A JAIN LOTUS SIDDHACHAKRA WITH EYES FLANKING THE KALASHA, WESTERN INDIA, 19TH CE…
Description

A JAIN LOTUS SIDDHACHAKRA WITH EYES FLANKING THE KALASHA, WESTERN INDIA, 19TH CENTURY Distemper and gold on cloth and mounted behind glass. The central Navapada surrounded by three rows of lotus petals. The outer row comprised of forty-eight gilt petals, sixteen petals in the center, and eight on the innermost row encompassing a central circle. Above is a ritual Kalasha pot flanked on either side by eyes. Nine Nav Nidhi pots along the upper register representing nine types of wealth. The Siddhachakra enclosed in a multicolored floral frame. Provenance: From a private collection in Spain since 1985. Collection of Carlos Cruañas Dalmau, Barcelona, Spain, acquired from the above. Condition: Good condition with staining, folds, water marks, and minor losses. Dimensions: Image size 31 x 30 cm, Size incl. frame 49.8 x 49.5 cm Siddhachakra is a popular yantra or mandala (mystical diagram) used for worship in Jainism. Smaller Navapada (nine elements) are a type of Siddhachakra usually painted with Kalasha flanked by eyes and a core made up of lotus petals, the rows of which represent different concepts in Jainism: The center most row in the present lot of 8 ‘padas’ (petals) represent the eight members of Navapada; the row of sixteen petals represent the forty-nine basic sounds of the language; and the forty-eight petals are symbolic for the 49 attendant deities divided into twenty-four Yaksha and twenty-four Yakshini. Literature comparison: Compare a related Jain Yantra, dated to the 19th century in the Museum of Folk & Tribal Art, Gurgaon, India. Compare a related Siddhachakra from Rajasthan albeit much larger, 129.6 x 121.9 cm, dated to the 19th century, in the Art Institute of Chicago, accession number 2014.1194.

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A JAIN LOTUS SIDDHACHAKRA WITH EYES FLANKING THE KALASHA, WESTERN INDIA, 19TH CENTURY Distemper and gold on cloth and mounted behind glass. The central Navapada surrounded by three rows of lotus petals. The outer row comprised of forty-eight gilt petals, sixteen petals in the center, and eight on the innermost row encompassing a central circle. Above is a ritual Kalasha pot flanked on either side by eyes. Nine Nav Nidhi pots along the upper register representing nine types of wealth. The Siddhachakra enclosed in a multicolored floral frame. Provenance: From a private collection in Spain since 1985. Collection of Carlos Cruañas Dalmau, Barcelona, Spain, acquired from the above. Condition: Good condition with staining, folds, water marks, and minor losses. Dimensions: Image size 31 x 30 cm, Size incl. frame 49.8 x 49.5 cm Siddhachakra is a popular yantra or mandala (mystical diagram) used for worship in Jainism. Smaller Navapada (nine elements) are a type of Siddhachakra usually painted with Kalasha flanked by eyes and a core made up of lotus petals, the rows of which represent different concepts in Jainism: The center most row in the present lot of 8 ‘padas’ (petals) represent the eight members of Navapada; the row of sixteen petals represent the forty-nine basic sounds of the language; and the forty-eight petals are symbolic for the 49 attendant deities divided into twenty-four Yaksha and twenty-four Yakshini. Literature comparison: Compare a related Jain Yantra, dated to the 19th century in the Museum of Folk & Tribal Art, Gurgaon, India. Compare a related Siddhachakra from Rajasthan albeit much larger, 129.6 x 121.9 cm, dated to the 19th century, in the Art Institute of Chicago, accession number 2014.1194.

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Parikara - Jain altar; India, South Rajasthan, Mount Abu; 10th-13th century. Marble with traces of polychrome. It has a pedestal made ex profeso. Measurements: 112 x 71 x 29 cm. Jainí niche intended to house an image of the victorious Jina. The piece made of marble presents symbolic and allegorical decoration. It is based on anthropomorphic and zoomorphic motifs that allude to futility. The piece that in spite of having an intricate ornamental pattern maintains a strict symmetry, still conserves part of the polychromy. The green, yellow and red tones that can be seen indicate the great expressiveness with which this work was originally conceived. Jainism, also known as Jain Dharma, is an Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras (supreme preachers of Dharma), the first in the present time cycle being Rishabhadeva, whom tradition holds to have lived millions of years ago, the twenty-third tirthankara Parshvanatha, whom historians date to the ninth century B.C., and the twenty-fourth tirthankara Parshvanatha, whom historians date to the ninth century B.C., and the twenty-fourth tirthankara Parshvanatha Parshvanatha, whom historians date to the ninth century B.C.. Jainism is one of the oldest religions that is still practiced today. Mount Abu is home to several Jain temples, including the Dilwara temples, a complex of temples carved in white marble. These Jain temples were built by Vimal Shah and designed by Vastupala, Jain ministers of Dholka. They are famous for their use of white marble and intricate marble carvings.