Null A round handled basket, German, 1st half 19th century, inspection mark Fran…

Description

A round handled basket, German, 1st half 19th century, inspection mark Frankfurt am Main, master's mark Johann Martin Schott, silver 13 solder (812.5/000), on a round stand, hemispherical body of wire mesh, rim and foot with surrounding acanthus leaf decoration, body with bird motifs, overlapping hinged handle, complete with insert, clear glass, Ø 18 cm, overall h. 26 cm, weight (without insert) approx. 315 g

1704

A round handled basket, German, 1st half 19th century, inspection mark Frankfurt am Main, master's mark Johann Martin Schott, silver 13 solder (812.5/000), on a round stand, hemispherical body of wire mesh, rim and foot with surrounding acanthus leaf decoration, body with bird motifs, overlapping hinged handle, complete with insert, clear glass, Ø 18 cm, overall h. 26 cm, weight (without insert) approx. 315 g

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Starting price 300 EUR

Count zu Stolberg, ChristianAnecdotes for the heart. With woodcut title vignette. Altenburg, Richter, 1782. 2 w. Bll., 4 Bll., 294 p. Cl. 8°. HLdr. d. Zt. with mont. Leather corners (somewhat rubbed, rubbed and bumped, with cover defects). Graf zu Stolberg, Christian Anecdotes for the heart. With woodcut title vignette. Altenburg, Richter, 1782. 2 w. Bll., 4 Bll., 294 p. Cl. 8°. HLdr. d. Zt. with mont. Leather corners (somewhat rubbed, rubbed and bumped, with cover defects). Holzmann-B. I, 1708. first edition. - Rare. - 1st and last w. Leaf and title page with small cut-out, some (finger)stains and waterstains, only occasional foxing and inscriptions. Overall well-preserved copy. With woodcut title vignette. Cont. half calf binding with mount. label on spine a. leather corners (somewhat stronger scuffed, rubbed a. bumped, with small cover defects. - First edition. - Rare. - 1st a. last white white leaf a. title leaf with small cutout, partly somewhat soiled a. waterstained, only isolated somewhat foxed a. with handwritten annotations. Altogether well preserved.

Starting price 200 EUR

Pfeil), (Johann Gottlob BenjaminL'homme tel qu'il est, ou mémoires du Comte de P. 2 vols. in 1 vol. Amsterdam/Paris, Valade, 1771. 5 vols. 236 p., 226 p., 2 vols. Cl.-8°. Central hardcover with gilt fillets and heraldic supralibros of Anne-Leon II de Montmorency, rebacked in gilt with mount. R-gilt with mounted marbled paper label and endpapers (scuffed, rubbed and bumped, capital with small professionally restored damage, joint somewhat cracked). Arrow), (Johann Gottlob Benjamin L'homme tel qu'il est, ou mémoires du Comte de P. 2 vols. in 1 vol. Amsterdam/Paris, Valade, 1771. 5 vols. 236 p., 226 p., 2 vols. Cl.-8°. Central hardcover with gilt fillets and heraldic supralibros of Anne-Leon II de Montmorency, rebacked in gilt with mount. R. gilt with mounted marbled paper label and endpapers (scuffed, rubbed and bumped, capital with small professionally restored damage, joint somewhat cracked). Rare, currently not traceable in the trade. - French translation of the 4th German edition. The German first edition was first published in 1766. - Slightly browned due to the paper, some leaves with tidemark (fading), a few leaves with occasional foxing. Overall well-preserved copy. 2 parts in 1 vol. - Leather binding of the time with gilt fillets and supralibros of the coat of arms of Anne-Leon II de Montmorency, richly gilt spine with mounted label and marbled endpapers (scuffed, rubbed and bumped, capital with small professionally restored damage, joint slightly torn). - Rare, currently not verifiable for us in trade. - French translation of the 4th German edition. The German 1st edition was published for the first time in 1766 - paper delicately browned, a few leaves with waterstains (these fading), a few leaves with isolated foxing. Overall a well preserved copy. This work is taxed. The hammer price is subject to a 23.95% surcharge and the final invoice amount is subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

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Crucifixion of Christ. 1st half 19th century Oil on canvas. 57.5 x 45 cm. - The canvas relined. Partially with slight craquelure. Varnish somewhat yellowed. Good overall. German, 19th century Crucifixion of Christ. 1st half 19th century Oil on canvas. 57.5 x 45 cm. - The canvas relined. Partially with slight craquelure. Varnish somewhat yellowed. Good overall. Depicted is Jesus Christ on the cross, with one of the apostles weeping at his feet. - We locate the painting in the German school of the 1st half of the 19th century Oil on canvas. - The canvas is doubled. Partially with slight craquelure. Firnis somewhat yellowed. Overall good. - Jesus Christ is depicted on the cross, with one of the apostles weeping at his feet. - We locate the painting in the German school of the first half of the 19th century.

Current bid 300 EUR

Village on the Italian Mediterranean coast. 1850s. Oil on canvas. 25 x 41 cm. Framed in gold-colored stucco frame. - Edges with slight color abrasion as trace of framing. Craquelure to entire surface. A few isolated losses of color. Soiled and varnish yellowed. Overall still good. Italy - German-Roman village on the Italian Mediterranean coast. 1850s. Oil on canvas. 25 x 41 cm. Framed in gold-colored stucco frame. - Edges sporadically with slight paint abrasion as trace of framing. Craquelure to entire surface. A few isolated losses of color. Soiled and varnish yellowed. Overall still good. In accordance with the style and motif, our painting is presumably by a so-called German-Roman, one of the many romantically inclined German painters who set off for Italy in the 19th century in order to capture the place of longing in pictures. This fascination was often the reason why the German artists unexpectedly extended their travels to sometimes decades-long stays, mainly localized around villages near Rome. In the course of this, some also founded so-called artists' colonies such as this one in Olevano south of Rome, where the painters concentrated and lived together. The term "German-Romans" derives from their nationality and their new adopted home. Oil on canvas. Framed in golden stucco frame. - Edges with slight color abrasion in places as traces of framing. Craquelure. A few isolated losses of color. Soiled and varnish yellowed. Overall still good. - In accordance with the style and motif, our painting was probably created by a so-called German-Roman, one of the many romantically inclined German painters who traveled to Italy in the 19th century in order to capture the place of longing. This fascination was often the reason why the German artists unexpectedly extended their travels to sometimes decades-long stays, mainly localized around villages near Rome. In the course of this, some also founded so-called artists' colonies such as this one in Olevano near Rome, where the painters concentrated and lived together. The term "Deutsch-Römer" derives from their nationality and their new adopted home.

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