Null From the Centre des Congrès de la Villette

THOMAS, Set of 4 Par 64 Classi…

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From the Centre des Congrès de la Villette THOMAS, Set of 4 Par 64 Classic Pro aluminum projectors A non-functional projector is included D: 26cm - D: 48cm Used condition

74

From the Centre des Congrès de la Villette THOMAS, Set of 4 Par 64 Classic Pro aluminum projectors A non-functional projector is included D: 26cm - D: 48cm Used condition

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Estim. 3 000 - 5 000 EUR

MALIVEL Jeanne (1895-1926) "Young boy with a sandwich". Oil on canvas signed lower left. In a large rustic molded wood frame with nails (Minor accidents, wear, canvas slightly distended, varnish dirty, stains). Height 53.5 cm x W 41.5 cm Provenance: Estate of Julien Bacon (1892-1980), by descent in the family. Jeanne Malivel (1895-1926), a figure of the Breton artistic revival at the beginning of the 20th century, unfortunately only had a very short production period. Although she died at the age of thirty-one, this multi-dimensional artist nevertheless produced a substantial body of work in ten years, inspired by Art Deco and animated by the spirit of Breton folklore. Originally from Loudéac in the Côtes d'Armor, this energetic young woman moved to Paris in 1916 to train at the Académie Julian, then at the Beaux-Arts. A committed artist and convinced Breton citizen, she also took courses in Celtic literature at the Collège de France and Breton lessons at the Cercle Celtique. Jeanne was very sensitive to the message of painter Maxime Maufra, whom she met in Pontivy in 1920 at the Congress of the Breton Regionalist Federation, and who urged artists to participate in Breton creation. She also met Maurice Denis and Georges Devallières, with whom she shared a taste for religious painting and medieval aesthetics. She joined them in the Art Sacré studio in Paris. In 1919, she joined the Breton regionalist group Unvaniez Yaounkiz Breiz, which brought together Breton artists living in Paris, including René Quillivic, James Bouillé and Suzanne and René-Yves Creston. In 1922, Jeanne published "Histoire de notre Bretagne", a partisan work hailed by Breton nationalists. Initially intended for children, the book was illustrated with some 72 woodcuts, a remarkable graphic work that was emulated by her students at the École des Beaux-Arts in Rennes. In the summer of 1923, Jeanne Malivel joined a group of enthusiastic militants who founded the "Seiz Breur" (Seven Brothers) movement. The group's ambition was to modernize Breton art, purifying it by adopting a clear line and unity of style in the manner of Quimper faience motifs. Alongside the Seiz Breur, Jeanne Malivel succeeded in presenting a set of furniture for "l'Osté", the Upper-Brittany common room, at the Exposition Internationale des arts décoratifs industriels modernes in Paris in 1925. This dining room combines the main characteristics of the Breton decorative style of the interwar period: modernity of form, simplicity, robustness and the desire to conceal nothing of the furniture's structure. Shortly afterwards, Jeanne married and gradually distanced herself from the movement. She settled in Vitré, where she died in 1926. The "Seiz Breur" movement (liquidated in 1947) celebrated its centenary last year. Our work is both a painting and an object of decorative art. The touching portrait of this fierce-looking child is set in the center of a wooden panel, worked and embellished with decorative nails. The piece features a small shelf at the top, probably intended for a votive statue. This work, unique in its unity and coherence, is one of the few pieces by the artist to bear witness to his talent, while at the same time reflecting a regional style. In July 2023, Jeanne Malivel's work was the subject of the exhibition "Jeanne Malivel (1895-1926), une artiste engagée" at the Forney Library in Paris. https://www.paris.fr/evenements/jeanne-malivel-1895-1926-une-artiste-engagee-32508

CANOGAR, RAFAEL (1934) Construction in glass, oil, collage of photography and paraffin on board Dated and signed lower area. right: "02 / Canogar"; inscription lower left area: "'ARMA'" Cat. 2002-046. Reproduced on the artist's website www.rafaelcanogar.com. PROVENANCE - Artist's collection, Madrid [2002, 2003, 2006]. - Private collection, Barcelona EXHIBITIONS - 2002. Rafael Canogar. Recent work. Granada, La General Cultural Center, Carmen of the Rodríguez-Acosta Foundation, June 6-July 14. - 2002. Rafael Canogar ontem e leaf. Porto (Portugal), Sala Maior, September 28-October 23 - 2003. Rafael Canogar. Reality and memory. 1992-2003. Madrid, Pablo Ruiz Picasso Gallery [Circle of Fine Arts], March 25-April 27 - 2003. Meetings of plastic artists from Castilla-La Mancha. Toledo, Santa Cruz Museum, July-September - 2003-04. Canogar. Warsaw, Palac w Królikarni, June 27-July 27, 2003 // Buenos Aires, National Museum of Fine Arts, November 12-December 11, 2003 // Monterrey, Mexico, Pinacoteca Centro de las Artes La Fundidora, February 19-April 4, 2004 / / / Mexico City, Antiguo Colegio San Ildefonso, April 22-June 20, 2004 // Montevideo, National Museum of Visual Arts, October 14-November 19, 2004 - 2004. Canogar. "Reality and Memory". Lisbon, Galeria António Prates Arte Contemporanea / Cascais (Portugal), Fundação D. Luís I Centro Cultural de Cascais, January 23-February 22 - 2004. Rafael Canogar. Madrid, Metta Gallery, December - 2006. Fragmentations. In Artesevilla 06, Contemporary Art Fair. Seville, Palace of Exhibitions and Congresses, January 19-23 (Special room on the occasion of the awarding of the Gold Medal of the Seville Contemporary Art Fair). - 2006. Canogar step by step. Vigo (Pontevedra), Caixanova Cultural Center / Caixanova Social Center, February 24-March 26 - 2006. Canogar. Destruction - Construction. Gijón (Asturias), Van Dyck Art Gallery, November 24-December 30 - 2007. Rafael Canogar. Barcelona, Barcelona Gallery, February 8-March 31 BIBLIOGRAPHY BIBLIOGRAPHY - BARNATÁN, Marcos-Ricardo: "Canogar from the dark to the light." In MARTÍN DE ARGILA, María Luisa and BARNATÁN, Marcos-Ricardo: Rafael Canogar. Reality and memory. 1992-2003. Madrid, Círculo de Bellas Artes, 2003 (Cit. page 16) [cat. exp.]. - CALVO SERRALLER, Francisco: Rafael Canogar. Recent work. Granada, Caja de Granada, Obra Social / Cruz Campo Foundation / Rodriguez-Acosta Foundation, 2002 (Repr. color s/page; cit. page 82, no. 28, with mixed technique on glass) [cat. exp.] - CALVO SERRALLER, Francisco: "Lo Última de Rafael Canogar" = "The latest from Rafael Canogar". In BONET [PLANES], Juan Manuel, MARTÍN DE ARGILA, María Luisa, CANOGAR, Rafael, CRISPOLTI, Enrico, AGUILERA CERNI, Vicente, NIETO ALCAIDE, Víctor and CALVO SERRALLER, Francisco: Canogar. Madrid, State Society for Foreign Cultural Action, SEACEX, 2003 (Repr. color page 109, with mixed technique on glass) [cat. exp.] - CANOGAR, Rafael: Canogar step by step. Vigo, Caixanova, 2006 (Color reproduction page 77, with mixed technique with crystals) [cat. exp.] - CANOGAR, Rafael: "Fragmentations". In Artesevilla 06, Contemporary Art Fair. Seville, Artesevilla, Contemporary Art Fair, 2006 (Color reproduction page 179, with mixed technique with crystals) [cat. exp.] - DELGADO BEDMAR, José Domingo and CORREDOR-MATHEOS, José: Encounters of plastic artists from Castilla-La Mancha. [Toledo], Foundation of Culture and Sports of Castilla-La Mancha, 2003 (Repr. color page 57, with mixed technique on glass; and dimensions 68 x 49 cm) [cat. exp.] - GEA, JC: "Canogar prepares its 'debut' in Asturias." The New Spain of Gijón (Gijón, Asturias), year LXX, no. 22,943, October 29, 2006, Gijón (Repr. color and cit. page 15, with mixed technique with crystals). - GARCÍA BERRIO, Antonio: " Rafael Canogar: constancy of the antithesis." Magazine of the West (Madrid), no. 347, April 2010 (Cit. page 109). - MARTÍN DE ARGILA, María Luisa and BARNATÁN, Marcos-Ricardo: Rafael Canogar. Reality and memory. 1992-2003. Madrid, Círculo de Bellas Artes, 2003 (Color reproduction page 73, with mixed technique on glass) [cat. exp.] - MOLINA, Margot: "'Arte Sevilla chooses its artists." El País (Seville), January 20, 2006, Andalusia (Repr. bl. and n. page 16). - MUÑOZ, Miguel Ángel: "Rafael Canogar: the passion for building spaces." In MUÑOZ, Miguel Ángel: Rafael Canogar. Madrid, Metta Gallery, 2004 (Cit. page 9) [cat. exp.]. - MUÑOZ, Miguel Ángel: "Rafael Canogar: the passion of building spaces". In MUÑOZ, Miguel Ángel: Canogar. Palma de Mallorca, Pelaires Center Cultural Contemporani, 2005 (Cit. page 10) [cat. exp.]. - MUÑOZ, Miguel Ángel: Convergence and setback. A look at contemporary art. Mexico DF, Conaculta / Fonca / Plan C Editores, 2008, La Mosca Muerta Collection, no. 20 (Cit. page 111) - MUÑOZ, Miguel Ángel: "Rafael Canogar: constant change." In MUÑOZ, Miguel Ángel: Rafael Canogar. Madrid, Álvaro Alcázar Gallery, 2009 (Cit. page 9) [cat.

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