Null Werner VON PIGAGE (1888-1959), Architekturskizze 'Forum Romanum' / 'An arch…

Description

Werner VON PIGAGE (1888-1959), Architekturskizze 'Forum Romanum' / 'An architecture sketch of 'Forum Romanum', Italien, 1928 Technique: tempera on cardboard, Signature: signed, dated and inscribed 'Werner v. Pigage, Roma, 1928' lower left, Dimensions: 47 x 61.5 cm, Condition: good, slightly damaged at the edges and slightly scratched at the lower edge of the picture, Literature: 'Werner v. Pigage - Ein Malerleben in Deutschland 1888-1954', catalog Hubert Vogler Collection - Claus Reisinger, Worms 2014, p. 122, SVR-092, Comment: Pigage was a German painter. After training at the Academy of Fine Arts in Breslau under Arnold Busch, among others, he worked as a decorative painter and draughtsman from 1910. After being injured in the war, he settled in Mannheim around 1917, where he successfully painted scenes of the Schwetzingen palace gardens and the Mannheim grounds. The sketched view of the Forum Romanum presented here was created during one of his study trips to Italy (ca. 1920-1930).

405792

Werner VON PIGAGE (1888-1959), Architekturskizze 'Forum Romanum' / 'An architecture sketch of 'Forum Romanum', Italien, 1928 Technique: tempera on cardboard, Signature: signed, dated and inscribed 'Werner v. Pigage, Roma, 1928' lower left, Dimensions: 47 x 61.5 cm, Condition: good, slightly damaged at the edges and slightly scratched at the lower edge of the picture, Literature: 'Werner v. Pigage - Ein Malerleben in Deutschland 1888-1954', catalog Hubert Vogler Collection - Claus Reisinger, Worms 2014, p. 122, SVR-092, Comment: Pigage was a German painter. After training at the Academy of Fine Arts in Breslau under Arnold Busch, among others, he worked as a decorative painter and draughtsman from 1910. After being injured in the war, he settled in Mannheim around 1917, where he successfully painted scenes of the Schwetzingen palace gardens and the Mannheim grounds. The sketched view of the Forum Romanum presented here was created during one of his study trips to Italy (ca. 1920-1930).

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Starting price 200 EUR

Werner, SigvartDyrehaven og Jaegersborg hegn udgivet og illustreret af Sigvart Werner. Med tekst af Danske forfattere. Mit farb. Frontispiz, 53 Lichtdrucken auf 51 Tafeln und 2 farbig lithographierten Karten. Kopenhagen, Pacht & Crones, 1919. 4 Bll., 80 S., 2 Bll. Quer-Folio. Brauner OLdr. mit blindgepr. D- und RTitel, Eichenlaubbordüren, figürlichen Vignetten, Kopfgoldschnitt mit Eichenlaubdekor und Buntpapiervorsätzen. In vorne offenem OLdr.-Schuber mit blindgepr. Bordüren (gering berieben, minimal verfärbt). Photographie Werner, Sigvart Dyrehaven og Jaegersborg hegn udgivet og illustreret af Sigvart Werner. Med tekst af Danske forfattere. Mit farb. Frontispiz, 53 Lichtdrucken auf 51 Tafeln und 2 farbig lithographierten Karten. Kopenhagen, Pacht & Crones, 1919. 4 Bll., 80 S., 2 Bll. Quer-Folio. Brauner OLdr. mit blindgepr. D- und RTitel, Eichenlaubbordüren, figürlichen Vignetten, Kopfgoldschnitt mit Eichenlaubdekor und Buntpapiervorsätzen. In vorne offenem OLdr.-Schuber mit blindgepr. Bordüren (gering berieben, minimal verfärbt). Eines von 160 nummerierten Exemplaren. - Sigvart Werner (1872-1959) war ein dänischer Amateurphotograph, der durch seine künstlerischen Landschaftsaufnahmen berühmt wurde. Er war von der Bewegung der Romantik inspiriert und achtete darauf, keine Aufnahmen von vernachlässigten Gegenden oder verwahrlosten Straßen zu machen. Der vorliegende Band aus dem Frühwerk des Künstlers befasst sich mit einem in der Nähe von Kopenhagen gelegenen Waldstück. - Papierbedingt zart gebräunt. Insgesamt sehr gut erhalten mit kräftigen Abzügen der atmosphärischen Drucke. Photography - With col. frontispiece, 53 collotype prints on 51 plates and 2 coloured lithographed maps. Oblong folio. Brown orig. leather with blindstamped spine and cover titles, oak leaf borders, figural vignettes, gilt top edge with oak leaf decoration and coloured endpapers. In an open front leather slipcase with blindstamped borders (slightly rubbed, minimally discoloured). - One of 160 numbered copies. - Sigvart Werner (1872-1959) was a Danish amateur photographer who became famous for his artistic landscape photographs. He was inspired by the Romantic movement and was careful not to take pictures of neglected areas or neglected streets. This volume from the artist's early work deals with a wooded area near Copenhagen. - Paper moderately browned. Overall very well preserved with strong impressions of the atmospheric prints. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Estim. 240 - 360 EUR

Anton von Werner, Herold study Portrait of a man in medieval costume with beret, probably holding the staff of a standard in his hand, pencil drawing with red heightening on paper, titled "Herold" on the lower right and monogrammed and dated "A.v.W. 1888", sheet mounted on card, here inscribed "28 x 36" and "Rücken fehlt", light-stained, browned, framed behind glass, sheet dimensions approx. 28.5 x 22 cm. Artist information: actually Anton Alexander von Werner, important German history painter. German history painter, draughtsman and illustrator (1843 Frankfurt/Oder - 1915 Berlin), initially trained as a house painter 1857-59, studied 1859-62 at the Berlin academy under August von Kloeber, 1862 transferred to the Karlsruhe academy, where he studied under Johann Wilhelm Schirmer, Ludwig Des Coudres, Carl Friedrich Lessing and Adolph Schroedter, 1865 travelled to Paris, then visits France, Italy and Switzerland, returns to Karlsruhe in 1869, creates his first highly acclaimed illustrations and monumental history paintings on the recommendation of Grand Duchess Luise von Baden to her brother, Crown Prince Friedrich Wilhelm of Prussia, participates in the Franco-Prussian War as a war painter from 1870-71, first meeting with his brother on 4 November 1870.11.1870 first meeting with the Prussian Crown Prince Friedrich Wilhelm in Versailles, on 18 January 1871, at the Crown Prince's request, attends the imperial proclamation and the founding of the German Empire in Versailles, numerous sketches are made, which Werner uses in his famous painting "The Proclamation of the German Empire in the Hall of Mirrors at Versailles on 18 January 1871", executed several times. In 1871, he returned to Karlsruhe and moved to Berlin, where he taught intensively as a professor and worked as a freelance artist, became friends with the Prussian crown prince and princess (including giving drawing lessons to Crown Princess Victoria, who became his son's godmother), was appointed court painter and became A. v. W. became one of the busiest and most influential cultural functionaries in Germany, 1875-1915 director of the royal academy, 1891 stay on Sylt, 1875-77 and 1882-1911 member of the Prussian state art commission, 1878 and 1887 general commissioner of the German section at the world exhibitions in Paris and Melbourne, 1887-1895 and 1899-1901 chairman of the Berlin Artists' Association (member since 1871), 1899-1900 and 1902-06 Chairman of the Fine Arts Section of the Senate of the Berlin Academy, friendship with Adolph von Menzel, appointed "Wirklicher Geheimrat - Excellenz" in 1910, Werner was an honorary member of nine art academies and received numerous honours, including the Order "Pour le Mérite", Source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Mülfarth, "Anton von Werner - Geschichte in Bildern (Bartmann)", Müller-Singer, Seubert, Ries, Jansa, Feddersen "Schleswig-Holsteinisches Künstlerlexikon", Dressler and Wikipedia.

Estim. 150 - 225 EUR

Ernst-Werner Schulze, mixed lot of works on paper consisting of two nude drawings framed under passepartout and behind glass; cemetery with old gravestones in winter, mixed media on dark grey handmade paper; stretching female nude, etching and "Sogne-Fjord, Skizze von Fähre-Überfahrt", lithograph, four works monogrammed or signed, the lithograph minimally stained, sheet size max. approx. 53 x74 cm. Artist information: German graphic artist (1927 Dessau to 2005 Halle/Saale), from 1943 soldier in World War II and subsequently prisoner of war, apprenticeship as typesetter in Halle/Saale, 1950-56 studied at the Burg Giebichenstein University of Industrial Design in Halle under Walter Funkat, from 1959 lecturer at Burg Giebichenstein, from 1968 lecturer, 1968 doctorate, member of the VBK of the GDR, source: Eisold "Künstler in der DDR" and Wikipedia.

Starting price 200 EUR

Unidentified author Roman Forum, "Foro Romani preso dal Campidoglio", c. 1870 Large albumen print, mounted on cardboard, caption in Italian in the margin, damaged 41.5 x 55 cm (50 x 63.5 cm)

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