Null Joseph CORMIR, bekannt als Joe DESCAMPS (1869-1950), 'Satyrenpaar' / 'A pai…

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Joseph CORMIR, bekannt als Joe DESCAMPS (1869-1950), 'Satyrenpaar' / 'A pair of satyrs' Material: Bronze, patinated, on a marble base, Signature: 'Joe Descamps', Dimensions: 22 x 31 cm, Condition: good

530692

Joseph CORMIR, bekannt als Joe DESCAMPS (1869-1950), 'Satyrenpaar' / 'A pair of satyrs' Material: Bronze, patinated, on a marble base, Signature: 'Joe Descamps', Dimensions: 22 x 31 cm, Condition: good

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Estim. 900 - 1 000 EUR

HISTORY - LISLE Claude Joseph Rouget de (1760 - 1836) - Autograph letter signed Autograph letter signed, dated “Paris 12 Janvier, 1825” by the French army officer of the French Revolutionary Wars. Isle is known for writing the words and music of the “Chant de guerre pour l'armée du Rhin” in 1792, which would later be known as “La Marseillaise” and become the French national anthem.. Addressed to C. Rivoiron: “…Ce malheureux recueil, il est fini, prêt à paraître, et paraîtra dans le cours de la semaine prochaine. Êtes-vous toujours en mesure pour quelques souscriptions ? …”. 1 p. In-8. - This item is under temporary import. If the item is delivered within the United Kingdom, it will be subject to a 5% Value Added Tax (VAT) on the hammer price.

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Joseph Stalin Original Wirephoto (1953) Original vintage glossy 10 x 8 AP wirephoto of six close-up studies of Joseph Stalin, taken at May Day ceremonies in 1949, published by the Associated Press in 1953 on news that the Soviet leader had suffered a paralytic stroke and was in a coma. The images show Stalin in a jovial mood—saluting, waving, and tipping his cap. Retains the printed caption affixed to the reverse, along with an "Associated Press Newsphoto" credit stamp. In very good to fine condition, with creasing to the corners and margins, a small tear to the right edge, and a tear to the caption.

Estim. 9 000 - 10 000 EUR

PORTALIS (Joseph-Marie). Mes Souvenirs politiques. [MANUSCRIT]. Sl, sd. [826] ff, various fine writings, moderately legible, numerous erasures and crossings out, in leaves, red half-chagrin box, gray suede interior. Exceptional manuscript file, preserved in the Portalis family, and containing part of the unpublished Souvenirs of the son of Jean-Etienne-Marie Portalis (1746-1807), considered one of the Fathers of the Civil Code: Joseph-Marie Portalis (1778-1858), who must have written them during the Empire, perhaps during the period of forced rest that followed his resounding disgrace of January 1811. Never finished, never really edited, these notes, sometimes very confused by variants and corrections, passed to his family after the death of the First President of the Court of Cassation. THE ONLY KNOWN MANUSCRIPT OF PORTALIS' MEMOIRS The period covered by these memoirs covers only the pre-Revolutionary years (1787-1789) and the Revolution itself, from the convening of the Estates General to September 1797, when the young Joseph-Marie, aged just nineteen, accompanied his father into exile: condemned to deportation following the coup d'état of 18 fructidor an V, Portalis Sr. went into hiding and was able to reach Holstein via Switzerland and Germany. This departure from France is documented in the last folder of the first editorial set, from the departure from Passy to the stay in Zurich. The two men were not to return to France until after the 18th of Brumaire, young Joseph with a brand-new wife in Holstein (the Countess de Holck), and under the Consulate and the Empire the brilliant destiny we know so well, which is not alluded to in these pages. PORTALIS DURING THE TERROR. On the other hand, these pages shed light on Portalis Père's conduct during the 1789 Revolution and the Terror. The validity and accuracy of the young man's recollections (he was between 9 and 19 years old) and the quality of their transcription into adult life must, of course, be qualified. Similarly, the repercussions of the great revolutionary upheavals on life and events in Provence, especially in the Aix region, are well documented.

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JULIUS PIPPI KNOWN AS JULIO ROMANO (circle of) Holy family with St. John Oil on canvas applied to panel, 103x78 cm The valuable painting is a quality replica of the so-called "Holy Family Spinola," in which Giulio Romano depicts the first meeting between Jesus and the Baptist in the presence of Joseph, Mary and Elizabeth. Some features of the late Raphaelesque style, later taken up by Romano, emerge in the work, as can be seen in the idealized female faces and closely intertwined figures. This is complemented by Romano's personal characteristics, such as the metallic palette and the muscular figures with marked features.

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