A BRONZE FIGURE OF AVALOKITESHVARA, SOUTH THAILAND, 8TH-9TH CENTURY

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A BRONZE FIGURE OF AVALOKITESHVARA, SOUTH THAILAND, 8TH-9TH CENTURY Standing in samabhanga on a flat base with his hands radiating around him, the primary hands holding a kendi and gesturing in shunya mudra, the secondary hands raised near the shoulder. Dressed in a diaphanous dhoti secured around the waist with a beaded belt, the slender figure adorned with ornate jewelry. The serene face with heavy-lidded eyes below arched brows, full lips, and his hair arranged in wavy locks, secured by a beaded tiara, pulled into a high chignon centered by a diminutive Amitabha Buddha. Provenance: From the private collection of Darwin Freeman. Born 1946 in Idaho, USA, Darwin Freeman was a member of the armed forces and later became an avid collector. He met his wife in the mid-1960s, and the pair later relocated to her hometown of Innsbruck, Austria. In 1967, Freeman was drafted into the U.S. Army and served in Germany and Thailand. While he was stationed at the Embassy in Bangkok, between 1969 and 1971, he actively began engaging in the exploration and collection of ancient bronzes and other works of art. Upon completing his duty, Freeman arranged for his collection to be shipped to Austria, where it remained in storage until this day. Condition: Very good condition, commensurate with age, with wear. Signs of weathering and erosion, casting flaws, soil encrustations, small nicks, and small cracks to the feet. The bronze is covered in a rich, naturally grown patina with bright malachite encrustations. Weight: 1,050 g (incl. stand) Dimensions: Height 30.5 cm (incl. stand), 25.5 cm (excl. stand) Mounted on a modern stand. Literature comparison: For another Avalokiteshvara see Diskul, The Art of Shrivijaya, 1980, pl. 25. Also see Van Beek, The Arts of Thailand, 1985, ill. p. 24. Compare with an earlier two-armed Maitreya in Chutiwongs & Leidy, Buddha of the Future, Singapore, 1994, no. 47, p. 81. Also compare with a mid-10th century Lokanatha and Siva Mahadeva dated in the Songkhla National Museum published in Krairiksh, The Roots of Thai Art, Bangkok, 2012, pp. 177 & 248. Auction result comparison: Type: Related Auction: Bonhams New York, 17 September 2014, lot 172 Price: USD 10,000 or approx. EUR 12,500 converted and adjusted for inflation at the time of writing Description: A copper alloy figure of Avalokiteshvara or Maitreya, South Thailand, 8th/9th century Expert remark: Compare the related modeling with similar pose. Note the significantly smaller size (16.5 cm)

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A BRONZE FIGURE OF AVALOKITESHVARA, SOUTH THAILAND, 8TH-9TH

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A BRONZE FIGURE OF AVALOKITESHVARA, SWAT VALLEY A BRONZE FIGURE OF AVALOKITESHVARA, SWAT VALLEY Presumably 14th century. Finely cast depicting Avalokiteshvara, the Great Bodhisattva of Compassion, sitting atop a wicker stool in royal ease. He leans to one side, raising his right hand towards his face in a representation known as ‘The Pensive Bodhisattva’, his left hand clasped around the stalk of a long-stemmed flower. Provenance: German trade. Condition: Very good condition with minor wear and casting irregularities. Tiny losses, few nicks, and surface scratches. The bronze with azurite encrustations. Weight: 55.3 g Dimensions: Height 6.7 cm This bronze's rather unique perforated base continues an iconographic tradition in early Mahayana art depicting bodhisattvas seated on wicker stools—as opposed to lotus thrones, which were reserved for Buddhas. There are only a few published bronzes that detail the basketry of Avalokiteshvara's stool like the present example. All of them are attributed to Swat Valley and to the relatively earlier period of regional production, between the 6th and 8th centuries (von Schroeder, Buddhist Sculptures of the Alain Bordier Foundation, Hong Kong, 2010, p. 11, pl. 2A; Zangchuan fojiao zaoxiang, Hong Kong, 2008, no. 7). Over subsequent centuries, coinciding with Kashmir surpassing Swat as the most prominent regional monastic center, the wicker stool becomes merely suggested as an incised motif before being phased out completely. Situated within the Hindu Kush and western Himalayan mountain ranges, the monastic centers of Swat Valley and Kashmir were important loci within the development and spread of Buddhist traditions between India, the Himalayas, and East Asia. It is among bronzes of the Swat Valley especially that we see some of the earliest depictions of important Mahayana and Vajrayana deities connecting the region with the broader Buddhist world. For example, the pensive posture adopted by this bronze is also seen throughout Buddhist sculpture of China and Korea between the 5th and 7th centuries.