Null Pietra-Dura-Steinmosaik mit Maiglöckchen / A Pietra Dura stone mosaic with …

Description

Pietra-Dura-Steinmosaik mit Maiglöckchen / A Pietra Dura stone mosaic with lily of the valley, Florenz, Mitte/Ende 19. Jh. Material: rectangular Pietra Dura slab made of marble on a wooden base with bronze applications, back with wall mounting, Depiction: lily of the valley, red cowslip, Dimensions: 13.6 x 11 cm, Condition: good, used

504492

Pietra-Dura-Steinmosaik mit Maiglöckchen / A Pietra Dura stone mosaic with lily of the valley, Florenz, Mitte/Ende 19. Jh. Material: rectangular Pietra Dura slab made of marble on a wooden base with bronze applications, back with wall mounting, Depiction: lily of the valley, red cowslip, Dimensions: 13.6 x 11 cm, Condition: good, used

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Starting price 400 EUR

G. DURA (1805-1878), Ascent to Vesuvius, around 1857, Lithography Gaetano Dura (1805 Cassano Jonio (Cosenza) - 1878 Naples): Ascent to Vesuvius, c. 1857, Lithography Technique: Hand colored Lithography on Paper Inscription: Middle right signed in the printing plate: "Gae Dura". At the lower part inscribed in the printing plate: "Lit. Gatti e Dura / Salita al Vesuvio". Unknown collection stamp on verso Date: c. 1857 Description: After Gaetano Dura and the lithographer Federico Gatti published the album Tarantella. Ballo napoletano, in which the exact sequence of the famous dance is depicted, the collaboration between the two intensified in 1835 with the founding of a joint lithography studio, which was soon to become one of the most important graphic institutions in Naples. Dura had made a name for himself particularly with portrait and landscape lithographs, but was also not averse to humour, as the theatre texts and comedies he wrote prove. Our caricature shows that he also knew how to give form to pictorial humour. At the same time, the sheet is a fine cultural-historical document, as it clearly shows how much Vesuvius had become an everyday tourist destination. Little has remained of the majestic grandeur of the 'mountain of fire'. The ascent has become a business. The ascent is still arduous, but the 'weight' of the effort has shifted. Keywords: Italy, satire, caricature, mountaineering, mountains, fashion, costume, Italian, volcano, Naples, 19th century, Romanticism, Caricature, Italy, Size: Paper: 18,2 cm x 23,1 cm (7,2 x 9,1 in), additional specification: 18.2 x 23.1 cm

Starting price 80 EUR

Unknown (19th), Architectural sketch of a historic stone bridge, Pencil Unknown (19th century): Parts of a historic stone bridge, bridge architecture, 19th century, Pencil Technique: Pencil on Paper Date: 19th century Description: The sketch shows parts of a historic bridge. The masonry and the layering of the stones are shown in detail. Keywords: bridge; architecture; sketch; draft; fragment; incomplete; architectural study; masonry; stone, 19th century, Realism, Architecture, France, Size: Paper: 16,4 cm x 25,7 cm (6,5 x 10,1 in), Depiction: 9,5 cm x 16,0 cm (3,7 x 6,3 in)

PLANAS DURÁ , ENRIC (1921 - 1984) Mixed technique on canvas. Signed and dated (62) in the upper left corner. 60x130cm

Starting price 200 EUR

Kokoschka, OskarSitzende Frau. 1923. OKreidelithographie auf Maschinenbütten. 23 x 16 cm (25 x 19 cm). Im Stein monogrammiert. Verso von fremder Hand in Bleistift bezeichnet. In Punkten unter Passepartout montiert. Expressionismus Kokoschka, Oskar Sitzende Frau. 1923. OKreidelithographie auf Maschinenbütten. 23 x 16 cm (25 x 19 cm). Im Stein monogrammiert. Verso von fremder Hand in Bleistift bezeichnet. In Punkten unter Passepartout montiert. Wingler/Welz 159 - Arntz 144. - Erschien als Beilage zu dem Buch "Die Kunst des Radierens" von Hermann Struck, 5. Aufl. - Gedruckt bei A. Rogall u. verlegt bei Paul Cassirer, Berlin. - Im rechten Blattrand mit Spuren der Bindung. Insgesamt sehr gut erhalten, der Druck farbsatt u. kreidig. Expresionism - Orig. lithograph on laid paper. Monogrammed in the stone. On verso inscribed by another hand in pencil. Mounted in dots under mat. - Published as a supplement to the book "Die Kunst des Radierens" by Hermann Struck. - Printed by A. Rogall a. published by Paul Cassirer, Berlin. - Right margin with traces of binding. Altogether very well preserved, the impression highly saturated a. chalky.

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