Null Anton HOFFMANN (1863-1938), 'Einkehr im Wirtshaus' / 'Stop at a tavern'
Tec…

Description

Anton HOFFMANN (1863-1938), 'Einkehr im Wirtshaus' / 'Stop at a tavern' Technique: oil on canvas, framed, Signature: signed lower left 'Anton Hoffmann Muenchen', Dimensions: 40.5 x 60.5 cm, frame 41.5 x 62 cm, Condition: stronger craquelure

401692

Anton HOFFMANN (1863-1938), 'Einkehr im Wirtshaus' / 'Stop at a tavern' Technique: oil on canvas, framed, Signature: signed lower left 'Anton Hoffmann Muenchen', Dimensions: 40.5 x 60.5 cm, frame 41.5 x 62 cm, Condition: stronger craquelure

Auction is over for this lot. See the results

You may also like

Estim. 450 - 675 EUR

Anton Jahn, attr, Reiterei auf der Landstraße dramatic scene with gnomelike horsemen with lances, pursuing a traveller in front of an inn with the inscribed inn sign "In der Sonne 1813", finely glazed animal and genre painting with a pointed brush, oil on canvas, inconspicuously signed and indistinctly dated "A. Jahn 1833 [or 1835]", on the reverse fragmentary printed label with handwritten number "L. Rettenmayer 966 Wiesbaden", craquelure, probably relined, colour loss, in need of restoration, framed in original gilt stucco frame (somewhat in need of restoration), rebate dimensions approx. 72.5 x 60.5 cm. Artist information: actually Anton Arnold Jahn, German genre, animal and portrait painter and lithographer (1810 Koblenz to 1841 Koblenz), mentioned as active in Koblenz, represented posthumously at the Berlin Academy Exhibition in 1842, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Brauksiepe "Künstlerlexikon - 250 Maler in Rheinland-Pfalz 1450-1950" and "Amtsblatt der Preußischen Regierung zu Koblenz: Nr. 6 für das Jahr 1834".

Estim. 120 - 180 EUR

Hermann Lindenschmit, attr., The Letter Two seated gentlemen at a pub table, one pensively drawing on his pipe, a second, wearing a hat and blue anorak, reading a letter, genre painting with concise brushwork and skilful use of light, probably a preliminary study for a larger painting with an identical motif, cf. L&B Auctions Essen, 23 April 2010, oil on cardboard, early 20th century, on the reverse in lead and on an adhesive label with annotations to the artist, extensive retouching, minor marginal defects due to framing, frame partially gilded and contemporary, folded dimensions approx. 20 x 32 cm. Artist information: actually Karl Heinrich Hermann Lindenschmit, German painter (1857 Frankfurt am Main). Painter (1857 Frankfurt am Main - 1939 Munich), grandson of the painter Wilhelm Lindenschmit the Elder (1806-1848) and son of the painter Wilhelm Ritter von Lindenschmit the Younger (1829-1895), from 1863 childhood and school years in Munich, studied at the Munich Academy from 1875-83 under Alexander Strähuber (1877-78), Ludwig von Löfftz (1878-81) and his father Wilhelm von Lindenschmit (1881-83), travelled to Italy, Tyrol and South Tyrol as well as the Bavarian mountains from 1883-84, Member of the Munich Artists' Cooperative, the "Künstlergruppe 48", the Munich Artists' Exhibition Association and the Reich Association of Visual Artists in Germany, exhibited at the Munich Glaspalast and the Munich Kunstverein from 1883-1930, the Berlin Academy Exhibitions and the Great Berlin Art Exhibitions as well as the Great German Art Exhibition in the House of German Art in Munich in 1937 and 1938, honoured with the Gold Medal of the Munich International Art Exhibition in 1913, active in Munich, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Matrikel der Münchner Akademie, Dressler, Boetticher, Müller-Singer, Bruckmann "Münchner Maler des 19./20th century", Bénézit, Busse, Ries and Internet.

Estim. 120 - 180 EUR

Christian Kröner, Roaring Stag An imposing roaring stag stands on a babbling brook at the edge of an autumnal mixed deciduous forest in a hilly landscape, its breath forming a cloud of mist in the cold air, In the background, a leaping deer crosses a meadow, another stag has already approached the deer and is attentively scrutinising the competitor from a distance, hunting painting executed in part with very fine brushstrokes, oil on wood, signed lower right "Ch. Kröner" and inscribed "D[...]" and dated "1901", illegible annotations on the frame verso, horizontal narrow tear in the support, this has already been restored in the left area of the painting, superficial soiling in the depths of the paint layer, framed, rebated dimensions approx. 18 x 26 cm. Artist information: actually Johann Christian Kröner, German hunting and landscape painter and engraver. Hunting and landscape painter and graphic artist (1838 Rinteln/Weser to 1911 Düsseldorf), apprenticed as a parlour painter, went to Munich to the Brannenburg artists' colony, where he became acquainted with Louis Hugo Becker, Wilhelm Busch, Carl Irmer and Julius Rollman, moved to Düsseldorf in 1863, joined the Malkasten artists' association there, travelled to Westphalia, Thuringia and Upper Bavaria on study trips, and trained as an autodidact, became known as a hunting painter, also gave private lessons, his pupils included Magda Helmcke (later his wife), Edmund Osthaus, Franz Gehrts and Anton Henker, received a gold medal at the Great Berlin Art Exhibition, appointed royal professor in 1893, represented at numerous world exhibitions, member of the Berlin Academy from 1885, source: Thieme-Becker and Internet.

Estim. 1 000 - 1 500 EUR

Christian Kröner, Flüchtende Rehe Light-flooded deciduous forest with two startled deer running towards the viewer, animal painting in friendly colours with a slightly impasto application of paint, oil on canvas, signed, inscribed and dated "Ch. Kröner D(üsseldorf) (18)92" lower right, minor retouches, in a magnificent, approx. 14 cm wide gold-bronzed frame with applications, folded dimensions approx. 80 x 105 cm. Artist information: actually Johann Christian Kröner, German hunting and landscape painter and engraver. Hunting and landscape painter and graphic artist (1838 Rinteln/Weser to 1911 Düsseldorf), apprenticed as a parlour painter, went to Munich to the Brannenburg artists' colony, where he became acquainted with Louis Hugo Becker, Wilhelm Busch, Carl Irmer and Julius Rollman, moved to Düsseldorf in 1863, joined the Malkasten artists' association there, travelled to Westphalia, Thuringia and Upper Bavaria on study trips, continuing his self-taught training, became known as a hunting painter, also gave private lessons, his pupils included Magda Helmcke (later his wife), Edmund Osthaus, Franz Gehrts and Anton Henker, received a gold medal at the Great Berlin Art Exhibition, appointed royal professor in 1893, represented at numerous world exhibitions, member of the Berlin Academy from 1885, source: Thieme-Becker and Wikipedia.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]