Null Jakob Samuel WEIBEL (1771-1846)

'Cappelen bey Aarberg', Pieterlen, Bargen…

Description

Jakob Samuel WEIBEL (1771-1846) 'Cappelen bey Aarberg', Pieterlen, Bargen, Kalnach and Radelfingen 5 Aquatint on paper, dated 1823 and 1824 each approx. 10 x 16.5 cm, frame: from 19 x 25.5 cm to 32 x 26 cm

326

Jakob Samuel WEIBEL (1771-1846) 'Cappelen bey Aarberg', Pieterlen, Bargen, Kalnach and Radelfingen 5 Aquatint on paper, dated 1823 and 1824 each approx. 10 x 16.5 cm, frame: from 19 x 25.5 cm to 32 x 26 cm

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J. MECHAU (1745-1808), Salaro Bridge bei Rom, 1799, Etching Jakob Wilhelm Mechau (1745 Leipzig - 1808 Dresden): Ponte Salaro near Rome View of the Campagna, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "J. Mechau fece". At the lower part inscribed in the printing plate: "Ponte Salaro". lower left dated: "Roma 1793". Date: 1799 Description: A historical engraving shows a rural scene with a line of umbrellas in the foreground and a stone bridge, the Ponte Salaro, over a river in the centre. Figures in period dress enliven the scene, while a mountain is cut into the background. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Campagna Romana; engraving; historical; landscape; tree; stone bridge; river; figures; contemporary clothing; mountain; rural; culture; art; idyll; agriculture; nature; architecture; bridge; scenery; engraving, 18th century, Romanticism, Landscape, Italy, Rome (Latium), Size: Paper: 31,1 cm x 42,0 cm (12,2 x 16,5 in), Plate: 28,0 cm x 37,6 cm (11 x 14,8 in), Depiction: 24,7 cm x 35,7 cm (9,7 x 14,1 in)

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I. DUVIVIER (1758-1832), Okehampton Castle bei Devon, Watercolor Ignace Duvivier (1758 Rians (Var) / Marseille - 1832 Paris): Okehampton Castle bei Devon, 19th century, Watercolor Technique: Watercolor and Pen drawing on Paper, mounted on Paper Inscription: At the lower part inscribed by the artist's hand: "Le chateau d’Okenhampton, situé dans le centre de la comté de Devon que a eté continuelement en la possession de la maison de Courtenage Comte de Devonshire, jusqu‘ à ce que Edouard IV s’en [?] cette famille etait restée atachée à la branche royale de Lancaster. Lorsque Henri VII monta au thrône d’Angleterre, ce chateau fut restitueé aux Courtenages, mais quand Henri Courtenage fut mit a mort pour Crime de [?], ce chateau fut [?] confisqué au profit de la couronne et son fils heridetaire y fut même mit en prison pour céla jusque [?] a la reine Marie [?] fit sortir et le restitua dans ses dignitées et tres biens de les ancêtres.". numbered: "95.", "39)" und "15". Date: 19th century Description: View of the ruins of the Norman castle north of Dartmoor in Devon, which has towered over the West Okement River since the 11th century. However, the remains of the fortress still visible today date from the 14th century. Duvivier shows us the ruins in a landscape enlivened by lively rural life. (Later, in the 19th century, artists such as William Turner and Samuel John Birch used the ruin as a motif in some of their works). Provenance: Sammlung Ritter von Pfeiffer, Wien; Boerner, Leipzig, 1914 Keywords: Castle, Ruin, River, England, Great Britain, Landscape, Watercolour, Drawing, 19th century, Romanticism, Landscape, United Kingdom, Size: Paper: 25,2 cm x 41,5 cm (9,9 x 16,3 in)

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