Null JEAN-BAPTISTE BOUCHARDON. ARCHITECT AND SCULPTOR - Text by Henry Ronot
Two …

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JEAN-BAPTISTE BOUCHARDON. ARCHITECT AND SCULPTOR - Text by Henry Ronot Two volumes Volume I: 242 pages, 23 x 30 cm format, bound in full cloth with illustrated dust jacket Volume II: 280 pages, 23 x 30 cm format, hardcover, softcover nearly 300 illustrations in a master-binder's slipcase. - Faton - 2002

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JEAN-BAPTISTE BOUCHARDON. ARCHITECT AND SCULPTOR - Text by Henry Ronot Two volumes Volume I: 242 pages, 23 x 30 cm format, bound in full cloth with illustrated dust jacket Volume II: 280 pages, 23 x 30 cm format, hardcover, softcover nearly 300 illustrations in a master-binder's slipcase. - Faton - 2002

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Workshop of Jean-Baptiste Nini (1717-1786) Portrait of Benjamin Franklin (1706-1790) Terracotta medallion Signed and dated 'Nini F 1777'; set in a carved and gilded wooden frame D.: 11 cm (4 ¼ in.) An earthenware medallion depicting a portrait of Benjamin Franklin (1706-1790), workshop of Jean-Baptiste Nini (1717-1786)

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JEAN-BAPTISTE CARPEAUX (1827-1875) La Rieuse napolitaine n° 2 Model created in 1864 Bronze bust with shaded brown patina Signed "JB. Carpeaux" on the left shoulder Bears the stamp "PROPRIÉTÉ CARPEAUX" and the imperial eagle stamp on the reverse. The laughing Neapolitan girl n° 2, bronze sculpture with brown patina by Jean-Baptiste Carpeaux, created circa 1864 HEIGHT. 26 CM - H. 10,2 IN. Related literature Michel Poletti, Alain Richarme, Jean-Baptiste Carpeaux, sculpteur. Catalog raisonné de l'œuvre édité, Paris, Les Expressions contemporaines,2003, model listed under no. BU 48, p. 150. This is the portrait of Anna Foucart, eldest daughter of Jean-Baptiste Foucart, a close friend of Jean-Baptiste Carpeaux. The sculptor painted the young girl in 1860 and reused the model several times, adapting it for Rieuse napolitaine in 1863 and Rieuse aux roses in 1872. Here, the emphasis is on traditional Neapolitan costume, as a counterpart to the bust of Le Rieur napolitain, one of the Valenciennes sculptor's greatest successes.

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