Null Folding table, England 19th century, mahogany, turned legs, table top can b…
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Folding table, England 19th century, mahogany, turned legs, table top can be folded on both sides, 75 x 95/107 x 55 cm - The furniture is not in our premises but in other Berlin premises and can only be viewed and collected there.

5709 

Folding table, England 19th century, mahogany, turned legs, table top can be folded on both sides, 75 x 95/107 x 55 cm - The furniture is not in our premises but in other Berlin premises and can only be viewed and collected there.

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MAISON ALPHONSE GIROUX ( act. 1799-1867). Etagère; c. 1860. Chiseled and burnished bronze with engraved glass plates. Work reproduced in C. Payne, Paris Furniture: the luxury market of the 19th century, Éditions Monelle Hayot, 2018, p. 77 (illustrated). Signed Aph Giroux Paris. Measurements: 89.5 x 48 x 48 cm. Etagère made of gilded bronze and Japanese-style glass in its design. Japanese products became increasingly familiar in Paris thanks to a large exhibition in the Japanese pavilion at the Universal Exhibition of 1867 and later in Vienna in 1873. The Parisian firms Christofle and Barbedienne were the main exponents of the new fashion for Japonisme. It was applied mainly to metal furniture with little or no woodwork. In the Western decorative arts and mixed motifs and Japanese in the same object, which can often make it difficult, if not impossible, to define precisely whether the object should be described as chinoiserie or Japonisme. A magazine called Art Amateur in New York was one of the first to use the word "japanesque" as an appropriate response to Giroux's cabinet. Two designer makers and early advocates of an oriental style in Paris were Giroux and Duvinage. The former sold his store to Ferdinand Duvinage and his partner Harinckouk in 1867. Giroux mainly adapted Chinese art; his publication Meubles et fantaisies, circa 1840, shows tables in this new fashionable idiom and is reminiscent of the papier-mâché furniture of the same period. Work reproduced in C. Payne, Paris Furniture: the luxury market of the 19th century, Éditions Monelle Hayot, 2018, p. 77 (illustrated). Signed Aph Giroux Paris.

Sammlung von 39 Original-Zeichnungen mit Darstellungen von Vögeln. Vermutlich England, Mitte des 19. Jahrhunderts. Feder und Aquarelle auf chamoisfarbenem Papier. Blattmaße je ca. 15 x 19 cm. Zoologie - Ornithologie Sammlung von 39 Original-Zeichnungen mit Darstellungen von Vögeln. Vermutlich England, Mitte des 19. Jahrhunderts. Feder und Aquarelle auf chamoisfarbenem Papier. Blattmaße je ca. 15 x 19 cm. Meist mit Beschriftungen in englischer und lateinischer Sprache. - Die Blätter scheinen einem professionellen ornithologischen Zeichenalbum zu entstammen. Enthalten sind sowohl europäische als auch außereuropäische Arten, es überwiegen dabei Enten- und Hühnervögel. Dargestellt sind unter anderem ein Kernbeißer, ein Halsbandfrankolin, Löffelenten, Persische Sandhühner und Büschelenten. Die Vögel werden meist in ihrer natürlichen Umgebung gezeigt, einige Blätter bilden zudem auch das Gelege ab. Einige der Zeichnungen scheinen inspiriert von dem erstmals zwischen 1851-1857 erschienen Werk "A History of British Birds" von Rev. F.O. Morris. - Verso vereinzelt mit Spuren früherer Montierung. Einige auf Trägerpapier montiert. In den Rändern teils unscheinbar gebräunt und vereinzelt gering braunfleckig. Insgesamt sehr gut erhaltene und vielfältige Sammlung. Ornithology - Collection of 39 original drawings with depictions of birds. Probably England, mid 19th century. Pen and watercolour on chamois-coloured paper. - Mostly with captions in English and Latin. - The sheets appear to come from a professional ornithological drawing album. They contain both European and non-European species, with a predominance of duck and partridge birds. Among others, a hawfinch, a collared francolin, spoonbills, Persian sandgrouse and tufted ducks are depicted. The birds are mostly shown in their natural environment, with some sheets also depicting the clutch of eggs. Some of the drawings appear to have been inspired by the work "A History of British Birds" by Rev. F.O. Morris, first published between 1851-1857. Morris. - Partly with traces of earlier mounting on verso. Some mounted on backing paper. Some inconspicuous browning in margins and occasional minor brownstaining. Overall a very well-preserved and varied collection.

Sammlung von 16 handgemalten Kulissenbildern. Wohl Niederlande, um 1950. Je Gouache auf Malerkarton, verso mit montierten Klappteilen zum Aufstellen. Maße je ca. 25 x 23 cm. Kulissenbilder Sammlung von 16 handgemalten Kulissenbildern. Wohl Niederlande, um 1950. Je Gouache auf Malerkarton, verso mit montierten Klappteilen zum Aufstellen. Maße je ca. 25 x 23 cm. Handgemalte Kulissenbilder diverse Märchen darstellend, u.a. Sindbad der Seefahrer, Hans im Glück, Aladdin, Alibaba, Tischlein deck dich, Aschenputtel, Frau Holle und Dornröschen. Verso mit hs. Betitelung in Holländisch. - Einige mit losen Klappteilen. Papierbedingt gebräunt und teils mit kl. Randläsuren. Insgesamt wohl erhalten mit leuchtenden Farben. Collection of 16 hand-painted scenery pictures. Probably the Netherlands, around 1950. Each gouache on painter's cardboard, on the back side with mounted folding parts for standing up. - Hand painted scenery pictures depicting various fairy tales, among others Sinbad the Sailor, Hans in Luck, Aladdin, Alibaba, The Wishing-Table, Cinderella, Mother Holle and Sleeping Beauty. Verso with handwr. titling in Dutch. - Some with loose folding parts. Paper browned and partly with small marginal defects. Overall well preserved with bright colours. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.