Null Issachar Ber Ryback (1897-1935), 'Dorfweg mit Eselskarren' / 'A village pat…

Description

Issachar Ber Ryback (1897-1935), 'Dorfweg mit Eselskarren' / 'A village path with donkey cart' Technique: Red chalk drawing on paper, Signature: Stamp signature lower right, Sheet size: 34.5 x 27 cm, Condition: good, paper slightly darkened due to its age

433658

Issachar Ber Ryback (1897-1935), 'Dorfweg mit Eselskarren' / 'A village path with donkey cart' Technique: Red chalk drawing on paper, Signature: Stamp signature lower right, Sheet size: 34.5 x 27 cm, Condition: good, paper slightly darkened due to its age

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Estim. 200 - 300 EUR

Rudolf Poeschmann, Altmarkt von Plauen im Winter View of the snow-covered old market square with the King Albert Monument and the Old Town Hall in Plauen in the Vogtland, in the warm light of the waning day, depiction of the artist's sisters in the right foreground, inscribed below the image in the print "Altmarkt Plauen i. V.", colour lithograph, signed, inscribed and dated "Rudolf Poeschmann Dresden 1910" lower left in the print, framed behind glass (pane with crack), folded dimensions approx. 78.5 x 61.5 cm. Artist information: actually Karl Julius Rudolf Poeschmann, also Rudolph, German landscape and genre painter. Landscape and genre painter (1878 Plauen/Vogtland to 1954 Dresden), childhood in Plauen, supported here by the drawing teacher Hermann Reinstein (1844-1935), then private pupil at a Munich art school, studied from 1896 at the Munich Academy under Johann Caspar Herterich, from 1897 studied at the Dresden Academy under Carl Bantzer and master student under Gotthard Kuehl, then freelance in Dresden, regular summer study trips through Saxony (especially the Vogtland, Ore Mountains and Lusatia), to Franconia, the Harz Mountains and to Austria, Holland, France (Paris) and Switzerland, organised various exhibitions such as the Glaspalast in Munich, member of the Munich Artists' Cooperative, the Reich Association of Visual Artists in Germany, the Dresden Artists' Association, the Dresden "Märzbund" and the General German Art Cooperative, active in Dresden, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Müller-Singer, registers of the Dresden and Munich academies, Glaspalast catalogues and Frank Weiß "Malerei im Vogtland".

Estim. 80 - 120 EUR

Otto Scheinhammer, Sommerliche Deichlandschaft View along a dyke with trees and a guard's cottage, glazed, partially slightly impasto landscape painting, oil on canvas, c. 1930, signed "Otto Scheinhammer" lower left, in need of cleaning, framed, folded dimensions approx. 64.5 x 74 cm. Artist information: German painter and sculptor (1897 Munich - 1982 Augsburg), initially trained as a carpenter from 1912 and worked in the profession until 1922, 1916-18 military service as an aerial radio operator in WW1, from 1922 self-taught. He studied at the Munich Academy under Karl Johann Becker-Gundahl and Franz Klemmer from 1923-26, travelled to Italy in 1924 with private sponsorship and to Dalmatia in 1925, to Holland in 1926, travelled to Ceylon and Egypt from 1927-29, special exhibition at the International Glass Palace Exhibition in Munich in 1931 and lost 35 works as a result of the Glass Palace fire, after making the acquaintance of a Ceylonese plantation owner, 1927-30 stays in Ceylon and 1932-35 in Egypt with special exhibitions in Colombo and Cairo, 1935 return to Germany, participated in numerous exhibitions in Munich, Cologne, Berlin and Düsseldorf, active in Munich, 1938-44 the Great German Art Exhibition in the House of German Art in Munich, 1940-45 military service in the Second World War, 1944 destruction of the Munich Art Gallery, 1944 destruction of the Munich Art Gallery. World War II, 1944 destruction of the Munich studio in World War 2. World War II, moved to Ammersee in 1946, moved to Augsburg in 1948, travelled to Italy, Spain, Greece and Morocco, member of the Reichsverband Bildender Künstler Deutschlands, the Münchner Künstlergenossenschaft and the Neue Münchner Künstler-Genossenschaft, sources: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Munich Academy register, Bruckmann "Münchner Maler des 19./20. Jh." and Internet.

Estim. 20 - 30 EUR

Cornelius Wagner, Das Bergkirchli in Arosa View from an elevated position of the famous Bergkirchli in the Graubünden climatic health resort of Arosa, completed in 1493, next to farmhouses, against a sublime high mountain backdrop in deep snowy splendour and bright sunlight, The atmospheric, impasto impressionist landscape painting in finely tuned colours, initially adhering to heavy academic painting, Wagner soon found his way to a light, sometimes colour-intensive impressionism, Although he was inclined towards the depiction of seascapes and river landscapes throughout his life, the artist's enthusiasm for his own experiences on his travels rarely resulted in beautiful landscape depictions such as the present motif from Arosa, where Wagner probably stayed several times between 1917 and 1919 - due to the dating of the motifs he created there, oil on canvas and stretcher, signed, inscribed and dated "Cornelius Wagner Arosa 19.", minor craquelure, stretcher somewhat showing through, minor restoration required, unframed, dimensions approx. 45.5 x 65 cm. Artist information: named Corny Wagner, German landscape and marine painter. Landscape and marine painter (1870 Dresden - 1956 Söcking near Starnberg), childhood in Dresden, first taught by his father, the painter Karl Ludwig Friedrich Wagner, studied 1886-95 at the Düsseldorf academy under Peter Janssen, Heinrich Lauenstein and Hugo Crola, here 1892-95 master student of Eugen Dücker, travelled to India in 1897, to Argentina in 1904, to Italy (Capri, Ischia), repeatedly to England (Cornwall) and Scotland, Holland, Belgium, the Baltic Sea and around 1917-19 stayed in Arosa in Graubünden in Switzerland, worked in Düsseldorf-Kaiserswerth from 1906-55, friend of Wilhelm Degode and Max Clarenbach, 1935 painting of the Duisburg railway station concourse, 1955 moved to Söcking on Lake Starnberg, organised exhibitions in Düsseldorf, Zurich and 1938-44 the Great German Art Exhibition at the Haus der Deutschen Kunst in Munich, member of the artists' group "Laetitia", of the "Sonderbund" as well as in the Allgemeine Deutsche Kunstgenossenschaft, the Reichsverband bildender Künstler Deutschlands, the Düsseldorfer Künstlerunterstützungsverein, the Freie Vereinigung Düsseldorfer Künstler and 1898-1919 and 1924-1956 in the Düsseldorfer Künstlerverein "Malkasten", source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Bruckmann "Lexikon der Düsseldorfer Malerschule", Müller-Singer, Dressler and Wikipedia.

Estim. 600 - 700 EUR

Two gold coin pendants Two pendants in 18K (750°/°°) yellow gold, each presenting a 20-franc gold coin: - 1 x 20 francs or Génie (1897 A); - 1 x 20 francs gold Helvetia, Switzerland (1935 LB) Total gross weight: 16 gr. As is.

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