Roger GUERIN (1896-1954)|Sylvain HUBLET (1905-1988) Sylvain HUBLET (1905-1988), …

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Roger GUERIN (1896-1954)|Sylvain HUBLET (1905-1988)

Sylvain HUBLET (1905-1988), Roger GUERIN (1896-1954) & Edouard GREGOIRE (XIX-XX), 7 grès vazes. Signed on the base by various artists. Dimensions: (H:42 cm)

125

Roger GUERIN (1896-1954)|Sylvain HUBLET (1905-1988)

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Estim. 200 - 300 EUR

[Media] - GOLDEN BOOK OF RADIO-CITE, RADIOPHONIC STATION, 1939 Binder in-8 containing 19 handwritten dedications signed and dated by artists and notables of the interwar period. Inscribed on cover: "Livre de bord du car T.S.F. Renault Livre d'or". Radio-cité" logo in colored cloth pasted on front page. Including autograph dedications by : Léon Blum "January 23, 1939, for the "Radio-Cité" bus crew, So you're not afraid that in my hands this "guest book" will become a red book?" Nita Raya, revue leader Robert Pizani, actor Junie Astor, comedienne André Lefaur, actor Jacques Grétillat, actor and singer Daniel Lecourtois, actor Michèle Morgan, actress Marcel Achard, writer and director Roger Beaussart, bishop of Paris Edouard Tenet, boxer Tino Rossi, singer Sylvaine Pécheral, radio, press and television journalist specializing in the world of entertainment: "For my friend, in memory of the good years of Radio-Cité, before the war. For you, my post-war friend from Europe I. You see, we haven't aged too much. Radio-Cité was a privately-owned general-interest radio station in Paris, formerly called Radio-L.L., bought and reorganized in 1935 by Marcel Bleustein, director of Publicis, and broadcast from September 15, 1935 to June 14, 1940. Inspired by American radio, Radio-Cité invented a French style of radio. It was the first to involve listeners in public broadcasts, creating major variety shows where the world of song and showbizz jostled for position, and inventing radio games, including the famous "Crochet Radiophonique. Songwriters, artists and orchestras of the day enlivened the airwaves. The station was also the first to introduce a modern, dynamic approach to news. While its competitors were still often content to read dispatches on the air, Radio-Cité sent reporters all over the country and abroad.

Estim. 600 - 800 EUR

SAUVAGE (Sylvain) - REGNIER (Henri de). Le bon plaisir. Paris, Les Editions de la Roseraie, 1929. In-4, full eggplant morocco, 4-nerved spine, gilt caissons, gilt fleuron in center, triple gilt fillet framing the boards, repeated inside, gilt head, covers and spine preserved, (signed. Asper in Geneva). Illustrated by Sylvain Sauvage with 20 color etchings and 20 woodcuts in the text. Artist's copy, specially printed on Japon impérial for the painter and engraver Edouard CHIMOT, enriched with a black suite of the hors-texte with remarks and an original engraved copperplate of one of the etchings. [ATTACHED]: the publisher's subscription leaflet (bound in fine) and a menu illustrated by Sylvain Sauvage. A superb copy, perfectly established by the Swiss bookbinder Asper (Monod, II-9532).

Estim. 300 - 400 EUR

LITERATURE AND MISCELLANEOUS [BARBEY D'AUREVILLY Jules (1808-1889)]. 9 L.A.S. to himself, various sizes, 3 envelopes. Including: Louise Ackermann, 1874, very beautiful long letter thanking him for an article in the Revue des deux Mondes; Mme Bray de Molènes writes to him "Maintenant que les folles sont parties, avez-vous un moment à donner aux graves? []"; Georges Clemenceau (carte de visite); Jules de Carné in 1880, asking him to talk about his latest novel; Paul Droz in 1883, sending him a small volume: "My father assures me that your character and your great talent are a sure guarantee of your indulgence []"; Paul Féval, June 27, 1878, 3 p. The present will find you painting admirable things with an admirable hand. Si les chiens regardent chiens regard les évêques, les chats peuvent bien regarder les callipoètes calligraphes []"; L. Klotz, Mathurin de Lescure (1883); M. de St-Maur, etc; GOERG Edouard (1893-1969). L.A.S. to Roger Leenhardt, Callian, March 2, 1964. 2 pp. in-8 on his letterhead. He mentions Des femmes et des fleurs by Roger Leenhardt, screened before Jacques Demy's famous film Les Parapluies de Cherbourg: "Dear Roger, I learn from a letter from Roland Oudot that the film you made about me is playing in Paris at the same time as Les Parapluies de Cherbourg. Oudot congratulates me on the quality of the film, on its editing, on the way the paintings are cut and chosen, and on what I say. It seems only fair to share with you the compliments I have received and which are owed to you. But I am also delighted and flattered to appear with Les Parapluies de Cherbourg, praised by some and rudely scolded by others (on television)[]". Attached: - a L.A.S. from Alfred DECAEN about his painting for the Revue du 14 juillet 1889; - 2 L.A.S. from painter Jacques PETIT to collector Édouard Chapet, 1964 (plus one from René Génis) ; KESSEL Joseph (1898-1979). 2 L.S., April-October 1968, to Abbé Casy-Rivière; 1 p. in-4 with an autograph line, on his letterhead, and 1 p 1/2 in-8. He assures his "dear Casy" that he too is "delighted with the friendship that has developed between us on the occasion of Olivier's baptism, and that it took place under the favorable auspices of the mas de Titi [Coste]". He sent him the promised books he had requested from his publishers, and informed Dr. Bénichou, who runs the Orthez clinic, of his correspondent's possible visit etc. - October 18. He apologizes that his "constant travels devour my time and have prevented me from giving you an exact date to meet you in Paris". He thanks him wholeheartedly for visiting his wife Michèle, who has benefited greatly. She remains his major concern: "His doctors, who are also his great friends, are adamant that this time, his cure must last at least a year". He has just spent a week in Perpignan to accompany his brother Georges to see his doctor, and has often seen his friend the poet and artist Titi Coste, who is taking in a young Turk "who wants to devote himself to painting and drawing []". [Michèle Kessel was later committed to the Orthez clinic for her alcoholism] etc. Attached is a L.A.S. from Bernard Clavel to the Abbé, Villers-le-Lac April 6, 1980; ROLLINAT Maurice (1846-1903). L.A.S., Fresselines, October 5, 1913, to a poet; 2 pp. in-8. Beautiful letter of poetic advice written a few days before his death on October 26. My dear poet, please accept my compliments on your lovely verses, unfortunately marred by the bre de sombre and the insufficient rhyme of maudit with meurtris: you see I'm speaking frankly! Remove all the little flaws like that from your manuscript, and it will be better than so many others, perfectly publishable. []; VIELÉ-GRIFFIN Francis (1863-1937). 16 L.A.S. and 2 L.S. (and 3 written by his wife Marie) to Colonel Achille Hepp, 1914-1936; approx. 52 pp. various formats, qqs envelopes (binder holes in some letters). Encouragement and parcels (cigarettes, cigars, etc.) sent to the Front for his soldiers, deaths of friends, numerous discussions on politics, the war, etc. "Germans or Krauts fight like their ancestors in the 30 Years' War [] our duty is to reduce them, to dominate them, and to show them that indeed, strength is right"; "cowardly Krauts, killers of women and little children"; "Wasn't Gal Pétain with you in Arras?". - It would seem that we are rushing as unconsciously towards a post-war period that will be more formidable than the war itself, that we have dazedly entered into a conflict that would lead to European semi-suicide"; "Cowards are few in number, but they do exist: they willingly disguise themselves as socialists", etc. 1933-1936: belles let

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