A TANTRIC PAINTING OF VISHNU’S FEET, VISHNUPADA, 18TH CENTURY

India, Rajasthan.…
Description

A TANTRIC PAINTING OF VISHNU’S FEET, VISHNUPADA, 18TH CENTURY India, Rajasthan. Ink, watercolors, gouache, and gold on paper, mounted on paper. The footprint of Vishnu’s feet backed by a blooming lotus blossom, against a pale blue ground within a red border, and decorated with the Ashtamangala and numerous other auspicious symbols, weapons, and attributes of Vishnu, each with an identifying inscription. Provenance: Dutch book trade. Acquired through a private estate which contained a major collection of antique books and scriptures. Condition: Very good condition with minor wear. Minor losses and folds. Firmly mounted. Dimensions: Image size 16 x 22.5 cm, Size incl. frame 31 x 36 cm The objects contained within Vishnu’s feet include animals such as a bird and snake; auspicious symbols like the chakra, mala, parasol, vase, and flute; weapons such as a sword, bow and arrows, axe, and mace; as well as the sun, moon, and stars. Pada-puja or the worship of the foot has a long tradition in India. The practice originated with Buddhism. The Buddha, before attaining Nirvana, forbade his followers from personal worship, so his followers introduced various symbols which represented him and could thus become the subjects of their devotion, the representation of his footprint being one such symbol. This symbolism was later adopted and adapted by followers of Vishnu in their worship of Vishnupada as part of their rituals, most particularly in Rajasthan. Vishnu, the manifest form of cosmos, is believed to contain in his foot the entire cosmos and so multiple symbols are accepted as representing Vishnu. Literature comparison: Compare a closely related Vishnupada painting from Rajasthan, dated to the 18th century, in the collection of the National Museum, New Delhi, accession number 82.410.

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A TANTRIC PAINTING OF VISHNU’S FEET, VISHNUPADA, 18TH CENTUR

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A PAINTING OF A GODDESS FROM A TANTRIC MANUSCRIPT, NORTHWESTERN INDIA, 18TH CENTURY A PAINTING OF A GODDESS FROM A TANTRIC MANUSCRIPT, NORTHWESTERN INDIA, 18TH CENTURY Ink and watercolors on paper, laid down on fabric. Depicting a female deity in the nude standing with her arms spread and feet apart, the palm of the feet and hands decorated with aalta, her body adorned with jewelry, the serene face with wide kohl-lined eyes and small lips under arched brows, the forehead marked with tilak, the hair elegantly falling down the shoulder. The verso with text in devanagari. Provenance: Galerie Suzanne Bollag, Zurich, Switzerland. Swiss private collection, acquired from the above. Galerie Jan Krugier, Geneva, Switzerland. A private collection in Geneva, acquired from the above. The reverse with two old labels from Galerie Suzanne Bollag and Galerie Jan Krugier, each titling the painting ‘Devi’ and confirming the dating above, and inscribed ‘J.K. 248’, ‘Devi’, and ‘18 th century. Gujarat. 8’. Suzanne Bollag (1917-1995) was a Swiss art dealer who has published the great names of classical modernism, including Max Ernst, Pablo Picasso, Yves Tanguy, and Joan Mir. She took part in Art Basel with her gallery for many years. Jan Krugier (1928-2008) was a Polish born Swiss dealer and a survivor of the Holocaust. Trained as an artist, he worked in the trade from 1953 and from 1962 with his own gallery in Geneva. In 1967 he opened a space in New York in collaboration with Albert Loeb. From the 1970s onwards he took over the representation of Marina Picasso's collection and built up his own art collection. Condition: Good condition with minor wear. Soiling, foxing, stains, and losses. Dimensions: Image size 18.5 x 9 cm, Size incl. frame 25.5 x 15.5 cm Literature comparison: Compare a related painting of a tantric goddess from a rare Kannada manuscript, in the collection of the Kannada department, University of Bangalore, photographed on 27 April 1987, under Chindananda Murthy. Compare a related painting of Purusha, with figures similar to the present lot, dated c. 1700, Rajasthan, illustrated by Ajit Mookerjee, Kundalini. The Arousal of the Inner Energy, p. 55.