Null Pata, Cherubino und Courbet, Gustave (attr.)
1827 - 1899/1819 - 1877

49 x …
Description

Pata, Cherubino und Courbet, Gustave (attr.) 1827 - 1899/1819 - 1877 49 x 36,5 cm Mountainous landscape with a hut and a cascade. Oil/canvas, relined, inscribed lower right. Coll. Hirschl et Adler Sale New York 1960; Collection Munz, Stuttgart 1972; Kunsthaus Bühler, Stuttgart 1973, there acquired by the family of the present owner. Lit.: Robert Fernier, La vie et l'oeuvre de Gustave Courbet. Catalogue raisonné vol II paintings 1866-1877, Lausanne-Paris 1978, catalogue raisonné p. 246 no. 19 with ill., there classified as a work in collaboration with Cherubino Pata. In a letter (in photocopy) dated February 2015, Jean-Jacques Fernier argues in favour of one of Courbet's collaborators as the author of the work, in which Courbet himself may have set some accents and perhaps also the signature.

3969 

Pata, Cherubino und Courbet, Gustave (attr.) 1827 - 1899/1819 - 1877 49 x 36,5 cm Mountainous landscape with a hut and a cascade. Oil/canvas, relined, inscribed lower right. Coll. Hirschl et Adler Sale New York 1960; Collection Munz, Stuttgart 1972; Kunsthaus Bühler, Stuttgart 1973, there acquired by the family of the present owner. Lit.: Robert Fernier, La vie et l'oeuvre de Gustave Courbet. Catalogue raisonné vol II paintings 1866-1877, Lausanne-Paris 1978, catalogue raisonné p. 246 no. 19 with ill., there classified as a work in collaboration with Cherubino Pata. In a letter (in photocopy) dated February 2015, Jean-Jacques Fernier argues in favour of one of Courbet's collaborators as the author of the work, in which Courbet himself may have set some accents and perhaps also the signature.

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Lovely oil painting of Gypsy Traveller family, Ramón Martí Alsina (Barcelona, ​​1826 - 1894), 19th century Catalan school Oil on canvas, with label from the Artistic Treasure Board of the Second Republic. Measurements with frame: 72 X 52cm. Measurements without frame: 55 X 35cm. He was a Spanish realism painter. Considered the creator of the Catalan landscape school, a circle in which he developed work similar to that of Carlos de Haes, and as a teacher of the generation of painters that includes Modest Urgell, Simó Gómez, Joaquín Vayreda, Baldomero Galofré, José Luis Pellicer , Lluís Armet or Francesc Torrescassana. Born into a humble family, he lost his father at the age of eight, passing at that age under the authority of his godfather, who, under his direction, studied philosophy. He took his first steps as a painter and draftsman in the town of Mataró, where his mother's family was from. There he began to gain a reputation as a portraitist among the local bourgeoisie, his first stage being defined by a naturalistic objectivism alien to official dogmas. From that time on he began to focus on nature as a direct inspiration, going out to paint on holidays in the mountains and coasts of the El Maresme region, looking for themes for his landscapes and seascapes. Martí i Alsina shows himself in this way as an author with a fresh artistic instinct that, from his early years, manifests itself as opposed to the corsets of the prevailing officialdom. In 1848 he traveled to Paris, where he visited the Louvre and where he became familiar with the work of authors such as Horace Vernet and Eugène Delacroix. Later he will learn about the work of Gustave Courbet, the greatest international exponent of pictorial realism and the work of the Barbizon School. In 1850 he married Carlota Aguiló, a moment from which, furthermore, his career as an artist strengthened. In 1852 he obtained the chair of drawing at the Escuela de La Lonja in Barcelona, ​​and two years later he ...