29 x 38 cm

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Starting price 400 EUR

Bisson, EduardFeengestalt. Ca. 1900. crystoleum on convex glass plate. 27 x 18 cm. Signed. Framed in period frame. Bisson, Eduard Fairy figure. Ca. 1900. Crystoleum on convex glass plate. 27 x 18 cm. Signed. Framed in the frame of the period. In the crystoleum technique, an albumen print is glued to the inside of a convex glass plate. In the next step, the paper backing of the print is rubbed off, leaving only the transparent emulsion behind. The work was then colored on the reverse by hand in oil paint. Crysstoleen were very popular between the 1880s and 1910s. - Edouard Bisson was a French painter of the fin de siècle. He is best known for his ethereal depictions of women, in which he concentrated on the exaggeration of a stylized form of female beauty and which are stylistically reminiscent of the Pre-Raphaelites. Bisson exhibited several times at the Paris Salon and won the bronze medal at the 1900 World Exhibition. - The glass with a few superficial scratches in places. Good overall. Crystoleum on convex glass plate. Signed. Framed in a frame of the time. - In the Crystoleum technique, an albumen print is glued to the inside of a convex glass plate. In the following step, the paper backing of the print is rubbed off so that only the transparent emulsion remains. The work was then colored on the reverse side by hand in oil paints. - Edouard Bisson was a French painter of the Fin de Siècle. He is best known for his ethereal depictions of women, in which he concentrated on the exaggeration of a stylized form of female beauty and which are strongly reminiscent of the Pre-Raphaelites in terms of stillness. - On the glass with few and superficial scratches in spots. Overall well preserved.

Starting price 200 EUR

Donny, DésiréWanderer on the riverbank in the moonlight. Circa 1850. watercolor, heightened with oil paint in white, on blue wove paper. 12.9 x 18.5 cm. Signed. Mounted in spots under passepartout and framed under glass. - The oil paint with craquelure in places. Paper somewhat wavy due to mounting. Overall in very good condition. Atmospheric and finely worked out scene, which gains its charm through the adept combination of watercolor and oil paint. Belgium Donny, Désiré Wanderer on the riverbank in the moonlight. Circa 1850. watercolor, heightened with oil paint in white, on blue wove paper. 12.9 x 18.5 cm. Signed. Mounted in spots under passepartout and framed under glass. - The oil paint with craquelure in places. Paper somewhat wavy due to mounting. Overall in very good condition. Atmospheric and finely worked out scene, which gains its charm through the adept combination of watercolor and oil paint. Désiré Donny was a Flemish artist and representative of Flemish Romanticism. He studied at the academy in Bruges and lived in Brussels. In addition to genre scenes and marine paintings, he created numerous cityscapes, often depicting Brussels. Around 1839 he began to concentrate on scenes by night and moonlight. Watercolor, heightened with white oil paint, on blue wove paper. Signed. Mounted in spots under mat and framed under glass. - The oil paint with craquelée in spots. Paper a bit wavy due to mounting. At all in a very good condition. Atmospheric and finely worked out scene which gets its charm by the adept combination of watercolour and oil paint. - Flemish painter and representative of Flemish Romanticism. Donny was best known for his atmospheric scenes at moonlight.

Starting price 1000 EUR

Bühlmann, Johann RudolfMountain view. 1830s. Oil on canvas. 30 x 38 cm. With incised, alloy monogram. Framed in a gold-colored wooden frame. - The edges with slight surface rubbing in places as traces of framing. Lower right and very occasional pinpoint losses of color. Occasional fine craquelure. Surface somewhat soiled and varnish yellowed. No retouching visible under UV. Good overall. Romantic landscape scene. Switzerland Bühlmann, Johann Rudolf Mountain view. 1830s. Oil on painting card. 30 x 38 cm. With incised, alloy monogram. Framed in a gold-colored wooden frame. - The edges with slight surface rubbing in places as traces of framing. Lower right and very occasional pinpoint losses of color. Occasional fine craquelure. Surface somewhat soiled and varnish yellowed. No retouching visible under UV. Good overall. Romantic landscape scene. The Swiss painter is known for his landscape paintings, which significantly define his oeuvre. Bühlmann came from a farming family that initially had no connection to art. He knew how to appreciate his passion to become a landscape painter and, at the age of 17, sought an apprenticeship as a flat painter in Zurich. His first commissions followed on completion. Bühlmann always knew how to finance his preference for extensive trips to Italy as well as the Swiss countryside by selling vedute. Stylistically, he was a representative of Romantic landscape painting; his devotion to vegetation shows his closeness to nature. Oil on board. With incised, ligated monogram. Framed in a golden wooden frame. - The edges with slight surface rubbing in places as traces of framing. Lower right corner as well as very isolated color losses. Occasional fine craquelure. Surface slightly soiled and varnish slightly yellowed. No visible retouching under UV. Good overall. Romantic landscape scene. - The Swiss painter is known for his landscape paintings which characterize his entire oeuvre. Bühlmann was member of a farming family that initially had no connection to art. He knew to draw his attenttion to his passion to become a landscape painter and at the age of 17 he began an apprenticeship as a flat painter in Zurich. His first commissions followed. Bühlmann always knew how to finance his fondness for traveling extensively to Italy and the Swiss countryside by selling vedute. Stylistically, he was a representative of Romantic landscape painting, his devotion to vegetation demonstrating his affinity with nature.

Starting price 50 EUR

Photographic books. Set of five miscellaneous books: Morocco, photographs by Harry Gruyaert, Schirmer/Mosel, Munich/Paris, 1990 (dust jacket damaged). Masters of American Design, Brodovitch, Andy Grunberg, Documents of American Désigné, Harry N. Abrams Publishers, New York, Japan. Art of Nature, 20th Century French Photography, Agnès de Gouvion Saint-Cyr, Jean-Claude Lemagny and Alain Sayag, Barbican Art Gallery, 1988. Jaroslav Guth, Poems by Jaroslav Seifert, Praga Caput Regni, Flow East, 1995.

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