Null Anton Quatal (1736-1809), Landscape with Par Force Hunters, a wide, flat ri…

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Anton Quatal (1736-1809), Landscape with Par Force Hunters, a wide, flat river landscape with a village and several horsemen, accompanied by a dog, on their way into a small wood. The men in elegant baroque dress with tricorn hats. Oil on wood, signed "Quatal" lower left, closed horizontal break with retouching, 29 x 44 cm, framed 37 x 52 cm

7184

Anton Quatal (1736-1809), Landscape with Par Force Hunters, a wide, flat river landscape with a village and several horsemen, accompanied by a dog, on their way into a small wood. The men in elegant baroque dress with tricorn hats. Oil on wood, signed "Quatal" lower left, closed horizontal break with retouching, 29 x 44 cm, framed 37 x 52 cm

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Starting price 300 EUR

Nouveau Plan illustré de la Ville de Paris avec le système complet de ses fortifications et forts détachés, et des communes de la Banlieue. Dressé par A. Vuillemin Géographe. Illustré par A. Testatin et gravé par Taylor. Engraved sur acier par Bérnard. Paris, Fatout, 1845. Engraved map in 32 linen-covered segments. 88.5 x 113 cm. In card. Slipcase (somewhat stronger traces of use). France Nouveau Plan illustré de la Ville de Paris avec le système complet de ses fortifications et forts détachés, et des communes de la Banlieue. Dressé par A. Vuillemin Géographe. Illustré par A. Testatin et gravé par Taylor. Engraved sur acier par Bérnard. Paris, Fatout, 1845. Engraved map in 32 linen-covered segments. 88.5 x 113 cm. In card. Slipcase (somewhat stronger traces of use). Rare. - Alexandre Vuillemin (1812-1880) was a leading French cartographer and publisher of the 19th century. - The map is decorated throughout with pictorial vignettes of the most important buildings, bridges, trains and monuments. - Some browning and staining in margins due to paper, 1 segment with small hole, only occasional pale brown spots and verso somewhat stained. Overall well preserved. France - Engraved map in 32 linen backed segments. In cont. card slip case (with somewhat stronger traces of use). - Rare. - The map is decorated throughout with pictorial vignettes of the major buildings, bridges, trains and monuments. - Somewhat browned due to paper, slightly finger stained in the margins, 1 segment with pinhole, only sporadically with pale brown spots, stained on verso. Altogether well preserved.

Starting price 600 EUR

Doll, AntonRuine Kropfsberg. 1870s. Oil on wood panel. 14.5 x 23.5 cm. Signed and inscribed "München". Verso with label, there with corresponding work details in an unknown hand. Framed in a gold-colored stucco frame with vegetal decoration. - Along the edges with pinpoint paint abrasion as a trace of the framing. Partially with age-related craquelure. Good overall. Atmospheric landscape of ruins with romantic echoes in an atmospheric night. Austria Doll, Anton Ruine Kropfsberg. 1870s. Oil on wood panel. 14.5 x 23.5 cm. Signed and inscribed "München". Verso with label, there with corresponding work details in an unknown hand. Framed in a gold-colored stucco frame with vegetal decoration. - Along the edges with pinpoint paint abrasion as a trace of the framing. Partially with age-related craquelure. Good overall. Atmospheric landscape of ruins with romantic echoes in an atmospheric night. The painting depicts the ruins of Kropfsberg Castle, in present-day Tyrol, Austria. At the time the painting was created, Tyrol belonged to the Kingdom of Bavaria and the German landscape and veduta painter Anton Doll turned his attention from the city of Munich to the scenic surroundings of the royal seat. Based in Munich, the painter made frequent excursions into the Bavarian (Alpine foothills) landscape and depicted the scenery, preferably in winter and snow and in the evening or at night. Both components can be found in our scene, so that our painting shows a typical personal scene that presumably dates from his late work. Our scene has echoes of Dutch landscape painting of the 17th and 19th centuries and features a staggered spatial backdrop and a balanced composition. Doll, who is regarded as the most important representative of the Munich School, had a great fascination for the Bavarian landscape and the rural life of its inhabitants. Oil on wood panel. Signed and indicated. On the verso with label, there with corresponding work details by a third party. Framed in a gold-colored stucco frame with vegetal decoration. - Traces of framing along the edges with isolated color abrasion. Partially with craquelure due to age. Good overall. Atmospheric landscape of ruins with romantic echoes in an atmospheric night. - Our scene has echoes of 17th and 19th century Dutch landscape painting and features a staggered spatial backdrop and a balanced composition. Doll, who is regarded as the most important representative of the Munich School, had a great fascination for the Bavarian landscape and the rural life of its inhabitants.

Estim. 60 - 80 EUR

[CAUMONT LA FORCE (Charlotte-Rose de)]. Les Fées. Contes des contes. By Mademoiselle de ***. Paris, Compagnie des Libraires, 1725. In-12, half brown cloth, handwritten title on spine. Contains the tales: Plus belle que fée, Persinette, L'Enchanteur, Tourbillon, Verd & Bleu, Le Pays des Délices, La Puissance d'Amour, La Bonne Femme. Minor scattered foxing and spotting, several pages browned.

Starting price 800 EUR

GIOTTO LAMPONI. Painted ''FLUVIAL LANDSCAPE WITH ARMENTI'' GIOTTO LAMPONI (Active between the 19th and 20th centuries). Oil painting on canvas depicting ''FLUVIAL LANDSCAPE WITH ARMENT.'' Signed at lower right. Framed. 100x210 cm approx.

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