EURIPIDES Euripidou [Greek]. Euripidis tragoedia Hippolytus, quam, Latino carmin…
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EURIPIDES Euripidou [Greek]. Euripidis tragoedia Hippolytus, quam, Latino carmine conversam a Georgio Ratallero, adnotationibus instruxit Ludovicus Casparus Valckenaer Leiden J. Luzac & J. Le Mair 1768 4to: XXVIII-322-[11-1 bl.-6]-311-[1 bl.] pp. (minor marg. soiling or spotting). Contemp. gold-tooled vellum, covers with gilt arms within framework with corner pieces, spine with raised bands titled in ink, sp. edges (sl. soiled). Very good copy. Scholarly ed. incl. the Latin translation by Georg Rataller (1528-1581). Ref. STCN 238032841. - Hoffmann II:209. Joined: Idem - Euripidou [Greek] Euripidis tragoedia Phoenissae, interpretationem addidit Hugonis Grotii, Graeca castigavit e manuscriptis, atque adnotationibus instruxit, scholia subiecit, Ludovicus Casparus Valckenaer. Leiden, S. (III) & J. Luchtmans, 1802. 4to (some spotting). Contemp. gold-tooled vellum, covers with gilt arms and framework with corner pieces (sl. warping). Very good wide-margined copy. Scholarly ed. incl. the Latin version of Hugo Grotius. Ref. Hoffmann II:207. - TMD 500. Prov. Utrecht prize binding with arms on covers (Spoelder "Utrecht 6") for both vol. with the prize awarded 16 April 1821 to Fredericus Zevenhuijzen, signed by 5 curators in 1st vol; without prize in 2nd vol. (2 vol.)

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EURIPIDES Euripidou [Greek]. Euripidis tragoedia Hippolytus,

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Roman Marble Head of Euripides. 2nd century A.D. An impressive carved herm of the tragic author of the tragic author Euripides, portrayed as an elderly man with full beard and long hair forming compact, slightly wavy strands, radiating from a single point at the back of the head and combed forwards over the forehead; heavy brow and small mouth; cracked and repaired. Cf. for the famous copy in Museo Archeologico Nazionale di Napoli see Gasparri, C., (ed.), Le sculture Farnese, vol.2, 2009, pp.32ff., no.14, pl.14; cf. Richter, G.M.A., The Portraits of the Greeks, Vol. I, London, 1965, pp.133-140, illus.717-767, for an overview of the known ancient copies of the portrait of Euripides; among them we remember the one of the Getty Museum (inv. no.79.AA.133), a Roman copy from Lesbos dated at 2nd century A.D., in Antonaccio, C. M. ‘Style, Reuse, and Context in a Roman Portrait at Princeton,’ in Archaeologischer Anzeiger 3, (1992), pp.414-452, p.449, no.30. 7.46 kg, 25 cm (9 7/8 in.). Euripides was a classical Athenian playwright and one of the three great tragedians of ancient Greece, alongside Aeschylus and Sophocles. Born in 480 B.C., his work is renowned for its complex characters and psychological depth, often exploring the darker aspects of human nature and societal norms. Euripides' plays, such as Medea, The Bacchae, and Hippolytus, are marked by their innovative use of mythological themes to comment on contemporary issues. English private collection, acquired in the late 1970s/early 1980s. David Cambridge, Cheltenham. with Galerie Chenel, Paris, acquired from the above in 1998. French private collection, acquired from the above in 1999/2000. Ancient Marbles, Classical Sculpture and works of art; Sotheby's, London, 13 June 2016, no.49. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12191-222443. (For this specific lot, 5% import VAT is applicable on the hammer price.) [A video of this lot is available to view on Timeline Auctions Website]