Null A BRONZE BOWL, XI, HAN DYNASTY

China, 202 BC to 220 AD. Boldly cast with a…
Description

A BRONZE BOWL, XI, HAN DYNASTY China, 202 BC to 220 AD. Boldly cast with a circular base with a subtle shoulder surmounted by an everted rim. The simplistic vessel is covered in a rich, naturally grown patina with malachite, cuprite, and azurite encrustations all over. Provenance: French trade. Condition: Very good condition, commensurate with age, with wear, signs of weathering and erosion, and small dents. Weight: 231 g Dimensions: Diameter 12.2 cm Literature comparison: Compare a related bronze bowl, dated to the Han dynasty, in the National Palace Museum, accession number K1A000438.

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A BRONZE BOWL, XI, HAN DYNASTY China, 202 BC to 220 AD. Boldly cast with a circular base with a subtle shoulder surmounted by an everted rim. The simplistic vessel is covered in a rich, naturally grown patina with malachite, cuprite, and azurite encrustations all over. Provenance: French trade. Condition: Very good condition, commensurate with age, with wear, signs of weathering and erosion, and small dents. Weight: 231 g Dimensions: Diameter 12.2 cm Literature comparison: Compare a related bronze bowl, dated to the Han dynasty, in the National Palace Museum, accession number K1A000438.

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Warrior; China, Han Dynasty, 202 BC-220 AD. Polychrome terracotta. Attached thermoluminescence. Presents restoration in fracture lines located in arms and waist. Measurements: 50,5 x 16 x 8,5 cm. Round figure made in terracotta, representing a warrior standing, showing his weapons (now lost), looking straight ahead and with a serene face. It is decorated with cold-applied engobes in various colors, mainly white and orange for the clothes, brown, pink for the flesh tones, black and red. The Han dynasty ruled China between 206 B.C. and 220 A.D., more than four centuries during which the political, social and economic structures of China were consolidated, leading the country to the most glorious stage of its history. Regarding the art of this time, it is still eminently funerary, although it reflects the very high artistic level that will be reached both in the capitals and in the provinces. These preserved objects provide us with information on the daily life and customs of the time, since the art becomes much more mundane than the bronzes of the Zhou and Shang periods. The structures of the tombs also changed: the Shang tombs were vertical, while the Han tombs were built as subway palaces. They were decorated with reliefs stamped with scenes from the life of the deceased, and a new material was incorporated as an artistic support, lacquer. However, the most famous today is the production of Han ceramics, in terracotta and decorated with cold-applied engobes, mainly black and red. Attached thermoluminescence. It presents restoration in fracture lines located in arms and waist.