Null Richard Heeps (1965) - Self-portrait Fen Road, Cambridge, 1993

C-print mou…
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Richard Heeps (1965) - Self-portrait Fen Road, Cambridge, 1993 C-print mounted on original passepartout (100% cotton museum board) 25.3 x 20.2 cm (22.5 x 15.5 cm picture) | 10 x 8 in. (8.9 x 6.1 in. picture) Edition 38 of 50 Signed and numbered in black ink on the verso and signed and numbered in pencil with photographer's caption label on the verso of the passepartout This lot is subject to Artists Resale Rights

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Richard Heeps (1965) - Self-portrait Fen Road, Cambridge, 1993 C-print mounted on original passepartout (100% cotton museum board) 25.3 x 20.2 cm (22.5 x 15.5 cm picture) | 10 x 8 in. (8.9 x 6.1 in. picture) Edition 38 of 50 Signed and numbered in black ink on the verso and signed and numbered in pencil with photographer's caption label on the verso of the passepartout This lot is subject to Artists Resale Rights

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Charles Crodel, "Königlicher Garten in Athen" Visitors with a free-running dog in a park, see catalogue raisonné Steckner 258 and Söhn HDO 72718-3, colour lithograph on laid paper, signed "Ch. Crodel" in pencil below the image on the right and dated "1925" on the left, strong, nuanced impression, image dimensions approx. 23 x 30.5 cm, sheet dimensions approx. 31 x 41 cm. Artist information: actually Carl Fritz David Crodel, German painter, graphic artist, fresco artist. Painter, graphic artist, fresco artist, applied artist and designer (1894 Marseille - 1973 Munich), son of the consul and marine biologist Richard Crodel, childhood in Marseille, 1905-09 in Schwäbisch Hall, 1914 briefly studied at the Kunstgewerbeschule München under Richard Riemerschmid, 1914-18 military service, 1918-23 studied archaeology and art history at the University of Jena, parallel to this until 1921 apprenticeship as a printer and lithographer at the Giltsch printing works in Jena, Self-taught acquisition of painting, 1926 stay in Paris, where he studied at the Académie de la Grande Chaumière, travelled to Sweden, France, Denmark and Greece, 1927-33 teacher at the Burg Giebichenstein School of Arts and Crafts in Halle, 1930 stay in Barcelona, 1931 Villa Romana Prize and stay in Florence, temporary collaboration as a designer with the Velten-Vordamm earthenware factory and the Berlin State Porcelain Manufactory, dismissed in 1933, Destruction of numerous works and frescoes and defamed as "degenerate", after 1933 increased focus on design and building-related art such as collaboration with Hedwig Bollhagen and the HB-Werkstätten für Keramik as well as with Wilhelm Wagenfeld for the Vereinigte Lausitzer Glaswerke, 1945 appointment to the Hochschule für angewandte Kunst in Dresden, parallel 1945-51 professor at the Hochschule Burg Giebichenstein, from 1948 professor at the Hochschule für Bildende Künste in Berlin-Charlottenburg, 1951 moved to Munich and 1951-63 professor at the Munich Academy, 1958-65 visiting professor at the University of Louisville and at Pennsylvania State University in the USA, member of the Deutscher Künstlerbund Weimar, member of the Freie Secession and the Berliner Secession and the Juryfreie Kunstausstellung Berlin and from 1953 member of the "Neue Gruppe" Munich, 1963 honorary member of the Akademie der Bildenden Künste Munich, source: Vollmer, Dressler, Eisold "Artists in the GDR" and Wikipedia.