Description
Allegory of Hearing, Nymphenburg, early 20th century, from a series of the five senses, designed by Johann Friedrich Lück around 1760 for Frankenthal, embossed lozenge mark and stamp mark for remolding after the old Frankenthal model from 1906, incised model number 165, naturalistic form with delicate polychrome overglaze painting, a lady sitting on a curved rocaille base playing the cello, looking at the music book on the side table and in a duet with a man playing the flute, one back loop chipped, h 18 cm. Cf.: Beaucamp-Markowsky, Frankenthaler Porzellan, vol. 1, p. 311 ff., no. 162.
3002
Allegory of Hearing, Nymphenburg, early 20th century, from a series of the five senses, designed by Johann Friedrich Lück around 1760 for Frankenthal, embossed lozenge mark and stamp mark for remolding after the old Frankenthal model from 1906, incised model number 165, naturalistic form with delicate polychrome overglaze painting, a lady sitting on a curved rocaille base playing the cello, looking at the music book on the side table and in a duet with a man playing the flute, one back loop chipped, h 18 cm. Cf.: Beaucamp-Markowsky, Frankenthaler Porzellan, vol. 1, p. 311 ff., no. 162.
You may also like
